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Vieux Carre was one of Tennessee Williams' first plays and one of his last -- begun in the late 30s but not completed until forty years later, near the end of the playwright's life. The premiere production was a major Broadway flop and, despite the importance of its writer, the play has been seldom produced since then. Now Raven Theatre has brought…
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The provocative title of Mike Bartlett's play, "Cock", refers to both sexuality and cock fighting. Profiles Theatre cast members Christopher Sheard, Jake Szczepaniak, Eleni Pappageorge and Torrey Hanson join Anne Nicholson Weber to discuss sex on stage, acting without thinking and what an actor's friends should wear to a performance.…
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What are the pleasures and pitfalls of composing incidental music for a play? Chicago composers Christopher Kriz (multiple Jeff award nominee, including for his music for Lifeline Theatre's 2013 production of Pride and Prejudice) and Daniel Knox (Jeff-nominated for his music for Mary Arrchie's production of The Glass Menagerie), and actor/violinist…
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What are the pleasures and pitfalls of composing incidental music for a play? Chicago composers Christopher Kriz (multiple Jeff award nominee, including for his music for Lifeline Theatre's 2013 production of Pride and Prejudice) and Daniel Knox (Jeff-nominated for his music for Mary Arrchie's production of The Glass Menagerie), and actor/violinist…
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What makes a text suitable for the signature circus-infused style of Lookingglass Theatre? Director David Catlin and Acrobatic/ Circus Choreographer Sylvia Hernandez-DiStasi join Anne Nicholson Weber to discuss their production of The Little Prince, adapted from Antoine de Saint-Exupery's beloved classic by Rick Cummins and John Scoullar.…
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Peter Oyloe, Jackie Intres and Christian Libonati. Christian talks about their latest show The Snow Queen, Jackie talks about the educational and community programs at the NW Side Chicago venue (Filament Theatre) and Peter talks about the new space and the plans for the near f…
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How -- and why -- would you tell the tragic story of the 1903 Iroquois Theatre disaster as a clown piece? Playwright/actor Jay Torrence and director Halena Kays join Anne Nicholson Weber to discuss the development of their unlikely and haunting hit, Burning Bluebeard, which was originally created at The Neo-Futurists and is now being remounted by T…
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What is it like to make a career in Chicago theatrical design? Scenery designer Angie Weber Miller and costume designer Emily Waecker -- both 2013 Equity Jeff Award winners -- join Anne Nicholson Weber to talk about their careers, their processes and their award-winning designs.Av Talk Theatre In Chicago
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What are the special challenges of making theatre for a young audience? Why is "simple" difficult? Director Henry Godinez and actors Karl Hamilton and Mark David Kaplan join Anne Nicholson Weber to discuss Chicago Children's Theatre's production of A Year with Frog and Toad, a family musical adapted by Robert Reale and Willie Reale from the childre…
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For two decades, Michael Shannon and Guy Van Swearingen have been making theatre at 1531 N. Wells Street, the home of A Red Orchid Theatre. On this week's podcast, Guy and Michael join Anne Nicholson Weber to discuss their partnership of 20 years and their current collaboration in Sam Shepard's Simpatico.…
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How do you make it funny? Director William Brown and cast members Laura Rook and Nate Burger join Anne Nicholson Weber to talk about the comedy - verbal, physical and situational - in Writers Theatre's production of David Ives play, The Liar, adapted from Pierre Corneille's 17th century script.Av Talk Theatre In Chicago
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The prolific Cole Porter wrote nearly 900 songs. So if you set out to create an original revue of his work, where do you begin? And where do you end up? Theo Ubique Artistic Director Fred Anzevino and music director Aaron Benham join Anne Nicholson Weber to discuss their current revue, A Cole Porter Songbook.…
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What is it like to make a life in the musical theatre? Elizabeth Lanza has been working in Chicago storefront theatre for several years and is now making her equity debut as Nellie in Marriott Theatre's South Pacific. Broadway veteran Stephen Buntrock plays her Emile. They join Anne Nicholson Weber to talk about the challenges and rewards of their …
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What does it mean to a playwright to be a member of an ensemble? Tarell Alvin McCraney joined the Steppenwolf ensemble in 2010 during the run of his trilogy, The Brother/Sister Plays. He's back in Chicago for the world-premiere of his Steppenwolf-commissioned play, Head of Passes. He and Steppenwolf Artistic Director, Martha Lavey, join Anne Nichol…
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Transformation is both the subject and the central technique of Marie Jones' Stones in His Pockets, currently playing at Northlight Theatre. Director J.R. Sullivan and actors Brian Vaughn and David Ivers join Anne Nicholson Weber to talk about how they created signature gestures and silhouettes to distinguish the 15 characters that Vaughn and Ivers…
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Alexis J Rogers who plays Billie Holiday in Porchight Music Theatre's production of Lady Day at Emerson's Bar and Grill. She tells about how she studied Billie Holiday's life and singing style and how emotionally draining her role is. She also talks about her many roles in Chi…
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How does a play get written? In particular, how does a verse play about two college English teachers lecturing on the poetry of William Blake to save their jobs after having public sex on the campus green get written? Mickle Maher joins Anne Nicholson Weber to talk about the genesis of his play, There Is A Happiness That Morning Is, which is curren…
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Circle Theatre, resident in Forest Park and then Oak Park for over 25 years, has moved to Chicago with a remount of their acclaimed production of When the Rain Stops Falling, currently playing at the Greenhouse Theater. Cast members Anita Hoffman, Catherine Price-Griffin and Mary Redmon join Anne Nicholson Weber to talk about Australian playwright …
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How do you cast a new light on a classic? Hans Fleischmann, director of Mary Arrchie's current hit production of Tennesse Williams' The Glass Menagerie, along with cast members Joanne Dubach and Walter Briggs, join Anne Nicholson Weber to discuss Fleischmann's concept for the production, the avant garde elements of Williams' original conception of …
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Seventeen years ago, actors Brad Armacost, Lia Mortensen and Si Osborne starred in a production of Brian Friel's Faith Healer that took Chicago by storm, running four months in a tiny storefront space and then joining the line-up in Steppenwolf's inaugural studio theatre series. They are remounting that production at The Den Theatre, again under th…
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with John Reeger - the actor and the playwright of four musicals with the late Julie Shannon. He talks about The Christmas Schooner and how he and Julie collaborated to write musicals. He also talks about the memorial celebration of Julie Shannon's life and work.…
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The American Blues Theater has been presenting a version of It's a Wonderful Life: Live! at the Biograph every holiday season for the last eight years Four members of the cast -- Kevin R. Kelly, John Mohrlein, Gwendolyn Whiteside and Shawn J. Goudie.- join Anne Nicholson Weber to talk about the history of this perennial Chicago favorite, the style …
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What's it like to reprise a role you first played 14 years ago? Lookingglass actors Raymond Fox, Doug Hara and Louise Lamson join Anne Nicholson Weber to talk about their long association with Mary Zimmerman's play Metamorphoses, how to keep a performance alive and fresh over a long run, and how their performances have changed over time.…
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Education and outreach are a big part of what many Chicago theatres do. Three leaders in this field -- Hallie Gordon (Artistic and Education Director For Young Adults at Steppenwolf Theatre), Marilyn Halperin (Director of Education and Communications at Chicago Shakespeare Theater) and Nicole O'Connell (Director of Education at Writers Theatre) -- …
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How and why do you put science on stage? This week's podcast features two of the artists involved with the production of Peter Parnell's QED, currently being produced by theatre4humanity and Collaboraction. Rob Riley plays physicist Richard Feynman in the show; Matthew Grayson designed the sound and graphics. Matt is also a professor of engineering…
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