Artwork

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377: Bright Spark: The Reconciliation of Artist Trevor Southey: A Conversation with Director Nathan Florence

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Manage episode 318021127 series 79857
Innhold levert av Open Stories Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Open Stories Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Painter, now documentary film maker and producer Nathan Florence joins me to discuss ‘Bright Spark: The Reconcilation of Trevor Southey’

For eleven years, artist Nathan Florence documented Trevor Southey's life with his heart and with his lens in order to tell an unfolding story that ended in Trevor’s death in 2015.

It’s an unusual documentary but nonetheless affecting because like a painting it constantly unfolds. The film is a soft place among the polarized voices of LDS folk in and out of the church, because it has no agenda beyond the story of art as an expression of the deepest musings of humanity; How it's made; at what cost; who it's for, and mostly, how does it change lives?

  continue reading

410 episoder

Artwork
iconDel
 
Manage episode 318021127 series 79857
Innhold levert av Open Stories Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Open Stories Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Painter, now documentary film maker and producer Nathan Florence joins me to discuss ‘Bright Spark: The Reconcilation of Trevor Southey’

For eleven years, artist Nathan Florence documented Trevor Southey's life with his heart and with his lens in order to tell an unfolding story that ended in Trevor’s death in 2015.

It’s an unusual documentary but nonetheless affecting because like a painting it constantly unfolds. The film is a soft place among the polarized voices of LDS folk in and out of the church, because it has no agenda beyond the story of art as an expression of the deepest musings of humanity; How it's made; at what cost; who it's for, and mostly, how does it change lives?

  continue reading

410 episoder

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