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In Conversation: James Hawes and Jessica Hobbs on One Life

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Manage episode 382638818 series 1932710
Innhold levert av Directors UK. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Directors UK eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
As part of our In Conversation season, James Hawes sat down with fellow director Jessica Hobbs to discuss his theatrical feature debut One Life, the true story of Sir Nicholas 'Nicky' Winton, a young London broker who rescued 669 children from the Nazis in the months leading up to World War II. James and Jessica had a brilliant deep dive into James’ approach to his craft, discussing shooting on location in Prague, collaborating with key creatives to create a particular visual tone and establish an authentic period setting, and preparing the cast and crew for filming some of the film’s most sensitive scenes. James also touched on the responsibility he felt when showing the final edit to Nicholas Winton’s family, and the complexities of representing real people on screen. (Image credit: Hollie Forson)
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116 episoder

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iconDel
 
Manage episode 382638818 series 1932710
Innhold levert av Directors UK. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Directors UK eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
As part of our In Conversation season, James Hawes sat down with fellow director Jessica Hobbs to discuss his theatrical feature debut One Life, the true story of Sir Nicholas 'Nicky' Winton, a young London broker who rescued 669 children from the Nazis in the months leading up to World War II. James and Jessica had a brilliant deep dive into James’ approach to his craft, discussing shooting on location in Prague, collaborating with key creatives to create a particular visual tone and establish an authentic period setting, and preparing the cast and crew for filming some of the film’s most sensitive scenes. James also touched on the responsibility he felt when showing the final edit to Nicholas Winton’s family, and the complexities of representing real people on screen. (Image credit: Hollie Forson)
  continue reading

116 episoder

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