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Njoroge M. Njoroge, "Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean" (UP of Mississippi, 2016)
Manage episode 287132234 series 2503372
In Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean (University Press of Mississippi, 2016), Dr. Njoroge M. Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptually integrated within the larger history of the region. Njoroge examines the deep interrelations between music, movement, memory, and history in the African diaspora. He finds the music both a theoretical anchor and a mode of expression and representation of Black identities and political cultures. Music and performance offer ways for the author to re-theorize the intersections of race, nationalism and musical practice, and geopolitical connections. Further, music allows Njoroge a reassessment of the development of the modern world system in the context of local, popular responses to the global age. The book analyzes different styles, times, and politics to render a brief history of Black Atlantic sound.
Dr. Njoroge Njoroge is Associate Professor in the Department of History at the University of Hawai’i, Mānoa.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
361 episoder
Manage episode 287132234 series 2503372
In Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean (University Press of Mississippi, 2016), Dr. Njoroge M. Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptually integrated within the larger history of the region. Njoroge examines the deep interrelations between music, movement, memory, and history in the African diaspora. He finds the music both a theoretical anchor and a mode of expression and representation of Black identities and political cultures. Music and performance offer ways for the author to re-theorize the intersections of race, nationalism and musical practice, and geopolitical connections. Further, music allows Njoroge a reassessment of the development of the modern world system in the context of local, popular responses to the global age. The book analyzes different styles, times, and politics to render a brief history of Black Atlantic sound.
Dr. Njoroge Njoroge is Associate Professor in the Department of History at the University of Hawai’i, Mānoa.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
361 episoder
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