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Innhold levert av Karlheinz Essl. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Karlheinz Essl eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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TAU XII - Jesus dying on the cross (2021) for mezzo soprano, flute, clarinet, horn & accordion

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Manage episode 304704738 series 1156058
Innhold levert av Karlheinz Essl. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Karlheinz Essl eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
TAU is a 14-part ensemble piece for flute, clarinet, french horn, accordion, violoncello and voice. It was developed collaboratively by the composers Karlheinz Essl, Tanja Elisa Glinsner, Jakob Gruchmann-Bernau and Till Alexander Körber during the COVID pandemic 2020/2021. TAU XII was written by Karlheinz Essl and had its premier on Sep 18th, 2021 at the seminar church of Tanzenberg/Plešivec (Carinthia), performed by Tanja Elisa Glinsner: mezzo soprano, Elisabeth Möst: flute, Andreas Schablas: clarinets, Daniel Loipold: french horn, Eva Maria Mitter: accordion, Barbara Körber: cello and conducted by Jakob Gruchmann-Bernau. https://www.essl.at/works/TAU.html The central point of departure is the 14-part picture cycle The Blue TAU of Hope (The Piran Way of the Cross) by the Slovenian-Carinthian painter Valentin Oman, born in 1935, which is currently on display in the parish church of Tanzenberg/Plešivec. The form of the cycle is intended to trace the shape of a cross, which also determines the instrumentation of the individual stations. Each of the composers has individually composed three of these stations; the first and last were worked out together. By way, different individual styles come together, which, however, come to unity in the overall work. This finds its climax in two jointly composed movements where the divergent individual styles are fused together by a common harmonic conception. Thus, TAU can also be seen as a symbol of the integration of diversity and different identities.
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290 episoder

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iconDel
 
Manage episode 304704738 series 1156058
Innhold levert av Karlheinz Essl. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Karlheinz Essl eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
TAU is a 14-part ensemble piece for flute, clarinet, french horn, accordion, violoncello and voice. It was developed collaboratively by the composers Karlheinz Essl, Tanja Elisa Glinsner, Jakob Gruchmann-Bernau and Till Alexander Körber during the COVID pandemic 2020/2021. TAU XII was written by Karlheinz Essl and had its premier on Sep 18th, 2021 at the seminar church of Tanzenberg/Plešivec (Carinthia), performed by Tanja Elisa Glinsner: mezzo soprano, Elisabeth Möst: flute, Andreas Schablas: clarinets, Daniel Loipold: french horn, Eva Maria Mitter: accordion, Barbara Körber: cello and conducted by Jakob Gruchmann-Bernau. https://www.essl.at/works/TAU.html The central point of departure is the 14-part picture cycle The Blue TAU of Hope (The Piran Way of the Cross) by the Slovenian-Carinthian painter Valentin Oman, born in 1935, which is currently on display in the parish church of Tanzenberg/Plešivec. The form of the cycle is intended to trace the shape of a cross, which also determines the instrumentation of the individual stations. Each of the composers has individually composed three of these stations; the first and last were worked out together. By way, different individual styles come together, which, however, come to unity in the overall work. This finds its climax in two jointly composed movements where the divergent individual styles are fused together by a common harmonic conception. Thus, TAU can also be seen as a symbol of the integration of diversity and different identities.
  continue reading

290 episoder

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