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Love's Labour's Won
Manage episode 291392981 series 2832322
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David Ossman reads Love's Labour's Won, by Scott Kaiser. David then shares his response to the story. Next, Scott and Olena discuss the inspiration behind the story, and the play on which it's based.
Tales from the Vomitorium: 38 Short Stories by Scott Kaiser is sponsored in part by Whidbey Telecom, the Goosefoot Community Fund, and The Goose Community Grocer.
David Ossman (he/him; Reader) David's career as writer and performer extends sixty years back to the earliest years of FM and non-commercial radio, through the rock-and-roll LP and touring era, and continues in theatre productions, memoirs, and historical mystery novels. Best known as a founding member of the four-man Firesign Theatre, with more than 20 comedy albums, two Grammy nominations and many, many hours of recorded radio and stage performances to their credit, Ossman’s solo audio work includes “How Time Flys,” for Columbia Records. The Firesign Archive is in the collection of the Library of Congress. Read more about David at islandshakespearefest.org
Scott Kaiser (he/him; Author) is a nationally recognized master teacher of acting and voice, as well as a director, playwright, and author. For 28 seasons, Scott served as a member of the artistic staff at the Oregon Shakespeare Festival in Ashland, where he directed, adapted, coached, or performed in all 38 of Shakespeare’s plays. Scott is the author of four books on Shakespeare: Have Shakespeare, Will Travel; The Tao of Shakespeare; Shakespeare’s Wordcraft; and Mastering Shakespeare. He has also penned several original plays, including Falstaff in Love, Love’s Labor’s Won, Now This, Splittin’ the Raft, and Shakespeare’s Other Women: A New Anthology of Monologues. Scott has directed at numerous theatre training programs around the country, including Carnegie-Mellon University, The University of Washington, Duke University, Seattle University, Santa Clara University, the University of Oregon, and Southern Oregon University. Scott holds an ADVS from the Royal Central School of Speech and Drama in London, an MFA from the University of Washington Professional Actor Training Program in Seattle, and a BA from the University of Michigan in Ann Arbor.
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