In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Episode 79: Amalia Ulman on El Planeta, Venice films, Chinese independents, and more
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Manage episode 302965114 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. One of my favorite debuts in a while is El Planeta, directed by and starring Amalia Ulman. She plays a designer who lives with her mother (played by Ulman’s mother) but they’re both going broke. So they’re making ends meet any way they can, which for her mother might include a little light scamming. It’s a movie with many layers, both funny and poignant, about keeping up appearances and about the complicated bond between mother and daughter. In many ways it builds on Ulman’s extensive art practice, which plays with class, identity, fashion, and how we have to present and re-present ourselves to the world. Ulman was raised in Gijón, Spain, where the movie is set, and she's based in New York. I already had the pleasure of interviewing Ulman at length for Screen Slate, and so this time I was able to spend more time than usual talking about the wonderful movies she’s been watching. But first our Zoom conversation was interrupted by a surprise guest... You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
…
continue reading
237 episoder
MP3•Episoder hjem
Manage episode 302965114 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. One of my favorite debuts in a while is El Planeta, directed by and starring Amalia Ulman. She plays a designer who lives with her mother (played by Ulman’s mother) but they’re both going broke. So they’re making ends meet any way they can, which for her mother might include a little light scamming. It’s a movie with many layers, both funny and poignant, about keeping up appearances and about the complicated bond between mother and daughter. In many ways it builds on Ulman’s extensive art practice, which plays with class, identity, fashion, and how we have to present and re-present ourselves to the world. Ulman was raised in Gijón, Spain, where the movie is set, and she's based in New York. I already had the pleasure of interviewing Ulman at length for Screen Slate, and so this time I was able to spend more time than usual talking about the wonderful movies she’s been watching. But first our Zoom conversation was interrupted by a surprise guest... You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
…
continue reading
237 episoder
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