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Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Episode 81: Todd Haynes on The Velvet Underground

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Manage episode 305003168 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. Todd Haynes’s documentary about The Velvet Underground is not just a musical feast, as one would expect, but it’s also a visually rich and polyphonic work. Haynes has explored the mythology of glam rock and the many faces of Bob Dylan in his fiction films, and he turns his first documentary into a kind of multichannel installation for the cinema screen, putting Andy Warhol’s Screen Test series of filmed portraits into dialogue with other pictures and people. The movie does the same thing with its sense of history, situating the Velvet Underground in relation to the avant-garde music and arts scene of 1960s New York. I recently spoke with Haynes about his use of Warhol’s films; the role of queerness in the identity of The Velvet Underground and Lou Reed; and which clip became a keystone for the entire film. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
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234 episoder

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iconDel
 
Manage episode 305003168 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. Todd Haynes’s documentary about The Velvet Underground is not just a musical feast, as one would expect, but it’s also a visually rich and polyphonic work. Haynes has explored the mythology of glam rock and the many faces of Bob Dylan in his fiction films, and he turns his first documentary into a kind of multichannel installation for the cinema screen, putting Andy Warhol’s Screen Test series of filmed portraits into dialogue with other pictures and people. The movie does the same thing with its sense of history, situating the Velvet Underground in relation to the avant-garde music and arts scene of 1960s New York. I recently spoke with Haynes about his use of Warhol’s films; the role of queerness in the identity of The Velvet Underground and Lou Reed; and which clip became a keystone for the entire film. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
  continue reading

234 episoder

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