“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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Finding A Home For Your Short Story with Author Anne Elliott
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Manage episode 287685034 series 2488892
Innhold levert av mswlacademy. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av mswlacademy eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
We are so happy to share this with you! This episode was live-recorded March 2021. Want to watch the free video version instead? Head to https://manuscriptacademy.com/anne-elliott. Want an email about upcoming free events? Head to https://manuscriptacademy.com/subscribe. Many of us learn fiction writing via short stories—and many of us fall in love with the form and stick with it. But how do we get our stories into the hands of readers, when agents aren’t interested in them? How do we know when a story is ready to send? And where to send it? What are realistic expectations with respect to response times, acceptance rates, payment, and editorial input? This class will go over the basic norms, procedures, and etiquette of being your own short story agent, review strategies for targeting markets and record keeping, and field questions. Your instructor has been finding readers via the slush pile for years—it can be done. Anne Elliott is the author of The Artstars: Stories (Indiana University Press) and The Beginning of the End of the Beginning (Ploughshares Solos). Her short fiction can be found in Story, A Public Space, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review, Fifth Wednesday Journal, and elsewhere. Elliott is a veteran of the New York spoken word circuit, with stage credits including The Whitney Museum, Lincoln Center, PS122, and Woodstock '94. Her fiction has been awarded support from The Story Foundation, Vermont Studio Center, The Normal School, Table 4 Writer's Foundation, and The Bridport Prize. She holds an MFA in fiction writing from Warren Wilson College, and lives in Portland, Maine. Learn more at http://www.anneelliottstories.com.
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231 episoder
MP3•Episoder hjem
Manage episode 287685034 series 2488892
Innhold levert av mswlacademy. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av mswlacademy eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
We are so happy to share this with you! This episode was live-recorded March 2021. Want to watch the free video version instead? Head to https://manuscriptacademy.com/anne-elliott. Want an email about upcoming free events? Head to https://manuscriptacademy.com/subscribe. Many of us learn fiction writing via short stories—and many of us fall in love with the form and stick with it. But how do we get our stories into the hands of readers, when agents aren’t interested in them? How do we know when a story is ready to send? And where to send it? What are realistic expectations with respect to response times, acceptance rates, payment, and editorial input? This class will go over the basic norms, procedures, and etiquette of being your own short story agent, review strategies for targeting markets and record keeping, and field questions. Your instructor has been finding readers via the slush pile for years—it can be done. Anne Elliott is the author of The Artstars: Stories (Indiana University Press) and The Beginning of the End of the Beginning (Ploughshares Solos). Her short fiction can be found in Story, A Public Space, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review, Fifth Wednesday Journal, and elsewhere. Elliott is a veteran of the New York spoken word circuit, with stage credits including The Whitney Museum, Lincoln Center, PS122, and Woodstock '94. Her fiction has been awarded support from The Story Foundation, Vermont Studio Center, The Normal School, Table 4 Writer's Foundation, and The Bridport Prize. She holds an MFA in fiction writing from Warren Wilson College, and lives in Portland, Maine. Learn more at http://www.anneelliottstories.com.
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231 episoder
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