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Innhold levert av The New Statesman. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The New Statesman eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Could you save Labour's bacon?| Interactive political theatre

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Manage episode 301244865 series 2334264
Innhold levert av The New Statesman. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The New Statesman eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Stephen Bush interviews Tom Black and Owen Kingston, the writer and director of the interactive political play Crisis What Crisis, which gives the audience the chance to see if they could have survived the winter of discontent better than the Callaghan government.

They discuss the perils of making interactive theatre for a knowledgable audience, why Monopoly is an awful board game and what you should be playing instead.

For more information on Crisis What Crisis, and details of future performances, vist the Parabolic Theatre company.

If you have a question for You Ask Us, email podcasts@newstatesman.co.uk



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

921 episoder

Artwork
iconDel
 
Manage episode 301244865 series 2334264
Innhold levert av The New Statesman. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The New Statesman eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Stephen Bush interviews Tom Black and Owen Kingston, the writer and director of the interactive political play Crisis What Crisis, which gives the audience the chance to see if they could have survived the winter of discontent better than the Callaghan government.

They discuss the perils of making interactive theatre for a knowledgable audience, why Monopoly is an awful board game and what you should be playing instead.

For more information on Crisis What Crisis, and details of future performances, vist the Parabolic Theatre company.

If you have a question for You Ask Us, email podcasts@newstatesman.co.uk



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

921 episoder

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