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Innhold levert av Poetry Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Poetry Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Kevin Simmonds and Anthony Davis in Conversation

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Manage episode 292800334 series 2855735
Innhold levert av Poetry Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Poetry Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This week we visit the opera. Writer and musician Kevin Simmonds and Pulitzer Prize-winning composer Anthony Davis discuss Black sound, Black church, and the future of opera. Davis has been making operas rooted in Black history for over thirty years. X, The Life and Times of Malcolm X, premiered in 1986. Today you’ll hear from X, and his opera Amistad, which revisits the story of the Middle Passage.

Simmonds’s new book, The Monster I Am Today: Leontyne Price and a Life in Verse, skillfully travels through the life of one of classical music’s greatest virtuosos. Leontyne Price remains one of the twentieth century’s most revered opera singers, and the first Black opera singer to achieve such international acclaim. The book is structured operatically into overture, acts, and postlude, uncovering complex layers of music history, biography, and the body itself. How do our bodies sound? Why do they sound that way?

Simmonds reads from The Monster I Am Today, featured in the April 2021 issue of Poetry.

  continue reading

100 episoder

Artwork
iconDel
 
Manage episode 292800334 series 2855735
Innhold levert av Poetry Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Poetry Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This week we visit the opera. Writer and musician Kevin Simmonds and Pulitzer Prize-winning composer Anthony Davis discuss Black sound, Black church, and the future of opera. Davis has been making operas rooted in Black history for over thirty years. X, The Life and Times of Malcolm X, premiered in 1986. Today you’ll hear from X, and his opera Amistad, which revisits the story of the Middle Passage.

Simmonds’s new book, The Monster I Am Today: Leontyne Price and a Life in Verse, skillfully travels through the life of one of classical music’s greatest virtuosos. Leontyne Price remains one of the twentieth century’s most revered opera singers, and the first Black opera singer to achieve such international acclaim. The book is structured operatically into overture, acts, and postlude, uncovering complex layers of music history, biography, and the body itself. How do our bodies sound? Why do they sound that way?

Simmonds reads from The Monster I Am Today, featured in the April 2021 issue of Poetry.

  continue reading

100 episoder

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