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Innhold levert av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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178 | The Holdovers Writer David Hemingson On Finding Humanity In Our Characters

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Innhold levert av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.

JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

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247 episoder

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Innhold levert av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.

JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

247 episoder

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