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MIAAW.net

Sophie Hope & Owen Kelly

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Miaaw.net: four monthly series, one a week, audio essays, conversations and discussions about cultural democracy and the commons. Week 1: Meanwhile in an Abandoned Warehouse Week 2: Genuine Inquiry Week 3: A Culture of Possibility Week 4: Common Practice What is cultural democracy? How can we move towards it? How likely are we to achieve it? What does it have to do with "the arts"? What does it have to do with a post-digital future? What does it have to do with the commons?
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MIAA Weekly

Jesse Cordova

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Each week, we'll explore a topic that is relevant to the MIAA. Whether it's the addition of a non-conference slate, league standings, or the most recent action on the field... MIAA Weekly is your source for all things MIAA
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Welcome to The Carmilla Miaa Podcast! The show where we talk human design while delving into captivating conversations about mind, body, and soul. I'm your host, Carmilla and I'm thrilled to have you here with us today. Whether you're a long-time listener or a first-time visitor, we've got some amazing episodes lined up for you. So, sit back, relax, and get ready to spend some time with me.
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Nisha Duggal is an artist working across various mediums, exploring expressions of freedom in the everyday. She is interested in the transformative qualities of making and doing, engineering situations that uncover deep-seated primitive impulses to connect. In this episode, she tells us about Held, a multi-platform project in which she guided peopl…
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Owen Kelly looks at three things that seem to have occurred over the last few months: 1. The failure of cultural democrats in Britain to present a manifesto, policy proposals, or cultural programme to the incoming Labour government; 2. Our collective failure to write our own narrative, and thus our reliance on perpetually opposing the dominant narr…
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Take A Part organises Social Making: “the UK’s only biennial symposium dedicated to socially engaged art practice, co-creation, and place-making”. For the fifth edition of the symposium Take A Part moved from their base in Plymouth to host the event in Bristol. It took place at Brix on October 10 and 11, with support from the Calouste Gulbenkian Fo…
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In episode 45 of A Culture of Possibility, Arlene Goldbard and François Matarasso continue a discussion they began in episode 42. They talk about words that are used in our fields of work: how they are used, why, and the impact they may have. This time, they focus on community, its use and misuse; intuition, discernment, and truth, three related wo…
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Paul Crook is an artist, and also head of Communities and Learning at South London Gallery. We talk about his work with young people in both community art and gallery education settings, and creative strategies to facilitate listening. Paul uses mind maps to think with young people about artworks and programmes; one young person comedically calls h…
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Sara Selwood has worked in the publicly-funded cultural sector for over 40 years in various capacities, including as editor of the cultural policy journal Cultural Trends since it was first published in 1994. Having started out as an artist, she was an art historian and gallery director before becoming a cultural analyst and working as researcher, …
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Guildhall De-Centre focuses on the support structures, networks and collaborations that form the basis of socially engaged practices by developing a community of researchers, practitioners, producers, teachers and administrators at Guildhall School. Sophie Hope talks to Sean Gregory and Jo Gibson about the new De-Centre for Socially Engaged Practic…
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Arlene Goldbard and François Matarasso talk with William Frode de la Foret, Art Director of Cork Community Art Link in Ireland for the past 30 years. Cork Community Art Link “work with people to create a sense of community identity and collective pride enabling people to learn more about themselves and the world around them all the while having fun…
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Arc Theatre is an Essex-based company that uses Forum Theatre and participatory drama activities to consider tough issues with audiences. Originally founded in 1984, Arc specialises in producing and performing original, live theatre, and delivering interactive, multi-media awareness programmes. They work with children and young people in schools an…
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According to their web site, “Take A Part are the UK's leading socially engaged art (SEA) organisation, dedicated to supporting, furthering and sustaining SEA practice, community co-creation and community embedding placemaking in the UK. We take a community-first approach to culture, supporting areas and people underrepresented and underserved in o…
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Every year some months have five Fridays, and every time this happens we find something to do there: something out of our normal schedule. We try to adopt an annual theme. In 2021 we played music licensed under creative commons licences; in 2022 we found four old radio shows; and in 2023 we looked back to four early episodes of Meanwhile in an Aban…
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Barry Sykes lives and works in Walthamstow, London. He makes sculptures, drawings and performance about authenticity, interaction and pleasure, often working at the edges of value, skill and acceptable behaviour. Recent projects have looked at fake laughter exercises, social nudity and sauna culture, using group participation and various handmade p…
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On episode 43 of A Culture of Possibility, Arlene Goldbard and François Matarasso talk with France Trépanier and Chris Creighton-Kelly, based in British Columbia. France is a visual artist, curator and researcher of Kanien’kéha:ka and French ancestry; Chris is an interdisciplinary artist, writer and cultural critic born in the UK with South Asian/B…
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Artist Jorge Lucero is Full Professor of Art Education in the School of Art + Design. For eight years he was the Chair of the Art Education Program. Now he serves as Associate Dean for Research in the College of Fine and Applied Arts. Lucero studied at the Pennsylvania State University and at the School of the Art Institute of Chicago. Prior to bei…
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Susan Jones worked as the director of a-n The Artists Information Company from 1980 to 2014. Her doctoral thesis Artists livelihoods: the artists in arts policy conundrum, Manchester Metropolitan University 2015-2019, exposed baseline flaws in the interrelationship between arts policies and artists’ livelihoods over the last 30 years and articulate…
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On April 26 and 27, 2019, seven months before Jeremy Corbyn led the British Labour party to unexpected defeat in a general election, the Raymond Williams Society held its annual conference. Now, in July 2024, as Keir Starmer celebrates a landslide victory for the Labour party, and a new Labour government prepares its long-term agenda, we present a …
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It’s episode 42 of A Culture of Possibility, which means no guest this time. Arlene Goldbard and François Matarasso talk about some of the words commonly used in discussions of cultural democracy and community-based arts, include culture, art, authenticity and creativity. Humpty Dumpty may have said “When I use a word, it means exactly what I choos…
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In this ninth episode of ‘Ways of Listening’, socially engaged artist and PhD researcher Alex Parry explores workshop practices in depth. Alex’s bio describes her long-term interest in ‘how things form communities’. She has a history of working in public spaces, creating events and objects that encourage collective experiences. In a conversation wi…
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According to Gregory Kyle Klug, in a review on Amazon, “Schumacher’s A Guide for the Perplexed is the author’s response to the philosophical juggernaut of materialism in the western world. In it, he exposes the intellectual and spiritual poverty of the view that man is nothing more than a naked ape with advanced computing power; that all reality an…
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In this episode Sophie talks to Ben Jones, founder of Dingy Butterflies, a community arts organisation based in Gateshead, in the North East of England. Ben gives us some background to the organisation and an insight into a recent citizen science and arts project called Bees of Bensham. We learn something about the myths of bees, and that while the…
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Natalia “Nati” Linares is a cultural organizer and communications strategist who works to expand the horizons for economic fairness and stability to the creative community. Through her work as artist and communications organizer and cofounder of Art.coop, an organization that addresses inequality among artists and culture workers, she helps creativ…
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Sound artist and composer Simon James reflects on his recent project with young people in Whitehawk, initiated as part of the Class Divide campaign - fighting against the educational attainment gap in East Brighton. Sounds recorded during workshops, both on the Whitehawk housing estate and on an adjacent archaeological site, formed part of the exhi…
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Owen Kelly and Sophie Hope discuss Solidarity Not Charity, written by Nati Linares and Caroline Woolard. This “rapid report” analyses “arts and culture grantmaking in the solidarity economy”, a term that it borrows from a long standing radical, feminist economic movement. As often, discussing parts of the report leads to a wider discussion about th…
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Every year some months have five Fridays, and every time this happens we find something to do there: something out of our normal schedule. We try to adopt an annual theme. In 2021 we played music licensed under creative commons licences; in 2022 we found four old radio shows; and in 2023 we looked back to four early episodes of Meanwhile in an Aban…
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This episode is a live recording of an event in which Sophie Hope talks with artists Amy Feneck and Ruth Beale. Together they reflect on 12 years of collaborative practice, spanning art, politics and the ongoing need to talk about economics. The conversation that forms the heart of this episode was recorded at an event organised by the Alternative …
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In Culture of Possibility #40, Arlene Goldbard and François Matarasso interview James Thompson, Professor of Applied and Social Theatre at the University of Manchester. James Thompson was the founder In Place of War, a project researching and developing arts programs in war zones and has extensive experience working with and writing about theatre u…
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Practitioner and researcher Sylvan Baker examines listening within applied theatre practices. Sylvan has worked across applied theatre, socially engaged arts and education for the past 30 years, and is currently a Senior Lecturer at the Central School of Speech and Drama. He describes a process of using ‘headphone verbatim’ to share testimonies wit…
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Last month we completed a three part mini-series and asked for responses. To our surprise the ones we got did not propose digital tools but enquired about a comment in the show notes here at miaaw.net. We noted that “Rather oddly he does not mention Todoist at all despite the fact that it sits at the heart of his attempts to stay organised. He obvi…
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Karen Pilkington and Sophie Hope met doing their duties as board members of a community arts organisation. They want to get to know each other better and so in this podcast Sophie hears all about Karen’s inspiring work as a community activist in Plymouth, the origins of the Village Hub, how they’ve been organising their work through collaborative d…
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In Culture of Possibility #39, Arlene Goldbard and François Matarasso talk about the difficult conditions community-based artists and groups must work under as austerity measures, encroaching authoritarianism, and challenging world problems increase. They talk about artists’ strengths in building community for such times, and the importance of unce…
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Marley Starskey Butler works as a multidisciplinary artist and social worker. They have revealed that art has functioned as a therapeutic tool for them, helping them to process their own complex childhood, as well as their years in social work - and in 2023 they launched their first solo photographic exhibition, “Thirty-Six”. They work across visua…
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This completes a mini-series that looks at whether or not we should feel concerned about the digital tools we use and the effects that they have on us. In this episode Owen Kelly looks at some practical examples of changes we can make and tools we can use. He discusses why he uses Vivaldi as his browser of choice; why his websites all run on Classi…
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Every year some months have five Fridays, and every time this happens we find something to do there: something out of our normal schedule. We try to adopt an annual theme. In 2021 we played music licensed under creative commons licences; in 2022 we found four old radio shows; and in 2023 we looked back to four early episodes of Meanwhile in an Aban…
  continue reading
 
In this episode Sophie Hope talks to four people connected to the MA degree course in Art and Social Practice at the University of the Highlands and Islands. According to the UHI website, “We are the only university based in the Highlands and Islands of Scotland and we're a little different - we offer you the choice of studying at one of o…
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In Culture of Possibility #38, Arlene Goldbard talks with Sebastian Ruth, Founder & Artistic Director and Resident Musician at Community MusicWorks in Providence, Rhode Island. CMW describes itself as a “community-based organization that uses music education and performance as a vehicle to build lasting and meaningful relationships between children…
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In the fifth episode of Ways of Listening, artist Jody Wood talks about listening as a practice of care - where to care is not to cure. Jody advocates for participatory ‘opt in’ structures for social practice art rather than co-creation, noting the complexity of human desires and potential for conflicting agendas. She goes on to question the expect…
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In early February Sophie Hope went to Rome to present Manual Labours’ work at a conference. In this episode She and Fabiola Fiocco tell us about the workshop they did at MACRO - the Municipal Museum of Contemporary Art in Rome. The workshop was organised by Fabiola Fiocco in collaboration with the Arts Module of the Master in Gender Studies (Roma T…
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David Francis comes from Dumfries in the south west of Scotland, but cut his musical teeth in the north east, playing for bands like Desperate Danz Band. He moved to Edinburgh in the 1990s and became a central figure in traditional music: performing with Mairi Campbell in the successful duo The Cast while occupying key positions in the Scottish Art…
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Lady Kitt is a disabled artist and drag king, describing their work as “Mess Making as Social Glue”. Kitt works on long term, collaborative projects driven by insatiable curiosity about how art can be useful. Projects are usually punctuated by the creation of large-scale, vibrant installations / sites for exchange made from recycled paper, reused p…
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This episode begins a mini-series that looks at whether or not we should feel concerned about the digital tools we use and the effects that they have on us. The tools we use and the uses we make of them have changed since the web began in the early nineties. Twenty years ago people created blogs and surfed the web looking for like-minded people. To…
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On September 23, 2022, we put out episode 20 of Common Practice, in which we talked with Beverley Harvey and Brendan Jackson about the creation of the online Jubilee Archives. Later, in episode 27, we talked with Steve Trow, one of the founders of Jubilee, about the importance of cultural capital.In this episode we conclude these discussions with a…
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In Culture of Possibility #36 – the podcast’s third anniversary — Arlene Goldbard and Miaaw.net guru Owen Kelly will talk about cultural work and spirituality. Some community artists reject non-material understandings, but Owen and Arlene each find their work infused with spiritual ideas and practices — albeit very different ones. Is spirituality n…
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Sam Metz describes their rationale as responding to “the premise of ‘neuroqueering’ (a term first coined by Nick Walker) which seeks to undermine or subvert dominant structures that remain hostile to non-normative neurodivergent bodyminds. I am interested in exploring the idea of ‘hostile’ spaces through my work with a particular focus on what rela…
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Did we succeed or fail in 2023? What could this question possibly mean? Do we have any way of measuring our progress, or lack of progress? Do we need one? By way of addressing this, Owen Kelly suggests three approaches that we might usefully continue to develop in the coming year, and (spoiler alert) none of them involving wearing Fitbits. As alway…
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We have arrived at the final podcast of 2023, which also happens to fall on the fifth Friday of the fourth month of 2023 with five Fridays in it. We therefore take a final look into the Miaaw past and listen once more to another memorable episode from our short history. This time we listen in to Owen and Sophie dig out their copies of Marxism & Lit…
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Based in Bucharest, Raluca Voinea works as a curator and art critic, based in Bucharest and, since 2012 as co-director of tranzit.ro Association. In 2013 she acted as the curator of the Romanian Pavilion at the 55th Venice Biennale and in 2015 she co-authored, with Alexandra Pirici, The Manifesto for the Gynecene: Sketch of a New Geological Era. Th…
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Judith Marcuse has become one of Canada’s senior artist/producers, with an international career that spans over 50 years as dancer, choreographer, director, producer, teacher, writer and lecturer. In 2007 she founded the International Centre of Art for Social Change, initially as a partnership with Simon Fraser University, where she was appointed a…
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A quick little episode to talk to you about how I ended up becoming a human design teacher and reader. Support the show Help keep our coffee dates going at https://www.buymeacoffee.com/carmillamiaa Check out my instagram @carmilla.miaa Id also appreciate your love by reviewing this podcast. [Disclaimer: This podcast episode is intended for entertai…
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In his own words, Edwin Mingard works as “a socially-engaged visual artist. I work principally with moving image, making standalone artists' film and installations. My work often plays with mainstream and accessible forms – documentary, music video, magazine – so as to move beyond a traditional gallery audience. “I am interested in who makes moving…
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