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On Robert Smith and Siouxsie and the Banshees’ brief, turbulent marriage; the side projects that outshone their combined efforts; and how from fall 1982 to fall 1984, Robert Smith lost the plot in order to find it again. Pursuant to this era are a few essays I contributed to a tumblr called One Week One Band eight years ago: MINUTIAE & MADNESS: THE…
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On the improbable endurance of XTC, a band signed during the punk frenzy that would bring song-craft back to the fore in the early 1980s. Following a fractious period of financial instability and pressure from Virgin records, the band went on strike in the early 1990s, unable to wrest themselves from one of the worst contracts ever signed.…
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On the improbable endurance of XTC, a band signed during the punk frenzy that would bring song-craft back to the fore in the early 1980s. Following a fractious period of financial instability and pressure from Virgin records, the band went on strike in the early 1990s, unable to wrest themselves from one of the worst contracts ever signed. While th…
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On the Cure’s uneven 1979 debut, its debts to pub, punk and prog rock, and the importance of older siblings. An accompanying Spotify playlist is available below; please listen on random as this is a broad primer, rather than mix-tape storytelling. Apologies for the uneven sound during the first two sessions that make up the podcast; I had to pick u…
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Sean T. Collins returns to discuss the increasing appropriation of music as emotional heft in television, with a focus on Mr. Robot and Stranger Things. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit shallowrewards.substack.com…
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