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Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre.Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewY…
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Ryan and Todd explore the genre of the sports film, focusing on important entries in the genre such as Chariots of Fire, Rocky, and Heaven Can Wait, among others. They define this genre through the category of the impossible and discuss the relationship between possibility and impossibility as it plays out in the sports film.…
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Ryan and Todd theorize the modernist novel as a specific literary form, defined not by its time period but by its structural exigencies. They relate this form to the importance of the ending that function as a cut in the narrative movement rather than as a summation of all that has happened, which contrasts it with previous iterations of the novel.…
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Ryan and Todd discuss the generic development of science fiction cinema while also addressing its philosophical implications. They include a deeper analysis of Metropolis, The Thing From Another World, Forbidden Planet, and 2001: A Space Odyssey.See:Voyage to the Moon: https://www.youtube.com/watch?v=xLVChRVfZ74Metropolis: https://www.youtube.com/w…
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