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Innhold levert av Bijoux Parisiens and Taft Museum of Art. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Bijoux Parisiens and Taft Museum of Art eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Know What You See with Brian Lowery
![Know What You See with Brian Lowery podcast artwork](https://cdn.player.fm/images/34648480/series/LVJalkitIjnweGz0/32.jpg 32w, https://cdn.player.fm/images/34648480/series/LVJalkitIjnweGz0/64.jpg 64w, https://cdn.player.fm/images/34648480/series/LVJalkitIjnweGz0/128.jpg 128w, https://cdn.player.fm/images/34648480/series/LVJalkitIjnweGz0/256.jpg 256w, https://cdn.player.fm/images/34648480/series/LVJalkitIjnweGz0/512.jpg 512w)
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1 Spilling the Tea on Cross Culture Comedy: Jesse Appell’s Journey in China 29:42
29:42
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In this episode, comedian and tea enthusiast Jesse Appell of Jesse's Teahouse takes us on a journey from studying Chinese comedy to building an online tea business. He shares how navigating different cultures shaped his perspective on laughter, authenticity, and community. From mastering traditional Chinese cross-talk comedy to reinventing himself after a life-changing move, Jesse and host Brian Lowery discuss adaptation and the unexpected paths that bring meaning to our lives. For more on Jesse, visit jessesteahouse.com and for more on Brian and the podcast go to brianloweryphd.com.…
Bijoux Parisiens
Merk alt (u)spilt...
Manage series 1373588
Innhold levert av Bijoux Parisiens and Taft Museum of Art. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Bijoux Parisiens and Taft Museum of Art eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.
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21 episoder
Merk alt (u)spilt...
Manage series 1373588
Innhold levert av Bijoux Parisiens and Taft Museum of Art. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Bijoux Parisiens and Taft Museum of Art eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.
…
continue reading
21 episoder
Alla avsnitt
×The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 2. Artist Unknown, Southern Germany, “Charity Pendant,” about 1590–1600 2:04
2:04
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Worn on a chain, this pendant presents at its center a woman embracing two children, symbolizing the Christian virtue of charity. Some of the gold structure has been decorated with enamel, which is made of ground glass and pigment that produce vivid color when fired in a kiln. French creators also worked in the typical Renaissance style of this German pendant, linking diverse elements together.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 3. Artist Unknown, Portugal, “Bodice Brooch (Devant de corsage),” about 1760 1:59
1:59
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During the reign of Louis XV of France (1715–1774), his courtiers preferred jewelry marked by symmetry and shining white gems. In this piece imported from Portugal, semi-precious stones—quartz and tourmaline—replaced diamonds. Like Pouget’s engravings nearby, this brooch features ribbons, flowers, and pear-shaped drops.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 4. Artist Unknown, Paris, “Neoclassical Necklace,” about 1800–1810 2:19
2:19
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In this necklace, the artist elegantly suspended a medallion depicting Athena, goddess of wisdom, from two swans, a symbol associated with Napoleon’s first wife, the Empress Joséphine. Bolstering his own empire, Napoleon I set a new taste for objects based on ancient Roman art. He especially adored antique cameos, small hardstones with figures carved in relief. This enamel plaque replicates a cameo design.…
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Bijoux Parisiens
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1 5. Artist Unknown, France, “Amethyst Parure (Jewelry Set),” 1820–1830 2:15
2:15
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The restored monarchy and its court could more easily afford semi-precious stones, such as these amethysts imported from Brazil, than the much costlier rubies, emeralds, or diamonds. The creator of this jewelry set placed amethysts within wide frames of embossed and delicately chiseled gold, which he treated with economical milled edges.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
In each of the linked gold medallions that compose this bracelet, finely worked silver busts emerge from emerald-green engraved enamel fields. Jules Wièse, the maker of this bracelet, drew inspiration from early Italian Renaissance sculptural busts. Wièse began his career as goldsmith for François-Désiré Froment-Meurice.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865 2:02
2:02
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This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 8. Eugène Fontenay, enamels by Eugène Richet, “Bracelet,” about 1875 2:35
2:35
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This bracelet represents a joint product of the jeweler Eugène Fontenay and an enamellist, Eugène Richet. Venerating antiquity, they featured small painted enamel panels with scenes of an ancient Greek procession based on the Parthenon sculptures in Athens. Musicians lead the caravan, followed by the figure of Victory in a chariot—led by cherubs on leopards—and a bull to be sacrificed.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 9. Lucien Falize, enamel by Claudius Popelin, “Necklace,” about 1880–1890 2:20
2:20
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This Renaissance-revival necklace features an enamel portrait of Diane de Poitiers (1499–1566), the mistress of Henri II and an art patron in Renaissance France. Both the gold frame of this enamel portrait and the style of the chains allude to Renaissance models. Further, like Renaissance pendants, which often featured initial letters and monograms, this work intertwines enameled Hs and Ds in several places to indicate the lovers’ close connection.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 10. Lucien Falize, “Gothic Bracelet,” about 1880 2:05
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The sections of this Gothic-revival bracelet recall the vertical spires of a High Gothic cathedral or picture frame. The 1825 opening of the Musée de Cluny, which housed spectacular medieval art, launched the Neo-Gothic style. A national effort to restore Gothic churches commenced in the 1840s and lasted through the century.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 11. Pierre-Georges Deraisme, "Putti Playing Blind Man’s Bluff," "Putti with a Perching Cat,” 1898 2:12
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Pierre–Georges Deraisme was the first of his generation to draw inspiration from the 18th century pictorial tradition of frolicking and music-making angels and cupids. Within a few years, Léopold Gautrait and Charles Jacqueau would also turn to the 18th century for design ideas for jewelry, as will be seen later in the exhibition.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 12. Frédéric Boucheron, after a design by Octave Loeuillard, “Fern Brooch,” about 1880 2:47
2:47
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In the 1880s, Octave Loeuillard created a series of designs for the jeweler Frédéric Boucheron that were noted for their technique and originality. The elegant and airy Fern Brooch, which could also be worn as a hair ornament, was among them. Boucheron founded his very highly regarded jewelry house in Paris in 1858; it is still in business on the Place Vendôme in Paris.…
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 13. Georges Fouquet, after a design by Charles Desrosiers “Thistle Leaf Bracelet,” about 1905–1909 2:18
2:18
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Georges Fouquet sometimes collaborated with the designer Charles Desrosiers, who conceived this unusual bracelet. Encircling a central opal, the thorny thistle leaves have iridescent enameled surfaces that echo and accentuate the shimmering colors of the opal.
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Bijoux Parisiens
![Bijoux Parisiens podcast artwork](/static/images/64pixel.png)
1 14. Georges Fouquet, “Forked Hairpin,” 1905–1906 2:46
2:46
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George Fouquet's hairpin illustrates the Art Nouveau aesthetic: it consists of organic forms punctuated by diamonds, enamel, and pearls, all used sparingly and in service to the overall design. Fouquet’s father Alphonse had founded the business in 1862, but the dynasty’s great stars were Georges and his son Jean Fouquet, whose Art Deco works appear later in the exhibition.…
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Bijoux Parisiens
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1 15. Georges Fouquet, after a design by Charles Desrosiers “Headband,” about 1910 1:59
1:59
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Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.…
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