Innhold levert av Jason Zuzga. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Jason Zuzga eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/this-is-womans-work-with-nicole-kalil">This Is Woman's Work with Nicole Kalil</a></span>
Together, we're redefining what it means, looks and feels like, to be doing "woman's work" in the world today. With confidence and the occasional rant. From boardrooms to studios, kitchens to coding dens, we explore the multifaceted experiences of today's woman, confirming that the new definition of "woman's work" is whatever feels authentic, true, and right for you. We're shedding expectations, setting aside the "shoulds", giving our finger to the "supposed tos". We're torching the old playbook and writing our own rules. Who runs the world? You decide. Learn more at nicolekalil.com
Innhold levert av Jason Zuzga. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Jason Zuzga eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated. Fence Magazine's founder and editor-in-chief is Rebecca Wolff.This podcast was compiled and created by Jason Zuzga.
Innhold levert av Jason Zuzga. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Jason Zuzga eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated. Fence Magazine's founder and editor-in-chief is Rebecca Wolff.This podcast was compiled and created by Jason Zuzga.
Beginning with a reading by Edgar Garcia, this episode includes music from the experimental electronic band Matmos and the actual voices of poets, fiction writers, and other artists working with words to render new waves of thought through eye, ear, and air. Come in and hang out with us on the top edge of the Fence where you are welcome to get swirled up in the speaking spells still fresh now as they were when active breath and vibrating vocal cords. Support the show…
The all new Fence podcast resumes with episode 4.3. Previous episodes will return shortly. Support the show
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