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Innhold levert av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Global Theatre Histories – SD

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When? This feed was archived on August 03, 2024 16:08 (1M ago). Last successful fetch was on February 01, 2022 21:32 (2+ y ago)

Why? Inaktiv feed status. Våre servere kunne ikke hente en gyldig podcast feed for en vedvarende periode.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 3054085
Innhold levert av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Shakespeare in Taiwan. Circus in India. Richard Wagner societies in Indonesia. Theatrical brokers as global players. Opera in South-East Asia: theatre can be considered a global artistic practice and a central part of transnational networks of artistic exchange. The historiographical investigation of the emergence of theatre as a global phenomenon since 1860 is the ambitious goal of the research project “Global Theatre Histories”, headed by Prof. Dr. Christopher Balm end funded by the German Research Foundation (DFG). This science cast playfully illuminates the project's agenda and methods, and highlights its collaborative and international work mode.
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Artwork
iconDel
 

Arkivert serier ("Inaktiv feed" status)

When? This feed was archived on August 03, 2024 16:08 (1M ago). Last successful fetch was on February 01, 2022 21:32 (2+ y ago)

Why? Inaktiv feed status. Våre servere kunne ikke hente en gyldig podcast feed for en vedvarende periode.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 3054085
Innhold levert av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ludwig-Maximilians-Universität München, Christopher Balme, Anirban Ghosh, Nic Leonhardt, and MeLê yamomo eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Shakespeare in Taiwan. Circus in India. Richard Wagner societies in Indonesia. Theatrical brokers as global players. Opera in South-East Asia: theatre can be considered a global artistic practice and a central part of transnational networks of artistic exchange. The historiographical investigation of the emergence of theatre as a global phenomenon since 1860 is the ambitious goal of the research project “Global Theatre Histories”, headed by Prof. Dr. Christopher Balm end funded by the German Research Foundation (DFG). This science cast playfully illuminates the project's agenda and methods, and highlights its collaborative and international work mode.
  continue reading

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