The Editor's Cut podcast

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Curated Questions: Conversations Celebrating the Power of Questions!

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Kevin Kelly 50:30

for 12 dager siden50:30

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Lister

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50:30

Episode Notes [00:00] The Importance of Questioning [01:21] Introduction to Curated Questions [02:20] Meet Kevin Kelly [03:56] Kevin Kelly's Mentor: Stewart Brand [05:33] The Role of Questions in Intellectual Traditions [06:47] Disequilibrium and Growth [10:21] Embodied Questions and Exploration [11:11] Balancing Exploration and Exploitation [11:50] The Inefficiency of Questioning [15:53] The Abundance Mindset [18:39] The Inevitable and Quality Questions [19:26] Hill Climbing vs. Hill Making [22:28] The Challenge of Innovation [24:13] The Beauty of Engineering and Innovation [24:34] Navigating the Frontier of New Technologies [25:33] The Role of AI in Question Formulation [26:43] Challenges in Advancing AI Capabilities [29:11] The Long Now Foundation and the 10,000 Year Clock [29:56] Transmitting Values Over Time [31:03] Ethics in AI and Self-Driving Cars [33:26] The Art of Questioning [34:04] Photography: Capturing vs. Creating [36:12] The Inefficiency of Exploration [38:36] Daily Practice and Long-Term Success [40:17] The Importance of Quantity for Quality [43:22] Final Thoughts and Encouragement on Questioning [46:24] Summary Takeaways Resources Mentioned Wired Magazine Whole Earth Review WELL Hackers Conference What Technology Wants by Kevin Kelly The Inevitable by Kevin Kelly Cool Tools Project Long Now Foundation Stewart Brand Socratic Method Koan René Descartes Conde Nast Vouge Olivetti Typewriter Trolley Problem Terry Gross Lex Friedman Tim Ferriss KK.org Kevin2Kelly on Instagram Recomendo Newsletter Excellent Advice for Living Beauty Pill Producer Ben Ford Questions Asked When did you first understand the power of questions? Can I do that? Can that be something that you can learn? How did questions function differently between Eastern versus Western intellectual traditions? What role do you think embodied questions those we explore through doing rather than thinking play in developing wisdom? What's on the other side of the hill? What happens if you go to the end? What's the origin of this? How should one think about the exploratory in one's life? Is there anything that you would add to your list of 15 statements that define what makes a quality question? Is there a qualitative difference between the questions humans are asking and the questions our AI systems are beginning to formulate? What do you think would help them get there? Any idea on a forcing function on how we get them [LLMs] to ask the better questions so that they might improve in that direction? What were some novel questions that broke your brain at the time in thinking about this 10,000-year clock or beyond? What's it good for? What would you use it for? What else could you do over the long term for 10,000 years? How do you transmit values over time? How do you evolve values that need to change, and how do you make a difference? How do even know what you don't want to change? What do you want to continue? What's the most essential aspects of our civilization that we don't want to go away? What are the rules? What is the system? How do you pass things along in time and not change the ones you don't wanna change, and make sure you change the ones that are more adaptable so they can adapt? What do you think about questioning itself as an art form? How has being a photographer influenced the way you question reality, visually compared to verbally? Are you a photographer that takes photos or makes photos? What will happen? What will happen next? What are your right now questions that you are wrestling with or working with in your life? Can someone else do what I'm trying to do here? Am I more me in doing my art or more me in doing the writing? Do you have any other thoughts or encouragement about questions that we haven't explored? What makes a good question? How do you ask a good question? What questions do you dwell on to be in purposeful imbalance? What is your practice in embracing the inefficient nature of questions to achieve breakthroughs? What are the new hills you can build and frontiers you can explore? How can you use your curiosity and humanity to pursue questions that trend toward the fringes?…

The Editor's Cut

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The Editor’s Cut is a monthly podcast that explores the art of picture editing in Canada. The podcast is hosted by CCE member Sarah Taylor.

115 episoder

#Cinema #Canadian Cinema Editors #Film #Postproduction #Documentaries #Edition

The Editor's Cut

updated for 21 dager siden

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The Editor’s Cut is a monthly podcast that explores the art of picture editing in Canada. The podcast is hosted by CCE member Sarah Taylor.

115 episoder

#Cinema #Canadian Cinema Editors #Film #Postproduction #Documentaries #Edition

Alle episoder

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Bleeding Love with Autumn Dea 35:13

for 21 dager siden35:13

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Today’s episode is a conversation with Autumn Dea. She shares her journey into editing, her early interest in storytelling, the transition from advertising to long-form editing, and her experiences working on the film BLEEDING LOVE which was directed by Emma Westenberg starring Ewan McGregor and Clara McGregor. We discuss the emotional aspects of editing, the importance of collaboration with directors, and the challenges faced in the editing process. Autumn Dea is a film, television, and commercial editor from Los Angeles, CA. Originally hailing from the Philadelphia, PA area, Dea graduated from Virginia Commonwealth University's School of the Arts, with a Bachelor of Arts degree in film and a double minor in media studies and psychology. Dea's unique editorial background has allowed her to work with various high-profile artists and actors, including Beyonce, Lizzo, Ewan McGregor, and Jay Duplass. Her most recent feature film BLEEDING LOVE, directed by Emma Westenberg and starring Ewan McGregor and Clara McGregor, world premiered at SXSW 2023. The film has already garnered industry praise and was chosen as one of the must-see films of the festival by Deadline's SXSW 2023 Hotlist. Her most recent documentary feature film, LOVE, LIZZO (HBO Max), directed by Doug Pray and starring Grammy Award-winning musician and vocalist Lizzo, premiered on HBO Max in November 2022. Previously, her feature film, SHITHOUSE (IFC), directed by Cooper Raiff, won the Grand Jury Award for Best Narrative Feature at SXSW 2020 and was named Vanity Fair's 10 Best Movies of 2020. Her work in television has also received accolades including an Emmy award for THE FUTURE OF AMERICA'S PAST (PBS), and inclusion in the Tribeca Film Festival for the documentary feature THE DEATH OF MY TWO FATHERS (PBS), directed by Sol Guy.…

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EditCon 2024: Exploring Documentary 1:16:46

for 8 weeks siden1:16:46

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Today's episode is a panel from EditCon 2024 that took place in Edmonton, Alberta. EXPLORING DOCUMENTARY Krystal Moss, Weyme Teeter, Colin Waugh and Sarah Taylor, CCE share their insights and experiences and explore the art of storytelling through the lens of editing and talk about their creative process behind the captivating Alberta-made documentaries; THE LEBANESE BURGER MAFIA, SEND KELP, PUSH, BLIND AMBITION: WOP MAY and ARTHUR ERICKSON’S DYDE HOUSE. This panel was moderated by Guy Lavallee, a documentary filmmaker and festival programmer.…

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EditCon 2024: To Kill A Tiger with Mike Munn, CCE 1:22:33

for 15 weeks siden1:22:33

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Today's episode is a panel that took place in Toronto during EditCon 2024. Editor Mike Munn, CCE take us through the experience of editing the multi-award-winning documentary TO KILL A TIGER. The film follows the local story of an Indian father courageously fighting for justice for his raped daughter, delving into the dynamics of a family, a small village, and the national legal system, while also addressing the broader themes of rape culture, victim blaming, and the silencing of women. Moderated by editor Nick Hector, CCE.…

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Deadpool & Wolverine with Shane Reid and Dean Zimmerman, ACE 1:06:15

for 20 weeks siden1:06:15

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In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel’s massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you’re a long time Marvel fan or curious about editing action, you won’t want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema. To hear more insightful conversations about editing join us for EditCon 2025! Here will be both virtual and in person events around Canada! Get your tickets here .…

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EditCon 2024: The Best in TV Comedy: 2023 CCE Award Nominees 1:30:29

for 22 weeks siden1:30:29

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Comedy demands a mastery of pacing to make a story flow but most importantly make the audience laugh. Whether it’s solving mysteries in the coming-of-age comedy horror WEDNESDAY, the misfortunes of a dysfunctional family in MOONSHINE, the attempt to save a mediocre hockey team in SHORESY, or building a business of fake IDs with very real consequences in FAKES. This year we invited the 2023 CCE nominee editors of these spectacular shows to tell us about the craft of editing in the comedic genre. Maybe they’ll tell us a joke or two.…

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Queen of my Dreams with Simone Smith, CCE 31:59

for 26 weeks siden31:59

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In this conversation, Simone Smith, CCE shares her journey into the world of editing, discussing her early influences, the projects she has worked on, and the unique challenges faced in both film and television. She highlights her experience working on QUEEN OF MY DREAMS, the importance of collaboration with directors, and the nuances of editing comedy and drama. Queen of my dreams is now available for rent on Apple TV! https://tv.apple.com/ca/movie/the-queen-of-my-dreams/umc.cmc.4t08f96pff0b7sggllx91uxrh…

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Longlegs with Greg Ng, CCE and Graham Fortin 46:18

for 29 weeks siden46:18

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Greg Ng, CCE and Graham Fortin discuss their collaborative journey in editing the film LONGLEGS. They share insights into their editing process, the dynamics of co-editing, and the importance of building trust with directors. The conversation delves into the nuances of character development, particularly with Nicolas Cage's performance, and the techniques used to create tension and atmosphere in the film. They also reflect on audience reactions during screenings and the lessons learned for future projects.…

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EditCon 2024: What Are You Afraid Of? 1:04:58

for 31 weeks siden1:04:58

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Today's episode took place in Vancouver as part of EditCon 2024. What makes movies scary? Why are we compelled to watch them? How do editors influence and manipulate our experience of horror, suspense, and tension? Does editing scary films give you nightmares? This round table discussion with Jon Anctil, CCE (50 STATES OF FRIGHT, VAN HELSING, TWO SENTENCE HORROR STORIES) Cindy Au Yeung (JONAH, SHADOW OF THE ROUGAROU) Graham Kew (SATAN WANTS YOU, THE AGE OF A.I., PUNK), Justin Li (THE TERROR, SNOWPIERCER, LUCKY HANK) Trevor Mirosh (DAY OF THE DEAD, V FOR VENGEANCE, TRUE JUSTICE) and Nicole Ratcliffe, CCE (CREEPSHOW, TWO SENTENCE HORROR STORIES, VIRGIN RIVER) will answer these questions and more! Moderated by Greg Ng, CCE…

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EditCon 2024: This Year in Canadian Film 1:21:50

for 33 weeks siden1:21:50

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Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with Maureen Grant, CCE, Isabelle Malenfant, CCE, Justin Oakey, and Sarah Taylor, CCE the editors of these films who will share their experiences shaping these stories. This panel was moderated by director Chandler Levack.…

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Griselda with Joaquin Elizondo 38:30

for 35 weeks siden38:30

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This episode is an interview with Joaquin Elizondo. Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo). Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo. Joaquin majored in Film & Video Studies at the University of Michigan and grew up in the San Diego-Tijuana border region. As someone who has sought out and benefited from mentoring, Joaquin is now taking on the role of mentor by helping aspiring editors and assistants in navigating the path to achieving their career goals. He created the Hollywood Editing Mentor Program and Podcast to provide guidance and support for those trying to break into or advance their careers in post production. Click here for Joaquin's Hollywood Editing Mentor gifts: https://hollywoodeditingmentor.com/theeditorscut/…

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EditCon 2024: Canada's Drag Race 1:10:15

for 37 weeks siden1:10:15

1:10:15

We are launching season 7 with an EditCon 2024 panel. Canada’s Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It’s the exuberance and the je ne sais quoi of the show’s queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges’ hearts and earn the coveted title of “Canada’s Next Drag Superstar”? Now heading into its fifth season, the post production team at CANADA’S DRAG RACE joined in a panel conversation to tell us about their experience working on such a glamorous and hilarious show. Shawn-tay you’ll want to stay for this panel discussion with Beth Biederman, Dean Davis, Jonathan Dowler, CCE and Lindsay Ragone. This conversation was moderated by Zoya Rezaie.…

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The Porter with Dev Singh & Sandy Pereira 1:15:06

for 49 weeks siden1:15:06

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Today’s episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series ‘The Porter’. The show won a record 12 Canadian Screen Awards in April of 2023, including the ‘Best Picture Editing in a Dramatic Program or Series’ award for Sandy, while Dev won the 2023 CCE ‘Best Editing in Drama’ award in May 2023. This conversation was moderated by Craig Macintosh.…

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EditCon 2023: Vancouver Women in Post 38:53

for 1 year siden38:53

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Today’s episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.…

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EditCon 2023: Down at Fraggle Rock 1:30:03

for 1 year siden1:30:03

1:30:03

An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.…

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EditCon 2023: Shaping Memories 1:35:58

for 1 year siden1:35:58

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Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship. In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it’s the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older brother’s death in BACK HOME, each of these films was made with powerful bravery and is sublime in its own way.…

The Editor's Cut

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Totally Killer & Fresh Off the Boat with Jeremy Cohen 35:13

for 1 year siden35:13

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Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career! Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy. Most recently, he worked on Amazon Prime's TOTALLY KILLER, which is his debut feature. He has a diverse range, having worked on a wide variety of genres, and his motto about what he wants to work on in the future is “cool stuff with cool people.”…

The Editor's Cut

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EditCon 2023: Our Voices, Our Stories 1:22:33

for 1 year siden1:22:33

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OUR VOICES, OUR STORIES In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars. Video rental nostalgia and adolescent cinephilia come together in the film I LIKE MOVIES. In this episode the editors from these riveting Canadian films join us in a panel conversation.…

The Editor's Cut

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A Black Lady Sketch Show with Stephanie Filo, ACE 42:47

for 1 year siden42:47

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Sarah Taylor, CCE sits down with Stephaine Filo, ACE to talk all things editing including her work on A BLACK LADY SKETCH SHOW, DAHMER – MONSTER: THE JEFFREY DAHMER STORY and WE GROWN NOW. Stephanie Filo, ACE, is a 4-time Emmy winner, 7-time Emmy nominee, Peabody and ACE Eddie award winner who is celebrated for her work across film and television. Most recently, Stephanie made history as the first Picture Editor to be nominated for three editing Emmys in the same year across three different shows. Nominated for her work on Netflix’s Dahmer - Monster: The Jeffrey Dahmer Story, created by Ryan Murphy; Hulu’s History of the World Part II, a sequel to Mel Brooks’ iconic original film; and Robin Thede’s groundbreaking HBO series A Black Lady Sketch Show, Stephanie’s nominations also make her the first Black editor to be nominated 3 times for Picture Editing in a single year. Stephanie has also been a part of other prior history-making Emmy wins as well. In 2020, for the news documentary Separated, she and Nzinga Blake became the first Sierra Leonean women to win an Emmy award. In 2021 she was awarded for Outstanding Picture Editing for Variety Programming, making herself and her team at the time the first all Women of Color editing team to win an Emmy. Just last year in 2022, Stephanie was awarded for her work once again, making herself and her colleagues the first all-Black editing team to win an Emmy, as well as the first all-Black editing team to win an ACE Eddie award. Aside from editing television and film, Stephanie spends much of her spare time producing and editing social action campaigns and documentaries, primarily focused on the rights of women and girls worldwide. Some of her notable campaigns include her work with the United Nations, International Labour Organization, and the Obama White House Task Force's It's On Us campaign to combat campus sexual assault. Stephanie’s charitable work has been featured in Forbes Magazine, Entertainment Tonight, Telegraph UK, Yahoo, Al Jazeera, XWhy Magazine, and various others. Her work on the news documentary series Mental State earned her a news Emmy nomination for the episode "Aging Out" about youth aging out of the American foster care system. Stephanie also earned an Emmy win for her editing on the Mental State episode "Separated" which covered ICE deportations. Stephanie serves on the board for Girls Empowerment Sierra Leone, a social impact and feminist-based organization for Sierra Leonean girls aged 11-16. She is also one of the co-founders of End Ebola Now, an organization created in 2014 to spread accurate information and awareness about the Ebola Virus and its impact through artistic community activism. Stephanie is based in Los Angeles, CA and Sierra Leone, West Africa.…

The Editor's Cut

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EditCon 2023: Cutting Through the Noise 1:26:11

for 1 year siden1:26:11

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The arrangement of moving pictures is referred to as cinematic language. But it is the skillful combination of picture and sound that transports the audience into a story. Strong visual and audio storytelling immerses the viewer into a world where dragons fly through the sky in HOUSE OF THE DRAGON. It makes our worst nightmares come true in the dreadful depths of the Upside Down in STRANGER THINGS. Paula Fairfield, Craig Henighan, Katie Halliday and Siân Fever share their process working on these phenomenal shows.…

The Editor's Cut

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A Small Light & Pachinko with Susan E. Kim 55:35

for 1 year siden55:35

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Sarah Taylor, CCE sits down with Susan E Kim, editor behind A SMALL LIGHT and PACHINKO. Susan has worked across a range of content, including unscripted work, commercials and music concerts. She has been an Assistant Editor on projects that include the Emmy-winning HBO series EUPHORIA and the Duplass Brothers HBO anthology series, ROOM 104. Susan discusses the importance of collaboration in the editing process and how it’s important for editors to bring their unique perspective and voice to their projects.…

The Editor's Cut

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EditCon 2023: Behind the Cut with Jay Prychidny, CCE 1:28:45

for 1 year siden1:28:45

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Award-winning producer and editor Jay Prychidny, CCE vast experience ranges from editing some of the most-watched reality television in this country, including AMAZING RACE CANADA. He has led the post-production on ORPHAN BLACK and recently edited the new WEDNESDAY series and SCREAM 6. Jay shares his insight about his editing process and lessons from his dynamic career in post-production. This keynote was moderated by editor Cheryl Potter.…

The Editor's Cut

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Barbie with Nick Houy, ACE 49:54

for 1 year siden49:54

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This episode is an EditCon 2024 exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE. Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig’s previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy Award in 2017 for editing the miniseries, THE NIGHT OF. He was nominated for the Independent Spirit Award for editing MID90S in 2018, and in 2022 Houy edited the critically acclaimed Netflix documentary, STUTZ. Watch the clip here .…

The Editor's Cut

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Only Murders in the Building with Peggy Tachdjian, ACE 45:35

for 1 year siden45:35

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In this conversation, editor Peggy Tachdjian, ACE discusses her career journey and her work on the show 'Only Murders in the Building.' She shares her experience transitioning from documentaries and reality TV to scripted television, as well as the challenges and joys of working on different types of shows. Peggy also talks about the collaborative process with other editors on 'Only Murders in the Building' and the importance of creating emotional connections with the characters. PEGGY TACHDJIAN, ACE, is an Emmy award winning film and television editor who was most recently nominated for an Emmy for her work on the Hulu comedy series Only Murders in the Building. Peggy was born in Lebanon and came to America to flee the war when she was 8. She is now based in Los Angeles and has over 20 years of experience editing across multiple formats and genres. She began her career in documentary and unscripted before transitioning to scripted television and film. Some of her recent credits include Shrinking on Apple+, FX's acclaimed American Horror Story, the Netflix hit Ratched, and the musical feature The Prom starring Meryl Streep. She's also worked on many much loved reality shows like Project Runway, RuPauls Drag Race, The Kardashians and Born This Way, for which she earned 4 Primetime Emmy nominations for Editing.…

The Editor's Cut

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Wu-Tang: An American Saga with Marc Wiltshire 50:41

for 1 year siden50:41

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In this episode Sarah Taylor, CCE sits down with editor Marc Wiltshire to discuss his editing career. Marc Wiltshire is a TV and Film editor, passionate about storytelling. Most recently, he’s edited several episodes on season 3 of Hulu’s Wu-Tang: An American Saga, including the first-ever episode written and directed by co-creator The RZA, and season 2 of Peacock’s Bel-Air, including the season premiere and finale. As an editor, he is committed to making bold choices, protecting the story, and bringing the best version of the director's vision to life. Throughout his career, Marc has worked on an impressive list of acclaimed productions, including Emmy and Eddie award-winning Hacks, NAACP-nominated Our Kind of People, Lee Daniels’ Star, the First Run Film Festival award-winner Oakland in Blue, and Fantasia Film Festival winner Bullshit. Marc discovered his passion for editing while working on his first short film on a 16mm Steenbeck editing machine. While Marc pursued his MFA degree in Film & TV Production at NYU's Tisch School of the Arts, he wrote and directed several short films, including award-winner My Avatar, which premiered at the Fantasia Film Festival. Originally from Montreal, Canada, Marc has lived in Italy, Scotland, Singapore, Vietnam and Japan. He currently resides in Los Angeles with his wife and daughter.…

The Editor's Cut

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In Conversation with Avrïl Jacobson, CCE and Annie Jean, CCE 47:15

for 2 years siden47:15

47:15

Today’s episode is the panel that took place March 8th, 2023. It is an in depth conversation with editor Avrïl Jacobson, CCE and Annie Jean, CCE as they discuss their work on crafting powerful documentary films celebrating two bold and visionary indigenous women in Ever Deadly and Mary Two-Axe Early. The panel was moderated by Sophie Farkas-Bolla.…

The Editor's Cut

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Joy Ride with Nena Erb, ACE 40:16

for 2 years siden40:16

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In today’s episode Nena Erb, ACE joins Sarah Taylor to chat about her editing work on the hilarious film JOY RIDE. From first-time director Adele Lim (screenwriter of Raya and the Last Dragon, Crazy Rich Asians), JOY RIDE follows four Asian-American friends on a trip across Asia in search of one of their birth mothers, who end up on the journey of a lifetime. You can check out the trailer here. The film stars Oscar nominee Stephanie Hsu, Critics Choice Award nominee Ashley Park, Sherry Cola, and Sabrina Wu. The film premiered at SXSW in 2023 to critical acclaim, now boasting a perfect score of 100% on Rotten Tomatoes. Nena Erb, ACE, is a picture editor based in Los Angeles. Raised in an Asian immigrant family, Nena's father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic. Nena wanted to be Andy Warhol. Armed with an art degree, a friend brought her into the industry and she started working in various capacities in production. It was her stint as an associate producer that opened her eyes to the impact of editing. It combined her love of photography and storytelling into one and she was hooked. Since then, Nena has edited projects for Warner Brothers, Apple, HBO, and others. In 2016, she received an Emmy award on HBO's documentary series PROJECT GREENLIGHT. In addition, she has received three ACE Eddie nominations; two for her work on HBO's comedy-drama series INSECURE and the third for CW's acclaimed series CRAZY EX-GIRLFRIEND. Nena received her second Emmy award in 2020 for her work on season 4 of INSECURE and a third Emmy nomination in 2022 for the final season. She recently finished JOY RIDE directed by Adele Lim for Lionsgate. Her parents no longer ask if she'd reconsider medical school.…

The Editor's Cut

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Framing Agnes with Cecilio Guillermo A.S. Escobar & Brooke Stern Sebold 53:11

for 2 years siden53:11

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Today's episode is the event that took place virtually on June 21st, 2022 - Behind the Screen FRAMING AGNES Brooke Stern Sebold and Cecilio Escobar chat about the genre-blending and award-winning film FRAMING AGNES. This empowering and stylish documentary explores the legacy and impact that one trans woman left from the 1960s and onwards. This panel was moderator Maureen Grant, and they dive into the intricate layers and structure of this innovative hybrid documentary.…

The Editor's Cut

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The Last of Us with Timothy Good, ACE and Emily Mendez 54:17

for 2 years siden54:17

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Today we bring to you an interview with the editor’s of one of the most successful series this year - THE LAST OF US! Timothy Good, ACE and Emily Mendez share their favourite episodes, how they co-edited together and what it felt like to work on such a popular series!

The Editor's Cut

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Everything Everywhere All At Once with Paul Rogers 52:49

for 2 years siden52:49

52:49

In this episode Sarah Taylor sits down with Paul Rogers They discuss Paul's career journey and how he approached the editing behind Everything Everywhere All At Once. Paul Rogers began his professional career in 2007 editing documentary films for public television in Alabama, winning 4 Emmy Awards. He made the jump to Los Angeles in 2013 and kicked off a career in music videos with the DANIELS’ directed 'Turn Down For What’ and further collaborated with DANIELS on the short films ‘Interesting Ball’ and ‘Boat Dad’ as well as one half of the duo, Daniel Scheinert, on the A24 feature film 'The Death of Dick Long,' which premiered at Sundance in 2018. He dipped back into documentaries in 2020 with ‘You Cannot Kill David Arquette,’ an official SXSW selection and winner of the Adobe Editing Award. His next film is Isaiah Saxon's debut feature 'The Legend of Ochi.' Along with feature films, he has edited for the Eric Andre Show, Kendrick Lamar, Flying Lotus, Haim, and Thundercat among others. Paul has also collaborated extensively with director Kahlil Joseph on projects such as ‘Lemonade’ for Beyonce, ‘Process’ for Sampha, and Joseph's most recent work 'BLK NWS.’ Paul is a partner in the editorial company PARALLAX located in Los Angeles.…

The Editor's Cut

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Assistant Editing with Bettina Zachariah Treviranus 54:52

for 2 years siden54:52

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In this episode Sarah Taylor sits down with Bettina Zachariah Treviranus. Bettina is obsessed with and has a deep love of stories that began when she learned how to read. By trade, she’s a television editor and producer of such shows like Work In Progress , Dominion , and Grimm . By night, she’s a devoted daughter, wife, mother, and friend. Bettina believes that stories are what humanize us, teaches us, strengthens us, and connects us. She’s deeply honored to be here and share her experiences. Sarah and Bettina discuss her career journey and how she landed her current position as assistant editor on Class of ’09 .…

The Editor's Cut

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EditCon 2022: Cutting for the Big Screen 1:24:49

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Today’s episode is part 4 of our 4 part series covering EditCon 2022 Brave New World. Like it or not, the landscape of cinema is changing quickly. With more films at our fingertips than ever before, it’s becoming harder and harder to draw audiences to the theatres. But people still flock to the tentpole films that we all know and love. Join us behind the scenes as we chat with the editors of: SHANG-CHI AND THE LEGEND OF THE TEN RINGS, ETERNALS and GHOSTBUSTERS: AFTERLIFE as they take a deep dive into their workflows, share their tips on managing large teams and visual effects, and get into the nitty gritty of cutting for the big screen.…

The Editor's Cut

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EditCon 2022: Learning from the Best 1:06:28

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Today’s episode is part 3 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is Learning from the Best - Documentary editing is a craft of perpetual learning. Not only do our tools change constantly, but so do approaches to storytelling. Mentorship has long been at the heart of developing the next generation of talent in all mediums, and documentary is no exception. It can be difficult for new and aspiring editors to gain access to the suite to sit, watch, listen, and learn the intangible skill of editing. Pull up a seat as two apprentices interview their mentors on their approach to storytelling, and the importance of passing the torch to the next generation.…

The Editor's Cut

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EditCon 2022: Flipping the Script 1:32:10

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Today’s episode is part 2 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is Flipping the Script - The age of streaming has fully arrived. We’ve experienced a boom of topnotch shows, but how do you set yourself apart in such a crowd? Whether it’s bucking the trend of antagonistic conflict to create the arc of TED LASSO; using comedy to punctuate the lives of non-binary characters in SORT OF, exploring familiar characters in new ways with WANDAVISION or reinvigorating period drama with the diverse world of BRIDGERTON, these shows prove that discarding past norms leads to success. Sit with the editors behind these phenomenal series as they discuss the ins and outs of their groundbreaking approaches to storytelling.…

The Editor's Cut

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EditCon 2022: This year in Canadian Film 1:46:22

for 2 years siden1:46:22

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Today’s episode is part 1 of our 4 part series covering EditCon 2022 Brave New World. Today’s panel is This year in Canadian Film. 2021 saw the film industry bounce back with a fervor hardly seen before. With it has come a wealth of powerful and diverse home grown stories, such as the poignant sibling drama ALL MY PUNY SORROWS; the brilliant and raw SCARBOROUGH; 2022’s Canadian Oscar entry DRUNKEN BIRDS; and the gripping sci-fi thriller NIGHT RAIDERS. Join the editors behind the best that Canada has to offer as they talk storytelling in an intimate conversation. This episode is sponsored by Blackmagic Design…

The Editor's Cut

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Interview with Annette Davey, ACE 50:07

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50:07

This episode is an interview with Annette Davey, ACE. We discuss her journey into the cutting room, from assisting and editing at the Australian Broadcasting Corporation to attending film school and how she managed to find a place in Hollywood all the way from Australia. Annette Davey, ACE is an editor originally from Australia now based in LA and NY, she has worked in both TV and film. Annette’s wide selection of TV credits, including MAID, PAM & TOMMY, TRANSPARENT, BETTER THINGS, GLOW, and ZOEY’S EXTRAORDINARY PLAYLIST. Her film credits include WAITRESS, TOGETHER TOGETHER, LADY OF THE MANOR and THE ESTATE.…

The Editor's Cut

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Creatives Empowered Presents: Cultivating & Harvesting EDI 1:06:45

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In today’s episode we are sharing a panel that Creatives Empowered produced called Cultivating & Harvesting EDI. The panel includes Jordan Baylon, Soni Dasmohapatra, Dinu Philip Alex and Pam Tzeng and is moderated by Shivani Saini. CREATIVES EMPOWERED (CE) is a non-profit collective of artists + creatives. We are Black, Indigenous and People of Colour, empowering each other as an allied community. We are film + tv, media and arts professionals – from emerging to established – based in western Canada. We are the first and only organization of its kind in Alberta. CE is inspired by and embodies what is truly possible when racialized talent are empowered to thrive. To learn more, please visit creativesempowered.ca…

The Editor's Cut

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In Conversation with Shaun Rykiss and Bretten Hannam of WILDHOOD 1:25:48

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Today’s episode is the panel that took place virtually on April 11th 2022 - In Conversation with Shaun Rykiss and Bretten Hannam on the film WILDHOOD. Shaun Rykiss and director Bretten Hannam discuss their approach to bringing one of this year’s most acclaimed films, WILDHOOD, to the big screen. This panel was moderated by Kimberlee McTaggart, CCE . WILDHOOD is a film about two brothers who embark on a journey to find their birth mother after their abusive father had lied for years about her whereabouts; along the way, they reconnect with their indigenous heritage and make a new friend.…

The Editor's Cut

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Editing Across Canada 1:36:44

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Today's episode is a conversation with Editors Across Canada that took place virtually November 2nd, 2021. Annie Ilkow, CCE (GHOSTS) from Quebec, Jeremy Harty, CCE (TRAILER PARK BOYS) from Nova Scotia, Lisa Binkley, CCE (ZOMBIES 3) from British Columbia, Roderick Deogrades, CCE (CHAPELWAITE) from Ontario and Sarah Taylor (THE LAST BARON) from Alberta talk about their process and how it can be different (or similar) based on where they live. Sponsored by IATSE 891…

The Editor's Cut

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In Conversation with Post in Black 50:47

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50:47

In today's episode Sarah Taylor chats with the wonderful team behind the podcast Post in Black . Daniel Hunter, David Hunter Jr. and Tatiana Johnson share the journey of how Post In Black started as a blog and is now in it’s 3rd podcast season showcasing post-production professionals in the black community. We talk about their hopes for the future of Post in Black and the industry at large.…

The Editor's Cut

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In Conversation with Sophie Farkas Bolla 44:33

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44:33

Today's episode is the master series that took place virtually on June 5th 2021. In conversation with Sophie Farkas Bolla editor of BEANS and ROADS IN FEBRUARY. Moderated by Jessie Anthony (writer/director of BROTHER, I CRY) They discuss the ins and outs of editing the breakout film BEANS.

The Editor's Cut

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In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE 1:06:44

for 3 years siden1:06:44

1:06:44

Today's episode is the master series that took place virtually on March 16th 2021. Veteran unscripted Vancouver editors Jenypher Fisher, CCE, (RUST VALLEY RESTORERS) Kelly Morris, CCE (HIGHWAY THRU HELL) and Tim Wanlin, CCE (HEAVY RESCUE: 401) discuss their vast knowledge on crafting factual storytelling; the importance of finding the story’s truth, it’s language, and the importance of a strong, pivotal opening that will begin the audience’s emotional journey. This panel was moderated by Showrunner, Producer, Director and Writer, Kelly McClughan.…

The Editor's Cut

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Creatives Empowered Presents: Why Anti-Racism Still Matters 1:08:17

for 3 years siden1:08:17

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In today's episode we talk with the Executive Director of Creatives Empowered, Shivani Saini. We talk about how Creatives Empowered came to be and share a panel that Creatives Empowered produced called Why Anti-Racism Still Matters. The panel includes Reneltta Arluk (Director of Indigenous Arts, BANFF Centre for Arts and Creativity), Patti Pon (President and CEO, Calgary Arts Development), and Kizzie Sutton (Executive Director, Calgary Society for Independent Filmmakers). CREATIVES EMPOWERED is inspired by and embodies what is truly possible when racialized talent are empowered to thrive.…

The Editor's Cut

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EditCon 2021: Breaking the Mold in Series TV 1:16:05

for 3 years siden1:16:05

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This episode is part 6 of a 6 part series covering EditCon 2021 that took place virtually in February 2021. We’re currently experiencing a watershed moment for increased representation in storytelling. This year we’ve seen a wealth of stories originating from the BIPOC, LGBTQ2S and female perspectives that not only tackle tough topics surrounding mental health, addiction, sexual assault and racial prejudice, but also present powerful aesthetic and editorial triumphs. The editors behind I May Destroy You, Euphoria, and #BlackAF join us to discuss their groundbreaking work. *This episode conntains strong language…

The Editor's Cut

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EditCon 2021: Thrills & Chills 53:20

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53:20

This episode is part 5 of a 6 part series covering EditCon 2021 that took place virtually in February 2021. The past year has brought our lives no shortage of fear-inducing moments, and yet films that offer us frights continue to be one of our greatest escapes. Join editors Michele Conroy (In the Tall Grass, The Silence, Mama), Jeff Barnaby (Blood Quantum, Rhymes For Young Ghouls), Dev Singh (Incident in a Ghostland, Backcountry) and moderator Erin Deck (Rabid) as they share their insights into crafting successful films that both entertain us and play upon our fears and anxieties. *This episode contains strong language…

The Editor's Cut

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EditCon 2021: In Conversation with Jinmo Yang, ACE 41:20

for 3 years siden41:20

41:20

Action, comedy, drama, romance, horror and thriller – Jinmo Yang’s outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY to the thriller/comedy PARASITE. Whether working on or off set Mr. Yang is truly a master of his artform. Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang for an in-depth conversation about the craft of Picture Editing. Watch Jinmo's short film BANG.…

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