The Next Reel Film podcast

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Carol Costello Presents: The God Hook

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1 | The False Prophet 35:56

for 13 dager siden35:56

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35:56

In this premiere episode of "The God Hook," host Carol Costello introduces the chilling story of Richard Beasley, infamously known as the Ohio Craigslist Killer. In previously unreleased jailhouse recordings, Beasley portrays himself as a devout Christian, concealing his manipulative and predatory behavior. As the story unfolds, it becomes clear that Beasley's deceitfulness extends beyond the victims he buried in shallow graves. Listen to the preview of a bonus conversation between Carol and Emily available after the episode. Additional info at carolcostellopresents.com . Do you have questions about this series? Submit them for future Q&A episodes . Subscribe to our YouTube channel to see additional videos, photos, and conversations. For early and ad-free episodes and exclusive bonus content, subscribe to the podcast via Supporting Cast or Apple Podcasts. EPISODE CREDITS Host - Carol Costello Co-Host - Emily Pelphrey Producer - Chris Aiola Sound Design & Mixing - Lochlainn Harte Mixing Supervisor - Sean Rule-Hoffman Production Director - Brigid Coyne Executive Producer - Gerardo Orlando Original Music - Timothy Law Snyder SPECIAL THANKS Kevin Huffman Zoe Louisa Lewis GUESTS Doug Oplinger - Former Managing Editor of the Akron Beacon Journal Volkan Topalli - Professor of Criminal Justice and Criminology Amir Hussain - Professor of Theological Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://evergreenpodcasts.supportingcast.fm…

The Next Reel Film Podcast

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A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.

752 episoder

#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

The Next Reel Film Podcast

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752 episoder

#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

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The Next Reel Film Podcast

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Road House (1989) 1:00:46

for 4 dager siden1:00:46

1:00:46

“I want you to be nice, until it’s time to NOT be nice.” From Bar Fights to Box Office: The Making of a Cult Classic In the late 1980s, United Artists sought to capitalize on Patrick Swayze's rising star power following the success of Dirty Dancing . The studio paired him with director Rowdy Herrington for what was pitched as "the best drive-in movie ever made." The film's original casting included Annette Bening as Dr. Clay, but she was replaced by Kelly Lynch due to reported chemistry issues with Swayze. Despite initial skepticism from critics, the $15 million production would go on to become a cultural phenomenon. Join us – Pete Wright and Andy Nelson – as we return to our Movies and Their Remakes series with a conversation about Herrington’s 1989 film Road House . Bouncing Through the Film's Deeper Themes The film cleverly reinterprets classic Western tropes through the lens of late 1980s sensibilities. We discuss how Dalton embodies the archetype of the wandering hero, much like characters from films such as Shane and Seven Samurai . Furthermore, the movie explores themes of authoritarian capitalism through Ben Gazzara's villainous Brad Wesley, while simultaneously delivering crowd-pleasing action sequences and memorable character moments. Elements That Make Road House Stand Out Jeff Healey's authentic musical performances that evolve alongside the bar's transformation The distinction between bouncers and "coolers" in bar culture Sam Elliott's compelling performance as Wade Garrett, despite the ‘controversial’ lack of his signature mustache The film's ability to appeal to multiple audiences through strategic character development Dean Cundey's cinematography capturing both brutal fight scenes and sensual moments A Lasting Impact on Popular Culture Road House has demonstrated remarkable staying power, spawning a theatrical musical adaptation, a direct-to-DVD sequel, and most recently, a high-profile remake. While initially receiving Razzie nominations, the film has been embraced by audiences and reappraised by critics over the years. Both hosts found themselves thoroughly entertained by this blend of philosophy, fisticuffs, and Patrick Swayze's undeniable charisma. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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Conan the Destroyer 1:14:52

for 11 dager siden1:14:52

1:14:52

“What good is a sword against sorcery?” From Barbarian to Family-Friendly Fantasy After the success of Conan the Barbarian in 1982, producer Dino De Laurentiis wanted to create a more family-friendly sequel. He recruited director Richard Fleischer and turned to comic book writers Roy Thomas and Gerry Conway to craft a PG-rated story. With a screenplay by Stanley Mann, Universal Pictures aimed to broaden the franchise's appeal while maintaining its sword-and-sorcery roots. Join us—Pete Wright and Andy Nelson—as we continue the Conan series with a conversation about Fleischer’s 1984 film Conan the Destroyer . Destroying Expectations with Comic Book Flair The shift from the gritty, violent tone of the first film to a more lighthearted adventure creates interesting discussion points. While the comic book influence brings fresh energy to the franchise, the movie struggles to balance serious fantasy elements with comedic moments. The addition of characters like Tracey Walter's Malak as comic relief and Wilt Chamberlain's Bombaata as a double-crossing warrior presents both opportunities and challenges for the narrative. A Journey Through Cast and Creative Choices The film showcases notable performances and creative decisions that deserve attention: Grace Jones delivers an intense, committed performance as Zula André the Giant appears uncredited as the Dagoth monster Basil Poledouris returns with another masterful musical score The mirror room sequence features impressive practical effects despite questionable creature design Sarah Douglas brings regal menace to Queen Taramis Olivia d'Abo debuts as Princess Jehnna in an underwritten role The Legend Continues While Conan the Destroyer may not reach the dramatic heights of its predecessor, it represents an interesting experiment in broadening the appeal of the franchise. The lighter tone and increased emphasis on humor might disappoint hardcore fans, but the film maintains enough sword-and-sorcery spectacle to remain entertaining. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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The Big Doll House • Member Bonus 10:11

for 12 dager siden10:11

10:11

“Get it up or I’ll cut it off.” Roger Corman's Foray into Women in Prison Films In 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women . Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House . Prison Break: Exploring Power, Agency, and Exploitation The film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions. Behind Bars: Production and Performance Pam Grier and Sid Haig deliver standout performances that elevate the material The film's use of humor helps offset some of the more exploitative elements Shot back-to-back with other prison films in the Philippines to maximize efficiency Interesting character dynamics between the six main prisoners The film's ending strikes a lighter tone compared to similar genre entries Throughout our discussion, we explore how The Big Doll House fits into both Corman's broader production approach and Hill's filmography. While Andy prefers the more serious tone found in Women in Cages , Pete finds more value in this film's lighter touch. Despite its exploitation roots, the film manages to deliver entertainment value while sneaking in something of a commentary on power dynamics and institutional corruption. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

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Hannibal Rising 1:04:58

for 18 dager siden1:04:58

1:04:58

“Not a nick in the blade, I promise you. The butcher was like butter.” The Origin Story Nobody Asked For After the success of the Hannibal Lecter films, producer Dino De Laurentiis wanted to continue the franchise. When author Thomas Harris initially refused to write another story, De Laurentiis threatened to move forward with different writers. This ultimatum led Harris to craft both the novel and screenplay for Peter Webber's 2007 film Hannibal Rising . Serving Up a Dish Best Not Served At All The film fundamentally breaks what makes Hannibal Lecter such a compelling character. Instead of the sophisticated, intellectual monster we've come to know, we get a revenge story that transforms him into more of an anti-hero. This origin tale attempts to explain Lecter's cannibalistic tendencies through trauma and nurture rather than nature, which contradicts the essential mystery of his evil. Additionally, the film mishandles the iconic mask by trying to turn what was originally a tool used by law enforcement to control a dangerous killer into a dramatic prop meant to give young Lecter a superhero-like mystique. A Feast of Discussion Points Director Peter Webber's attempts at crafting an elegant period piece clash with the revenge thriller elements Gaspard Ulliel's performance, while good, fails to convince as a young version of either Brian Cox or Anthony Hopkins Gong Li's talents are wasted in an underdeveloped role as Lady Murasaki The beautiful cinematography by Ben Davis can't overcome the weak story Unexpected parallels to superhero origin stories, particularly sharing similarities with Magneto's backstory Despite its impressive production values and occasional moments of visual brilliance, Hannibal Rising represents the low point of the Hannibal Lecter series. The film's attempt to humanize one of cinema's greatest villains ultimately diminishes what made the character so fascinating in the first place. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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Red Dragon 1:04:10

for 25 dager siden1:04:10

1:04:10

“Don’t you understand, Will? You caught me because we’re very much alike.” The Return to Hannibal Lecter's Origins After the box office success of Hannibal in 2001, producer Dino De Laurentiis quickly moved forward with another adaptation of Thomas Harris's work. With Anthony Hopkins agreeing to return one final time as Dr. Hannibal Lecter, they secured Ted Tally to adapt the screenplay and Brett Ratner to direct. The film would serve as both a remake of Michael Mann's Manhunter and a prequel to The Silence of the Lambs . Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Red Dragon . Devouring the Details of This Psychological Thriller While Red Dragon brings together an impressive ensemble cast including Edward Norton, Ralph Fiennes, and Emily Watson, the film struggles to reach the heights of its predecessors. Despite strong performances and Tally's faithful adaptation of Harris's novel, Ratner's direction lacks the artistic flourishes that made both Manhunter and The Silence of the Lambs so memorable. However, the film does provide fascinating insights into Will Graham's relationship with Lecter and offers a deeper exploration of Francis Dolarhyde's psychological transformation. Additional Elements We Discuss The opening sequence showing Graham's capture of Lecter The film's nice production design and bland cinematography Ratner's safe directorial choices compared to previous directors in the series The expanded role of Lecter compared to Manhunter Fiennes's portrayal of Dolarhyde and his relationship with Reba The changed ending and its closer alignment with Harris's novel A Serviceable Addition to the Series While Red Dragon may not reach the artistic heights of earlier entries in the series, it delivers a competent thriller that expands the Lecter mythology. Despite strong performances and production values, the film's conventional approach prevents it from becoming truly memorable. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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Hannibal 1:09:39

for 5 weeks siden1:09:39

1:09:39

“Bowels in or bowels out?” The Return of Dr. Lecter: A Sequel Ten Years in the Making When Jonathan Demme declined to direct the sequel to The Silence of the Lambs , producers Dino and Martha De Laurentiis began searching for a new director. After David Mamet's initial script was heavily rewritten by Steven Zaillian, Ridley Scott signed on to direct. Though Jodie Foster passed on reprising her role as Clarice Starling, Anthony Hopkins agreed to return as Dr. Lecter, with Julianne Moore stepping in as the new Clarice. Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Hannibal . Serving Up a Fresh Take on a Beloved Character The film attempts to expand Hannibal Lecter from supporting player to lead character, which proves both successful and problematic. While Hopkins delivers another captivating performance, the story struggles to maintain the psychological depth of its predecessor. The controversial change to the book's ending and the treatment of Clarice Starling's character spark considerable debate between us about whether these alterations helped or hurt the final product. Key Ingredients in This Gothic Feast The Florence sequences featuring Lecter as Dr. Fell provide some of the film's strongest moments Gary Oldman's unrecognizable turn as Mason Verger feels underutilized Hans Zimmer's score effectively enhances the mood The film's pacing issues and action sequences draw criticism Ray Liotta's performance and character arc culminate in one of the more memorable scenes Final Verdict Though Hannibal successfully grossed over $350 million worldwide, we find it a significant step down from The Silence of the Lambs . While the film has moments of grotesque beauty and maintains Hopkins' magnetic presence as Lecter, the muddled story and uneven pacing ultimately result in a disappointing follow-up. With Pete liking this more than Andy but still struggling largely with the adaptation, we see this as a missed opportunity to further develop these iconic characters. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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The Silence of the Lambs 1:05:30

for 6 weeks siden1:05:30

1:05:30

“Quid pro quo.” The Birth of an Iconic Thriller After the commercial disappointment of Manhunter in 1986, producers Dino and Martha De Laurentiis were hesitant to pursue another adaptation of Thomas Harris's work. However, when The Silence of the Lambs was published in 1988, Gene Hackman initially optioned the rights with intentions to direct and star as Hannibal Lecter. When Hackman dropped out, Jonathan Demme took the helm, casting Jodie Foster as Clarice Starling despite initial resistance from the studio. Join us — Pete Wright and Andy Nelson — as we continue the Hannibal Lecter series with a conversation about The Silence of the Lambs . Serving Up The Silence of the Lambs with Some Fava Beans We examine how this film elevates the basic structure established in Manhunter to create something more compelling and psychologically complex. The relationship between Clarice Starling and Hannibal Lecter forms the dark heart of the story, with Anthony Hopkins delivering an unforgettable performance in just 24 minutes of screen time. We discuss how Foster's vulnerable yet strong portrayal of Starling adds crucial stakes to every interaction. Deeper Into the Darkness • The film's innovative use of first-person camera angles to create intimacy and discomfort • Jonathan Demme's gothic visual style compared to Michael Mann's industrial aesthetic • Questions about the storage unit subplot and its narrative purpose • The controversial portrayal of Buffalo Bill and transgender representation • The effectiveness of the film's two major misdirect sequences • Ted Levine's haunting performance as Buffalo Bill • The significance of the film winning the "Big Five" Academy Awards The Silence of the Lambs remains a masterpiece of psychological horror that transcends its genre roots through outstanding performances and skillful direction. This iconic thriller continues to captivate audiences with its psychological complexity and unforgettable characters. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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Suburbia • Member Bonus 10:42

for 6 weeks siden10:42

10:42

“They didn't realize they'd be the slums of the future.” Penelope Spheeris Brings Punk to Roger Corman After completing her documentary The Decline of Western Civilization about the LA punk scene, director Penelope Spheeris wanted to tell a narrative story in that world. Roger Corman saw potential in her vision and agreed to match her $250,000 investment to make the film. Spheeris made the unconventional choice to cast real punk musicians and street kids rather than professional actors, believing it would create more authentic performances. Join us — Pete Wright and Andy Nelson — as we continue the member bonus Roger Corman series with a conversation about her 1983 film Suburbia . Living on the Edge of Society The film powerfully depicts alienated youth finding community among fellow outcasts while struggling against societal rejection. Though Corman insisted on including sex or violence every 10 minutes, Spheeris managed to maintain her artistic vision while incorporating these commercial elements. We explore how she achieved this balance and whether it ultimately strengthened or weakened the final product. Key Themes and Production Elements The abandoned suburban setting becomes a character itself, reflecting broader issues of American development and social displacement. Spheeris based many plot elements on real stories she encountered while filming her documentary, including the pack of abandoned guard dogs. Her documentary background influences the film's raw, authentic style. Additional Discussion Points: The performances by non-professional actors and whether this approach succeeded The film's portrayal of parents and authority figures The parallel between abandoned dogs and abandoned youth The tragic bookending deaths that open and close the film How the film fits within Spheeris' larger body of work Corman's influence on the commercial elements We both found Suburbia to be a powerful and emotionally affecting film that transcends its low-budget origins through authenticity and strong thematic resonance. Though it can be difficult to watch at times, it offers valuable perspective on alienated youth and societal rejection that remains relevant today. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this one that only members can access. You also get member bonus content on select episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

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Manhunter 1:13:31

for 7 weeks siden1:13:31

1:13:31

“You want to know how he’s choosing them, don’t you?” The Birth of Cinema's Most Infamous Cannibal Before Anthony Hopkins donned the infamous mask as Hannibal Lecter, director Michael Mann brought Thomas Harris's novel Red Dragon to the screen in 1986. Working with a budget of $15 million, Mann cast William Petersen as FBI profiler Will Graham and Brian Cox as the imprisoned Dr. Hannibal Lecktor (spelled differently in this adaptation). Despite Mann's growing reputation after Miami Vice , the studio showed little faith in the project, providing minimal marketing support. Join us – Pete Wright and Andy Nelson – as we kick off the Hannibal Lecter series with a conversation about Manhunter . Hunting Down the Elements of Manhunter's Legacy While Manhunter initially struggled at the box office, its influence on the psychological thriller genre and subsequent Lecter films cannot be understated. The film's visual style, particularly Dante Spinotti's bold color palette and Mann's precise framing, creates a haunting atmosphere that perfectly complements the psychological cat-and-mouse game between Graham and Francis Dollarhyde (Tom Noonan). However, we disagree on Noonan's performance, with Andy finding it less compelling while Pete considers it a standout element of the film. Deep Diving into the Investigation Brian Cox's understated yet menacing portrayal of Lecktor offers a fascinating contrast to later interpretations The complex relationship between Dollarhyde and Reba McClane (Joan Allen) adds unexpected emotional depth Mann's signature visual style, particularly his use of bold blues and greens, enhances the film's moody atmosphere William Petersen delivers a compelling performance as the psychologically tormented Will Graham The film's procedural elements and Graham's investigation methodology feel authentic and engaging Michael Mann's direction emphasizes style, sometimes at the expense of narrative clarity The final confrontation sequence feels rushed compared to later adaptations As the first cinematic adaptation of Thomas Harris's work, Manhunter sets a strong foundation for the Hannibal Lecter series while standing on its own as a compelling psychological thriller. Though we have some disagreements about certain performances, we both appreciate the film's unique visual style and psychological depth. While it may not reach the heights of later entries in the series, it remains an important and entertaining entry in the canon. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

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Series 7: The Contenders 58:38

for 8 weeks siden58:38

58:38

“I saw you on TV. I love you!” A Reality TV Satire Takes on The Most Dangerous Game Before The Hunger Games and the reality TV boom of the 2000s, writer-director Daniel Minahan conceived Series 7: The Contenders as a TV show in the mid-90s. After networks passed on the concept, he developed it into a feature film that would serve as a prescient satire of reality television and American gun culture. With a small budget and shooting on digital video to authentically capture the TV aesthetic of the era, Minahan crafted his dark vision of an alternate present where random citizens are forced to kill each other for entertainment. Join us – Pete Wright and Andy Nelson – as we wrap up the People Hunting People series with a conversation about Series 7: The Contenders . The Game Show Where Survival is Not Optional This reality TV satire follows Dawn (Brooke Smith), a pregnant returning champion who must face off against five new contestants in a government-sanctioned show where ordinary citizens are selected by lottery to kill each other. The film's commitment to never breaking its reality TV frame, from commercial breaks to behind-the-scenes footage, creates an eerily believable world that feels increasingly less satirical and more prophetic with each passing year. Like any good reality show, the producers manipulate situations to create compelling narratives. The "random" selection of contestants conveniently includes Jeff, Dawn's former high school friend and romantic interest, leading to an emotional subplot complete with a nostalgic music video they made together. This attention to creating drama through personal connections and backstories mirrors actual reality TV production techniques, making the deadly premise feel disturbingly plausible. Production Choices and Performance Highlights The authentic digital video cinematography perfectly captures the TV aesthetic of the era Brooke Smith delivers a compelling performance as the pregnant returning champion Will Arnett's narration adds the perfect reality TV tone The integration of surveillance footage and multiple camera perspectives enhances the realism Strong supporting performances, particularly from Merritt Weaver as the youngest contestant The film's dark humor effectively balances entertainment with social commentary While box office numbers were modest, Series 7: The Contenders has developed a cult following for its ahead-of-its-time commentary on reality television and violence as entertainment. The film's examination of how media packaging can normalize extreme behavior remains relevant today, perhaps even more so than when it was released. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Surviving the Game 1:05:11

for 9 weeks siden1:05:11

1:05:11

“Never underestimate a man who’s got nothing to lose.” The Most Dangerous Game Gets a 90s Action Makeover In 1994, director Ernest R. Dickerson took on his second feature film following his directorial debut with Juice . After years as Spike Lee's cinematographer, Dickerson was ready to tackle this action-thriller starring Ice-T as a homeless man hunted by wealthy thrill-seekers. The film drew inspiration from the 1924 short story "The Most Dangerous Game" by Richard Connell, updating it with a contemporary urban twist and social commentary. Join us – Pete Wright and Andy Nelson – as we continue the People Hunting People series with a conversation about Surviving the Game . Hunting Down What Makes This Film Tick The film assembles an impressive ensemble cast including Rutger Hauer, Charles S. Dutton, Gary Busey, F. Murray Abraham, and John C. McGinley. While Ice-T delivers a solid performance as Mason, the homeless man targeted for sport, it's the eccentric hunters who steal the show. Furthermore, the film explores themes of class divide and entitlement through its intense cat-and-mouse premise, though some logical gaps in the hunters' abilities occasionally strain credibility. Deep Diving into the Woods and Characters Gary Busey's dinner table monologue about training and killing his dog stands as the memorable highlight Dickerson's direction shows his cinematographer's eye, particularly in a Blade Runner -inspired shot of Rutger Hauer Stuart Copeland's score starts strong but becomes less effective as the film progresses... at least per Andy The film's Pacific Northwest setting (actually shot in Washington, not Oregon as stated) provides a compelling backdrop Charles S. Dutton's casting as a seemingly benevolent shelter worker who reveals darker motives works particularly well The film oddly uses Philadelphia stock footage to represent Seattle in the finale The Trophy Room Verdict Despite some narrative shortcomings and questionable hunter competency, Surviving the Game delivers exactly what you'd want from a 90s action thriller. The stellar cast elevates the material beyond its B-movie roots, while the social commentary adds welcome depth to the hunt. Both hosts thoroughly enjoyed this bonkers entry in the People Hunting People series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube ! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Gary Busey and Gailard Sartain, Coach Chuck Sketch, Tulsa OK '74 Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Most Dangerous Game 1:03:59

for 10 weeks siden1:03:59

1:03:59

“What I needed was not a new weapon, but a new animal.” Setting the Stage for the Ultimate Hunt In 1932, RKO Pictures produced The Most Dangerous Game while simultaneously building elaborate jungle sets for their upcoming production of King Kong . Based on Richard Connell's 1924 short story, the film became one of the earliest to explore the concept of humans hunting humans. Using the same jungle sets and several cast members who would later appear in King Kong , including Fay Wray, directors Irving Pichel and Ernest B. Schoedsack crafted this taut 63-minute thriller on a modest budget. Join us – Pete Wright and Andy Nelson – as we kick off the People Hunting People series with this 1932 film The Most Dangerous Game . Pre-Code Thrills and Dark Psychology The film's pre-Code status allowed for surprisingly graphic content, including human heads displayed in jars and mounted on walls. Originally, even more shocking footage was shot, including fully stuffed human corpses positioned in death poses, though these scenes were ultimately cut. As Bob Rainsford and Eve Trowbridge run through the jungle, their clothing becomes increasingly torn and revealing – another pre-Code element that wouldn't have made it past censors a few years later. The film's exploration of hunting humans as sport raises intriguing questions about civilization versus savagery. Count Zaroff's twisted philosophy about hunting humans being the ultimate game creates a compelling narrative that examines humanity's darker impulses. Leslie Banks delivers a memorably sinister performance as Zaroff, using his real-life facial paralysis to enhance his character's menacing presence. Points of Discussion The innovative cinematography, including POV shots through the jungle Max Steiner's adventurous score that becomes diegetic when played on piano The film's efficient use of its brief 63-minute runtime Its enduring influence on the "humans hunting humans" subgenre The rapid development of the central romance This lean, atmospheric thriller maintains its impact even after 90 years. While some elements feel dated, The Most Dangerous Game effectively establishes many tropes that would define the "hunting humans" subgenre. We found much to admire in this tightly-crafted adventure, particularly its exploration of humanity's capacity for both civilization and savagery. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Women in Cages • Member Bonus 11:42

for 10 weeks siden11:42

11:42

“We all have our devils, my dear.” Roger Corman's Exploitation Era in the Philippines In the early 1970s, Roger Corman discovered he could stretch his production dollars further by filming in the Philippines. He partnered with established Filipino director Gerardo de Leon, known for his award-winning films and work in the Filipino film industry since 1938. Despite de Leon's prestigious background, Corman convinced him to direct Women in Cages , though de Leon would later distance himself from exploitation films. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about Women in Cages . Breaking Free from Prison Film Conventions Pete and Andy engage in a spirited debate about the merits of Women in Cages , with Andy finding more depth than expected while Pete struggles with its exploitation elements. The film follows Jeff, a naive American woman framed by her drug-dealing boyfriend and imprisoned in a corrupt facility run by a sadistic guard played by Pam Grier. Through their discussion, they explore how the film attempts to balance serious themes with exploitation requirements. Deeper Themes Behind Prison Bars Strong performance by Pam Grier as Alabama, the complex and ruthless prison guard Examination of power dynamics and corruption within the prison system, though Pete questions if these themes truly land Controversial portrayal of violence and nudity that divides our hosts Noteworthy ending that leaves a lasting impact about women trapped in cycles of abuse Discussion of de Leon's reluctant participation in exploitation cinema Analysis of how the film handles themes of sexual exploitation and systemic corruption Classic Corman cost-cutting: Film set in a Spanish-speaking country but shot in the Philippines While Pete finds the film's exploitation elements overwhelming, distracting, and worst of all—boring, Andy appreciates its attempts to tackle deeper themes about women trapped in various forms of imprisonment. Whether viewing it as pure exploitation or something more substantial, Women in Cages represents an interesting chapter in Corman's production history and de Leon's career. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus content, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Mank 1:06:31

for 11 weeks siden1:06:31

1:06:31

“You can make the world swear King Kong is ten stories tall and Mary Pickford a virgin at 40, yet you can’t convince starving voters that a turncoat socialist is a menace to everything California holds dear? You’re barely trying.” David Fincher's Personal Connection to Old Hollywood After decades of development, David Fincher finally brought his late father Jack Fincher's screenplay about Herman J. Mankiewicz to life. Originally planned for production in the late 1990s with Kevin Spacey and Jodie Foster attached, the project stalled when studios balked at Fincher's insistence on shooting in black and white. Following Jack Fincher's death in 2003, David continued developing the script, eventually partnering with Netflix who gave him creative freedom to realize his father's vision. Join us – Pete Wright and Andy Nelson – as we return to our David Fincher series with a conversation about Mank . Writing History Through a Modern Lens In discussing Mank , we explore how Fincher approaches the controversial story of who really wrote Citizen Kane , while examining the film's portrayal of 1930s Hollywood politics through a contemporary perspective. We debate the historical accuracy of certain story elements and character portrayals, particularly regarding Herman Mankiewicz's political leanings and relationship with William Randolph Hearst. Behind the Scenes of Old Hollywood The film raises interesting questions about the balance between historical accuracy and dramatic storytelling. While some criticize the film's creative liberties with Mankiewicz's political views and relationships, we discuss whether these changes serve a greater purpose in crafting a compelling narrative. This leads to a broader conversation about the responsibilities filmmakers have when telling true stories and whether artistic license can be justified in service of a larger truth. Key Discussion Points Oldman's compelling performance as Mankiewicz... without prosthetics The technical achievements in recreating the period look using modern digital tools Amanda Seyfried's standout portrayal of Marion Davies Trent Reznor and Atticus Ross's period-appropriate score recorded remotely during COVID The film's exploration of fake news and media manipulation then and now Crafting a Modern Classic While not ranking among Fincher's most dynamic works as far as we’re concerned, Mank succeeds as both a love letter to classic Hollywood and a thoughtful examination of the creative process. Despite some historical liberties, the film's technical excellence and strong performances make it a worthy addition to Fincher's filmography. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Check out these other Mank-adjacent conversations in The Next Reel’s family of podcasts: Movies We Like: Cinematographer Erik Messerschmidt on Chinatown The Film Board: Erik Messerschmidt joins Justin Jaeger and Tommy Metz III for a Conversation on The Killer The Film Board: Mank Find places to watch this at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Anguish 1:02:23

for 12 weeks siden1:02:23

1:02:23

“You must start thinking of the spiral, the spiral that’s coming into your head.” An Overlooked Horror Gem In 1987, Spanish filmmaker Bigas Luna ventured into the horror genre with an innovative approach to storytelling. Working with a budget of $2 million, Luna crafted a unique narrative that would blend psychological horror with commentary on cinema itself. Despite its limited theatrical release and modest box office returns (to be generous), the film would go on to win several awards and be nominated for others. Join us – Pete Wright and Andy Nelson – as we wrap up this return to the 'Spoiled. Rotten? Twist Endings' series with a conversation about Luna’s 1987 film Anguish . Eyes Wide Open for This Horror Experience The film follows John Pressman (Michael Lerner), a troubled ophthalmologist's orderly whose overbearing mother (Zelda Rubinstein) exercises an unusual amount of control over his life. As their story unfolds, Luna takes viewers on an unexpected journey that challenges conventional horror storytelling. A Deeper Look into Cinema's Dark corners We discuss how the film's unique approach to storytelling enhances rather than diminishes its impact. While we initially found the first act somewhat challenging, we agree that the film's revelations make these early moments more meaningful in retrospect. We particularly praise Michael Lerner's performance and Zelda Rubinstein's uniquely unsettling presence. Key Elements of Discussion: The effective use of sound design and visual elements to create a hypnotic atmosphere The film's commentary on cinema and audience experience The innovative approach to horror storytelling The challenges of distribution and accessibility in modern times The potential impact of a modern remake The film's lasting influence on horror cinema Anguish proves itself to be a fascinating and innovative piece of horror cinema that deserves wider recognition. Despite its limited availability, this hypnotic and unsettling film rewards viewers with its creative storytelling and memorable performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

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