Exploring the role of human taste in a tech-driven world. Join us on a weekly journey to understand tastemaking as a craft that can be learned, honed and expressed through the art of curation. Hosted by Mia Quagliarello for Flipboard.
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The Ultimate Story Curation and Independent Publishing Podcast
Dyan Burgess, Creative Director, Independent Publisher, Story Curator
Dyan Burgess shares lessons from the independent publishing industry (in between feeding four young children). Tips and resources that she wished she had known to save time, money and heartache and juggling everyday family life while publishing step-by-step business books. As a new entrant to the publishing industry, it can be overwhelming and confusing. Here you will obtain information to know where to start. Whether you want to lift your business profile, obtain speaking opportunities or b ...
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Holding space for native art and community đȘ¶ Kalyn Fay Barnoski, Philbrook Museum of Art
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âWe aren't constantly swimming in trauma. We're a joyful people. I want to make sure that the way we present the work is reflective of an expansive and nuanced understanding that we can hold pain but we can also hold a lot of love, joy and happiness.â â Kalyn Fay Barnoski, Philbrook Museum of Art When youâre a gatekeeper to a world thatâs still unfâŠ
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How curiosity can change your life đ§ Scott Shigeoka, Author of âSeekâ
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âI'm really interested in curators who have done the work of healing through their deep curiosity and then are thinking about what they can curate to help others on their journey. I can't think of anything that's more worthwhile and more meaningful than extending that vulnerability of your own healing journey and trying to support others on theirs.âŠ
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Meet a playlist queen đ Kasey Gelsomino, TikTok and Spotify
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âI just love creating these really hyper specific titles where, after reading these few words, you really have an understanding of the context of the playlist itselfâŠIt's crazy how being that specific makes people so compelled to actually listen because it feels relatable.â â Kasey Gelsomino, Kaseyâs Playlist You donât have to press play to know whâŠ
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Better living through listening đđŸ Hrishikesh Hirway, Song Exploder
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â[Mixtapes were] the ultimate love letter because itâs like saying: âThis is me looking at you and trying to understand where your taste lies and also imparting some of my taste. This is where we intersect.â Maybe I can introduce you to new things while recognizing that I'm here in a context that I think you will appreciate.â â Hrishikesh Hirway, mâŠ
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Guarding (and curating) the art đđ»ââïž Dereck Mangus and Jess Bither, Baltimore Museum of Art
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âIt's not like you press a button and you get to see art. You have to go there to know thereâŠYou have to be in front of it, obviously, and then you have to have a relationship with it. You have to see it again and again. And sometimes it takes years.â â Dereck Mangus, Baltimore Museum of Art In 2022, the Baltimore Museum of Art (BMA) turned over thâŠ
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Curation is the caretaking of culture 𧿠Kyle Chayka, The New Yorker
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âThe internet demands that everyone be a kind of curator: you're a curator of your own Instagram, of your opinions on Twitter, of what playlists you listen to on Spotify. There's a lot of curation going on but it's more in the sense of selecting between stuff. Curation, to me, is a much more deep-seated act that has more to do with the caretaking oâŠ
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Elevating writers and newsletters đ Hannah Ray, Substack
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âGood writing is simple writing. I think that goes for the curation part, as well. I will try and strip myself from the equation as much as possible. Youâre like a spider with your tentacles out everywhere, looking and pulling in things from different reader recommendations, dashboards and things you know about the company, and trying to spin it inâŠ
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Making the business case for curation đŒ Robyn Kerkhof, Blinkist
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âBack in the day, curation was mostly a job in museums and art galleries. It took the Spotifys, Twitters and Netflixes of the world to really popularize curation as a valid business need. Iâm proud to say that we were amongst the first ones to identify the business need for that discipline.â â Robyn Kerkhof, Blinkist Curation has long moved out of âŠ
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Boosting art and photography đ Sabine Stoye, Mastodon
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âThe problem is more to find what one wants to curate because, well, you have to find your wayâŠ[Mastodon] is a great place because you have incredible choice and a rich and creative crowd out there.â â Sabine Stoye, Mastodon art and photography curator You may have heard about a Twitter alternative called Mastodon. The service is a decentralized soâŠ
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Curating images and ideas đž Andy Adams, FlakPhoto Projects
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âIn the history of human culture, we've never had a time thatâs been better for learning about photography. There are images everywhere, and hopefully somebody like me can help you see some of the good stuff.â â Andy Adams, FlakPhoto Projects In an era flooded with so much photography, usually without context, itâs a relief to have Andy Adams as a âŠ
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Down the rabbit hole of wine đ· Nadine Brown, Sommelier
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âIf you're a curator in a museum, you're thinking about the thousands or millions of people that are coming through your space, not just your own personal taste. That's [also] important when doing a list. I have things that I love that I drink, but if I'm putting a list together, it's really important to think about all the people that are coming tâŠ
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Where disability meets art curation âżïž Ezra Benus, Brothers Sick
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ââDisability aestheticsâ is this term that is really loose but points to where we can find disability as the space that informs an artistic practice. When I say âdisability artsâ or âdisabled artistry,â itâs [referring to] artists who have an experience of disability or illness and use that as a space that is generative and that is not hidden from âŠ
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Can news curation be unbiased? đ€ Drew Steigerwald, 1440
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âWhen you focus on the research, educating, explaining and pulling things together, and then communicating that back in an easy way, this idea of bias often does not come up. I know that sounds counterintuitive. But itâs really about placing focus on how we explain [the news]. We donât really worry about [what each side says]. We put our focus on câŠ
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Building a community-curated knowledge graph đ Sari Azout, Startupy.World
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âA lot of the curation and knowledge management is happening in single-player tools. It'd be a lot more powerful to combine the richness and the utility of all these tools with a more networked discovery and communal approach to building knowledge.â â Sari Azout When we talk about curation, the first question that usually pops to mind is: What is tâŠ
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Sneakers are medicinal đJasmine âJixieâ Gonzalez, Curvy Kicks
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âUnlike the traditional definition of collecting, where you just accumulate, sneaker collecting is to accumulate and wear. The finality of collecting the art is to style it, to make it yours. For me, it's not just about the sneaker. It's about the whole fashion and the whole fit. It's about the whole piece that I'm putting out there while highlightâŠ
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Being a human in the loop đ€ David Smydra, Twitter
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âThere's no such thing as an unbiased algorithm, and some companies have probably admitted that sooner than others. But once you do admit it, the only rational step you can take is to try to learn as much as you can about the ways that algorithms can reflect our biases, both positive and negative, and what we can do to tune them so that they are ruâŠ
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Algotorial and solving the problem of excess đ§ Meg Tarquinio, Spotify / Nettwerk
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âCuration is a specific mode of creativity that's more based in analogical thinking and juxtaposition and categorization. The best curators are critics too ⊠It's not enough to be a great subject matter expert. You also have to have a deep understanding of the spheres of art, aesthetics, commerce and technology, and be someone who's constantly thinâŠ
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Humans do it better đ€ Ann Friedman, The AF WKLY Newsletter
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âFor several years now, I have just kind of felt like I'm not seeing what I really want to see in my feed, despite following friends and strangers whose taste and opinions I care aboutâŠThe algorithm doesn't really get it. The big motivation for me is: humans just do stuff better. Some things just can't be automated.â â Ann Friedman The algorithm doâŠ
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Leading through NFT curation đŒ Lex Marcano, NFT Girl
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âThe beauty of NFTs and Web 3 is that now it's global, where you have a whole gallery in your phone or laptop. You can be your own curator without having all the background and connections that are typically in the traditional art spaceâŠAnyone can curate if they have that passion and that love for creativity and art.â â Lex Marcano, NFT Girl With aâŠ
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Curating who gets to be your friend đŻââïž Nick Gray, The 2-Hour Cocktail Party
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âWhen you host a lightweight cocktail party, you now have a way to go through life, collecting these new and interesting people and bringing them into your worldâŠYou use these parties as an audition to see who you would like to become better friends with.â â Nick Gray, creator of âThe 2-Hour Cocktail Partyâ Whether youâre new to a place or getting âŠ
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Technology is an amazing tool, but at the end of the day there is still no algorithm for cool. Cool is humans observing, selecting and sharing something because it moves them and they think it might move others, too. Join us on a weekly journey to understand tastemaking as a craft that can be learned, honed and expressed through the art of curationâŠ
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How to get a PhD in looking đ Apsara DiQuinzio, Nevada Museum of Art
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âWhenever I wonder, âWow, can I really pull this off?â I know I'm in a good space, because I really want to push the limits of what I can do, what the exhibition can do and what the institution can do while trying to propel things in a positive direction. Risk, experimentality and curiosity are essential criteria for curators.â â Apsara DiQuinzio TâŠ
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From art curator to cultural keeper đ Ozi Uduma, University of Michigan
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âPart of my work is to look at how artists are using their craft to speak to the times that we're living in â everything from climate change to immigration to the everyday human experience. My role is to look at what our museum has historically focused on and, in some regards, attempt to fill in the gaps or expand the conversation.â â Ozi Uduma, UnâŠ
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Meet a vibe curator đ Ramon Olguin Sanchez, Hard Rock Hotel Los Cabos
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âI am the kind of person that believes in frequency and energy. I really like to meditate. So when I think about how to inspire the peopleâŠI use music as the channel to share that energy.â â Ramon Olguin Sanchez A vibe manager â also known as a vibe curator â has been called âthe most millennial job ever.â To be one, youâve got to be the kind of peâŠ
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Picking films for a festival đ„ Leslie Raymond, Ann Arbor Film Festival
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âFilm curators definitely have the challenge of [their mediumâs] temporal nature. With two dimensional objects, you can easily look at them at once and figure out [how to] arrange them. But when it comes to working with a time-based medium, you really have to watch itâŠand maybe multiple times to understand how the piece works.â â Leslie Raymond, AnâŠ
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Finding and coaching speakers for TED đĄ Corey Hajim, TED Business
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âTo be a good curator, it's important toâŠbe open to what you don't know and to be looking for people to tell you what the new important ideas are instead of going out and saying, I think I know what matters.â â Corey Hajim, TED Business Curator She didnât know it while it was unfolding, but when you look back at Corey Hajimâs career trajectory, it âŠ
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Craft chocolate DJing đ« Spencer Hyman, Cocoa Runners
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âEver since I was at Amazon, I've been intrigued by the way in which discovery needs to be a bit more than search, and how curation is almost the flipside of knowing what you wantâŠHelping you identify what you would get delight from is very often the result of curation.â â Spencer Hyman As a âcraft chocolate DJâ who runs a subscription service callâŠ
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Personal finance voyeurism at its best đž Hannah Rimm, Refinery29
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âIâve learned how to choose the people who have the most interesting voices and stories and not just the ones that make $500,000 a yearâŠI've really learned to mine for story and interesting tidbits and different kinds of people.â â Hannah Rimm If youâve ever read a Money Diary on Refinery29, you know theyâre fascinating and a little bit addictive. âŠ
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Bringing people together through history đ« Jason Steinhauer, History Club
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âSometimes in the Jewish imagination, but definitely in the broader public imagination, people reduce all of Jewish history to the Holocaust. And so I think one of the responsibilities that curators have is to show the rich panoply of Jewish experience beyond just 1939-1945âŠand to create access points to those histories.â â Jason Steinhauer HistoryâŠ
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Curating a library from scratch đ Heavy Manners Library
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âThe moment we opened our doors, the project belonged to everybody else who's interacting with it. Itâs [now] about serving those people and their engagement with things. A lot of curation is also about listening and continuing to change your perspective and accept things that you didn't know or understand before you started on the journey you're oâŠ
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What would Jesus curate? âȘïž Dan Darling, Pastor
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âThe best preachers are able to say, here's this timeless principle â like humility or forgiveness or racial reconciliation â and then look around and say, âIn what areas are our people uniquely challenged to live by this principle?â That's where the curation comes in, where you're reading the news and trying to find the pressure points where peoplâŠ
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Escaping the echo chamber through curation đ Uri Bram, The Browser
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âWhat the internet really needed was a great curator; someone who would read and select and present the finest pieces to you so that you could ignore the noise and get straight to the quality.â â Uri Bram, The Browser Mission accomplished. If you subscribe to The Browser, you can rest easy knowing that a steady stream of fascinating pieces you didnâŠ
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How curating music can make you a better entrepreneur đ©âđ Jonathan Tzou, Dancing Astronaut / Rupie.io
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âWe really want to help people discover music that can help them feel a particular set of feelings in a way that we believe is incredibly potent. For me personally, thatâs kind of my guiding light in how I decide on what music actually stands out and what music will be able to touch many people from within.â â Jonathan Tzou Jonathan Tzou lives at tâŠ
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Curators are the new creators ⥠Gaby Goldberg, TCG Crypto
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âA top-down view is: someone's going to tell me what's cool, and that's not how it works anymore. It's trickle up, where the curator is the one who builds the audience and curates what's cool. If the audience comes, it comes from the community. And that's why it's really exciting: it doesn't rely on someone who has status or money to make these thiâŠ
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A subscription service centered on surprise đ Steve Watson, Stack
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âWe're not trying to pick something that fits our subscribersâ tastes and interests. In a way, we're sort of doing the opposite: the point of Stack is that you come to us because you want to be exposed to things that you wouldn't have come upon yourself.â â Steve Watson, Stack Steve Watson is the ultimate magazine curator. As the founder and curatoâŠ
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Collecting ideas in art and ancient history đš Julia Lu, The Collector
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âI want to democratize the idea of collecting so that it's not only for people who have a lot of money who collect ancient artifacts or shoes or expensive watches. You can collect ideas, artists, and favorite thingsâŠâ â Julia Lu, The Collector If you spend any time on Flipboard, youâll likely see The Collectorâs Storyboards pass through your feeds.âŠ
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âI am the algorithmâ đšđ»âđ» Dave Pell, NextDraft
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âIt has to feel like it's a creation, not just a collection. That keeps you from getting burned out, because if you're passionate about what you're making, then you wake up the next morning and you just need to push that publish button.â â Dave Pell If youâre a news(letter) connoisseur, then you likely already know â and love â NextDraft. Every weeâŠ
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Vintage clothing that creates community đ James Veloria
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âI always get really excited when someone who has access to any possible new piece of clothing buys something from the past that we've chosen. That's a really exciting step forward for vintage. It's the most ethical way of shopping, and chances are no one else is going to have the same thing that you have.â â Brandon Veloria Giordano of James VelorâŠ
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Curating an âinformation vaccineâ for these times đ° DJ Spooky
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âThe Latin term 'cura' means âconcernâ or âstudyâ or figuring out different approaches to pulling together things. It also relates to healing, which I find kind of amusing, that the term âcureâ and âcuratorâ are tangentially associated. Like you're healing by pulling together information.â â DJ Spooky Paul Miller, aka DJ Spooky, is the ultimate creâŠ
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Why food matters so much đ„ The Bittman Project
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âI came to realize, over 20 years, that food was much more important than what you cooked for dinner or what cool ingredient you were into or what groovy restaurant youâre going to. And gradually what I wrote about...became the bigger picture in food. I don't want to leave cooking behind; cooking matters. But it's a small part of the food picture aâŠ
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Science is a verb đŹ Jennifer Frazier, Exploratorium
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âWhat really makes an incredible curator in science is what makes an incredible curator of anything. A lot of that is thinking deeply about the experience.â â Jennifer Frazier The Exploratorium is a beloved, hands-on museum in San Francisco, where science isnât just something to learn about; itâs something to be uncovered and discovered as a kind oâŠ
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Dyan Burgess Emma Mactaggart is based in Toowoomba (in South East Queensland), and the Child Writes program is her brainchild. The program began in 2005, as Emma combined her love of childrenâs literacy with her desire to promote community respect for children by giving them a voice. Believing everyone has the right to see their words in print has âŠ
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PODCAST â Mariko Francis, Illustrator
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Dyan Burgess Summary: Mariko Francis, who you may have met on our Words From Daddyâs Mouth âWho we collaborate withâ page. Is the illustrator of our Undercover Cop book. What a treat to work with this talented lady. We love Marikoâs interpretation of our words. Find out more about Mariko and her techniques in the interview below. For those who donââŠ
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