Player FM - Internet Radio Done Right
Checked 2+ y ago
Lagt til ten år siden
Innhold levert av Tom Parish. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Parish eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Player FM - Podcast-app
Gå frakoblet med Player FM -appen!
Gå frakoblet med Player FM -appen!
Color Talk with Tom Parish
Merk alt (u)spilt...
Manage series 63904
Innhold levert av Tom Parish. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Parish eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Interviews with a range of artists, media creators and technologist fascinated with how we capture and use light and color to influence us and our stories about life.
…
continue reading
37 episoder
Merk alt (u)spilt...
Manage series 63904
Innhold levert av Tom Parish. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Parish eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Interviews with a range of artists, media creators and technologist fascinated with how we capture and use light and color to influence us and our stories about life.
…
continue reading
37 episoder
Alle episoder
×
1 Finding a Product Solution that Creates Value Quickly 5:19
5:19
Spill senere
Spill senere
Lister
Lik
Likt5:19
Kevin talks the issue every entrepreneur has of finding the value of their product idea and the challenge of demonstrating value to a client to create product tracking. How can you do this quickly?

1 Life without Color - Documentary by Robb Jacobson 17:40
17:40
Spill senere
Spill senere
Lister
Lik
Likt17:40
Up next is a conversation with Robb Jacobson about the lives of people who are affected, both by birth and by injury, both drastically and unknowingly with some form of color blindness. Robb is a story producer and a filmmaker who is partially color blind. One day it hit him - In our society, we cherish our visual field, but we also demand it to be understood uniformly. Policemen, firemen, pilots, army men, coast guard, railroad workers, electricians, astronauts, artists, and many more occupations won't allow for any inconsistency in color determination. Visit TomParish.com for more details.…

1 What can a Colorist learn from a Producer - a Conversation with Ezra Venetos 34:32
34:32
Spill senere
Spill senere
Lister
Lik
Likt34:32
Ezra Venetos is a film producer in Austin Texas many of us know locally for his successful indie films. I ask Ezra to talk about what makes him unique in his approach to producing films. We discuss the central theme I've been exploring in this mini-series "have we unconsciously evolved ourselves into a bad habit of thinking production quality is related to how much 4k or 5k gear you budget to rent or own? And more importantly what needs to change.…

1 Part 2 What can a Colorist Learn from a Distributor - Linda Nelson IndieRights.com 59:14
59:14
Spill senere
Spill senere
Lister
Lik
Likt59:14
Think about it - what could you learn from a distributor, really? For me it was a stretch. if you're like me and you assume distributors are gatekeepers then it's difficult to get over the mind talk running in your head that a distributor is out to get you in some way. Or at best just someone you have to pay along the way. Clearly this isn't the case but then there are those horror stories we've all heard over the years. Has this changed with the growing video on demand (VOD) marketplace evolving so quickly? You might be surprised what you learn from Linda Nelson of IndieRights.com during this 60 minutes of non-stop high-intensity flow of ideas to help you be more successful with your film. Learn more about this interview and color grading at www.TomParish.com…

1 Part 1 What can a Colorist Learn from a Film Distributor? Andie Grace Devolver Digital Films 34:01
34:01
Spill senere
Spill senere
Lister
Lik
Likt34:01
Up next is a conversation with Andie Grace VP of Acquisitions and Head CheerLeder at Devolver Digital Films - a film distributor in San Francisco. Why a film distributor? Turns out they have similar problems that as a colorist in helping a filmmaker be more successful.

1 What can a Colorist Learn from a Director of Photography? Interview with Ellie Anne Fenton 18:57
18:57
Spill senere
Spill senere
Lister
Lik
Likt18:57
In the next conversation of this mini-series on "What Can a Colorist Learn from a ...?" I speak with Ellie Ann Fenton, a Director of Photography in Los Angeles. Lucky for me she was in Austin working on a film. She called asking if she could bring the scriptwriter, the editor, and others on the team over to the studio to see some test clips on the large screen. Needless to say, I was delighted. We all met and talked about the feeling of the movie and how light and color will be used. This led to a technical conversation over what color space to shoot in with the Sony F55 and what LUTs to use. Then we did some testing with DaVinci Resolve. As the colorist for the project, I was thankful to have an opportunity to contribute early in the process as this will lead, I believe, to a more creative look because there will be fewer color correction issues. During this interview Ellie and I discuss how the cost of digital filmmaking has dropped dramatically (even 4k productions are doable), so what is the secret to doing this well with tighter budgets? What makes one indie production stand out over others when all are using the same gear and software in post? Surely it’s not just about more gear, or higher-resolution cameras, or finding cheaper actors or better scripts. Why not leverage the creative flow across the entire digital workflow production and post process, including inputs from distribution? How about expanding the creative uses of color and light in the process of telling stories? Bottom line – you want to spend less money fixing problems in digital filmmaking and get more emotional impact out of a budget all the way through the distribution step. Great gear without creative collaboration yields average, at best, results. Average is over. So listen in and let me know about your experiences around the collaboration process.…

1 What can a colorist learn from a Costume Designer? Interview with Kari Perkins 25:29
25:29
Spill senere
Spill senere
Lister
Lik
Likt25:29
Have you seen any of these movies - Boyhood which is winning awards left and right.. Dazed and Confused, Fast Food Nation, A Scanner Darkly, Bernie? In this interview I ask an award winning custom designer Kari Perkins who is from Austin Texas to explore with me what a colorist can learn from a costume designer and how that collaboration can impact the creative strength of a production. Kari and I discuss the renewed importance of early collaborating in the filmmaking process on the use of color versus attempting to fixing color in post production (if at all in small budget films). It’s a team sport and it starts early if you want to really stretch your budget and maximize your creative efforts.…

1 Teaching Advanced Color Grading - a conversation with Kevin Shaw 23:35
23:35
Spill senere
Spill senere
Lister
Lik
Likt23:35
In this episode of Color Talk we dig in deep with Kevin Shaw, Instructor from the International Colorist Academy, about his new class - Advanced Color Grading. We do not talk about the specifics of how you use Resolve or SpeedGrade or the Nucoda color grading system or Baselight. Instead we delve into Kevin’s particular approach to teaching color grading, which is less about the tools and more about the philosophy of how you think light and color.…

1 Warren Eagles on the Evolution of Teaching Color Grading at ICA 29:03
29:03
Spill senere
Spill senere
Lister
Lik
Likt29:03
Join in on our my conversation with Warren as we talk about the International Colorist Academey which he cofounded with Kevin Shaw and the evolution of teaching colorist over the last few years. We talk about how the attendees and the course work has changed over these last few years for this wanting to become colorists. This was a fun and relaxing opportunity to speak with Warren about his experiences while he relaxing at home outside on his back pourch. I just wish I could have been there enjoying a beer with him. Well maybe next time.…

1 AJA LUT Box - Interview with Eric Norrell 17:07
17:07
Spill senere
Spill senere
Lister
Lik
Likt17:07
Join 1047111me in a conversation with Eric Norrell, Product Manager for AJA, to talk about AJA's LUT-box. This new addition to the AJA family was released at NAB 2014, and later this year some significant updates were added. The AJA LUT-box provides an easy, inexpensive way to help with more precise color calibration of displays and look management in production and post workflows, and for handling camera matching on multi-camera shoots.…

1 Sharing Media with Clients. Frame.io Get’s it Right 21:11
21:11
Spill senere
Spill senere
Lister
Lik
Likt21:11
Tom Parish interviews Emery wells Co-founder of www.Frame.IO. Here is a question for the listeners - how’s it going - really - in sharing files with remote clients and teammates on your projects? Let me guess you use Dropbox to access to files or something Hightail or GoogleDrive. It’s a guessing game to see what the client is willing to use. Then you have Vimeo viewing files that need review or discussion, yes? Ok so where are the notes? How far back in my email what that last comment about changes which can spread out over days or weeks. Alright you get the point. This whole process of collaborating with new prospect or a client is rube Goldberg collection of disparate tool. Learn how Frame.IO is approaching this differently and promise to have a much better online solution. I'm all about that.…

1 Filmmaking Why That Color? Why Not - Interview With Aleksandar Maćašev 43:49
43:49
Spill senere
Spill senere
Lister
Lik
Likt43:49
Aleksandar is a New York-based visual artist. His work often crosses and re-crosses a thin line between art and design, and it ranges from deceptively simple to highly political. In 2010 his diverse body of work was collected and published in Aleksandar Maćašev / Book. “Color is not essential, but very influential … Color is ever changing, it is very relative and relational …”…

1 Interview with Randy Starnes on Color Grading Television Series Shows 46:43
46:43
Spill senere
Spill senere
Lister
Lik
Likt46:43
Imagine having the opportunity to sit down with a senior colorist who has graded dozens and dozens of shows over his career in the TV and movie business. That is what it was like as Randy Starnes and I conversed over FaceTime between our two locations, Austin TX and Santa Monica CA. Picking out one key point from this rich interview is difficult because Randy speaks with such ease and depth and care about his profession and the people he works with. He is a teacher, mentor, and seasoned professional colorist who remains fascinated with color. I'm grateful for this time with him. Clearly there are many important people in the creation of a TV series, but as a colorist your relationship with the DP is critical, and Randy makes this point with insight, finesse, and emphasis during our interview -- multiple times. Randy has deepened my commitment to push harder on all my projects to get to know the DP as soon as possible, any way possible. You will see why he feels so passionately about this as you listen to his stories and experiences in creating looks for TV shows I'm sure many of us have watched. For example, The Blacklist, Masters of Sex, The Goldbergs, Camp, The Client List, Gray's Anatomy, Private Practice, Desperate Housewives, and NYPD Blue, to name a few. We cover a lot or ground in this 45-minute interview.…

1 What Exactly is the Munsell Color System and Why Should I Care? 25:14
25:14
Spill senere
Spill senere
Lister
Lik
Likt25:14
I'm entering a new phase of exploring color in a deeper, more intentional manner. Working with color has always been a fascination, and I have come to realize that there is much more to learn beyond the technical nature of how to use DaVinci Resolve or any color-grading tool. In this podcast with Art Schmehling, Business Manager for X-Rite/Pantone, I’m going farther along the path of the language of color. This interview is what I hoped for – an open conversation about color use and color awareness with the Munsell Color system as a basis and starting point for talking about color. On my blog I provide a much more detailed write up about the podcast so be sure you visit there. what-exactly-is-the-munsell-color-system-and-why-should-i-care…

1 Why You Should be Using a Color Test Card - Interview with David Corley CEO DSCLabs 45:28
45:28
Spill senere
Spill senere
Lister
Lik
Likt45:28
In this podcast I speak with David Corley CEO DSC Labs located in Ontario Canada about the history and use of color test charts. For more background on the show visit http://www.tomparish.com
Velkommen til Player FM!
Player FM scanner netter for høykvalitets podcaster som du kan nyte nå. Det er den beste podcastappen og fungerer på Android, iPhone og internett. Registrer deg for å synkronisere abonnement på flere enheter.