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Innhold levert av Chart Beats. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Chart Beats eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Ep 39: Success to S.S. Paparazzi

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Manage episode 342189376 series 2921166
Innhold levert av Chart Beats. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Chart Beats eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Violence! Legal disputes! Assassination plots! Before Sigue Sigue Sputnik came to work with Stock Aitken Waterman, they’d already created a storm of controversy and a tabloid frenzy. Bassist Tony James tells us about the initial headline-grabbing antics of the synthrock band — from falling foul of Stanley Kubrick due to uncleared samples on “Love Missile F1-11” to their reported multimillion signing by EMI. We also hear about Sigue Sigue Sputnik’s chaotic months-long sessions with SAW for the single “Success”. If that wasn’t enough drama for one episode, we also look at Rick Astley’s final record with the production trio, “Take Me To You Heart”, and hear about the fire that destroyed initial recordings for the Hold Me In Your Arms album (from Karen Hewitt and Mike Duffy) and the singer’s decision to part ways with PWL (from David Howells). For the first time so far in the podcast, Matt Aitken joins us to talk about working with Rick in 1988 and this episode’s third single, “S.S. Paparazzi” — Stock Aitken Waterman’s excursion into acid house.

Support the show

Subscribe for bonus material at chartbeats.com.au/saw
Twitter: @ChartBeatsAU, @MrMattDenby
Instagram: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

85 episoder

Artwork
iconDel
 
Manage episode 342189376 series 2921166
Innhold levert av Chart Beats. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Chart Beats eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Violence! Legal disputes! Assassination plots! Before Sigue Sigue Sputnik came to work with Stock Aitken Waterman, they’d already created a storm of controversy and a tabloid frenzy. Bassist Tony James tells us about the initial headline-grabbing antics of the synthrock band — from falling foul of Stanley Kubrick due to uncleared samples on “Love Missile F1-11” to their reported multimillion signing by EMI. We also hear about Sigue Sigue Sputnik’s chaotic months-long sessions with SAW for the single “Success”. If that wasn’t enough drama for one episode, we also look at Rick Astley’s final record with the production trio, “Take Me To You Heart”, and hear about the fire that destroyed initial recordings for the Hold Me In Your Arms album (from Karen Hewitt and Mike Duffy) and the singer’s decision to part ways with PWL (from David Howells). For the first time so far in the podcast, Matt Aitken joins us to talk about working with Rick in 1988 and this episode’s third single, “S.S. Paparazzi” — Stock Aitken Waterman’s excursion into acid house.

Support the show

Subscribe for bonus material at chartbeats.com.au/saw
Twitter: @ChartBeatsAU, @MrMattDenby
Instagram: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

85 episoder

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