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ALIEN ROMULUS

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Manage episode 436847854 series 3485936
Innhold levert av Steve Hullfish, ACE, Steve Hullfish, and ACE. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Steve Hullfish, ACE, Steve Hullfish, and ACE eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Today on Art of the Cut we speak with Oscar nominee Jake Roberts, ACE, about editing Alien Romulus.

Jake has been on Art of the Cut previously for the films Brooklyn, Hell or High Water, and The Hitman's Bodyguard. He was also on for the TV series, Devs.

His work on Hell or High Water was nominated for an Independent Spirit Award, an ACE Eddie and an Oscar.

We’re going to be discussing director Fede Alvarez’s cinematic hack behind the jump scare, how pacing builds tension, and how they shot special effects in the cutting room.

You can read along with this interview and see trailers, film clips and stills from the movie at

borisfx.com/blog/aotc

  continue reading

122 episoder

Artwork

ALIEN ROMULUS

Art of the Cut

published

iconDel
 
Manage episode 436847854 series 3485936
Innhold levert av Steve Hullfish, ACE, Steve Hullfish, and ACE. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Steve Hullfish, ACE, Steve Hullfish, and ACE eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Today on Art of the Cut we speak with Oscar nominee Jake Roberts, ACE, about editing Alien Romulus.

Jake has been on Art of the Cut previously for the films Brooklyn, Hell or High Water, and The Hitman's Bodyguard. He was also on for the TV series, Devs.

His work on Hell or High Water was nominated for an Independent Spirit Award, an ACE Eddie and an Oscar.

We’re going to be discussing director Fede Alvarez’s cinematic hack behind the jump scare, how pacing builds tension, and how they shot special effects in the cutting room.

You can read along with this interview and see trailers, film clips and stills from the movie at

borisfx.com/blog/aotc

  continue reading

122 episoder

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