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Ten Ways To Be An Awesome Studio Musician

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Manage episode 188906600 series 1391076
Innhold levert av Clementine Moss and Bliss and Drumming. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Clementine Moss and Bliss and Drumming eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
From the blog www.blissanddrumming.com, this post http://blissanddrumming.com/2017/10/ten-ways-awesome-studio-musician/ ? is read by Clementine. *** As someone hired for the session, the primary thing that matters to me is that I get in and get out as quickly as possible. In most sessions with Rob, there is a feeling of celebration. The studio is hallowed place in which each person gets to bring a lifetime of work and all of their creative energy and let it shine for an afternoon, or a few days, or however long you are gifted with studio time. In this time, the culmination of your creative voice is laid down on something that stands to be heard by the world. So there is a tendency to want to milk it, to bathe in the connection with the other musicians, drink a beer when your part is over, hang out and see how the rest of the recording goes down. That’s not your role, though.
  continue reading

39 episoder

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iconDel
 
Manage episode 188906600 series 1391076
Innhold levert av Clementine Moss and Bliss and Drumming. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Clementine Moss and Bliss and Drumming eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
From the blog www.blissanddrumming.com, this post http://blissanddrumming.com/2017/10/ten-ways-awesome-studio-musician/ ? is read by Clementine. *** As someone hired for the session, the primary thing that matters to me is that I get in and get out as quickly as possible. In most sessions with Rob, there is a feeling of celebration. The studio is hallowed place in which each person gets to bring a lifetime of work and all of their creative energy and let it shine for an afternoon, or a few days, or however long you are gifted with studio time. In this time, the culmination of your creative voice is laid down on something that stands to be heard by the world. So there is a tendency to want to milk it, to bathe in the connection with the other musicians, drink a beer when your part is over, hang out and see how the rest of the recording goes down. That’s not your role, though.
  continue reading

39 episoder

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