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BSR_S09E10 - THE DRAG - EgoPo

 
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Manage episode 462519853 series 1531659
Innhold levert av Rep Radio | Em3ry, LLC, Rep Radio | Em3ry, and LLC. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Rep Radio | Em3ry, LLC, Rep Radio | Em3ry, and LLC eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This conversation explores the reworking of Mae West's play 'The Drag' by a collaborative team of playwrights and directors. They discuss the origins of the play, the process of adapting it for contemporary audiences, and the importance of incorporating diverse voices and experiences in the rehearsal room. The conversation also highlights the role of choreography and movement in the production, the star-studded cast, and the audience's expected experience. The participants reflect on the political implications of the play and the importance of fostering conversations about queer identity and history.

About EgoPo’s 2024-25 Queer Revolutions

EgoPo’s 2024-2025 season celebrates some of the century’s most influential Queer plays and theater artists that have had a lasting impact on our culture. EgoPo’s first mainstage production is a new version of The Drag by Mae West, directed by Rebecca Wright, devised and developed with AZ Espinoza and Thomas Choinacky. EgoPo’s next mainstage production will be Turds in Hell by the Ridiculous Theatrical Company's Charles Ludlam and Bill Vehr, directed by Dane Eissler. The Drag will open on January 31, 2025 with Turds in Hell opening on April 11, 2025. We end the season celebrating the queer nightlife community with Philly is Burning: A Pride Gala. June 8th, enjoy an exquisite chinese banquet by the fabulous Jane Guo, a silent auction and performances from top Philly drag, ballroom and burlesque performers.

Takeaways

Mae West wrote 'The Drag' in response to negative portrayals of gay people in other plays.

The collaborative process involved discussions about contemporary queer experiences.

The rehearsal room is a space for diverse voices and feedback.

Choreography plays a crucial role in expressing queerness in the production.

The production aims to create a party-like atmosphere for the audience.

The cast is composed of talented queer and trans individuals.

The play engages with both historical and contemporary queer narratives.

The production seeks to inspire empathy and understanding in the audience.

The design elements will evoke a vibrant and colorful aesthetic.

The conversation around the play includes reflections on politics and identity.

Chapters

00:00 The Origins of Mae West's 'The Drag'

06:02 The Ensemble Experience: Voices in the Room

11:57 Visual and Thematic Elements of the Production

18:03 Audience Expectations and Experience

24:01 Future Conversations and Audience Takeaways

FOR TICKETS AND INFORMATION: https://egopo.org/thedrag

  continue reading

133 episoder

Artwork
iconDel
 
Manage episode 462519853 series 1531659
Innhold levert av Rep Radio | Em3ry, LLC, Rep Radio | Em3ry, and LLC. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Rep Radio | Em3ry, LLC, Rep Radio | Em3ry, and LLC eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This conversation explores the reworking of Mae West's play 'The Drag' by a collaborative team of playwrights and directors. They discuss the origins of the play, the process of adapting it for contemporary audiences, and the importance of incorporating diverse voices and experiences in the rehearsal room. The conversation also highlights the role of choreography and movement in the production, the star-studded cast, and the audience's expected experience. The participants reflect on the political implications of the play and the importance of fostering conversations about queer identity and history.

About EgoPo’s 2024-25 Queer Revolutions

EgoPo’s 2024-2025 season celebrates some of the century’s most influential Queer plays and theater artists that have had a lasting impact on our culture. EgoPo’s first mainstage production is a new version of The Drag by Mae West, directed by Rebecca Wright, devised and developed with AZ Espinoza and Thomas Choinacky. EgoPo’s next mainstage production will be Turds in Hell by the Ridiculous Theatrical Company's Charles Ludlam and Bill Vehr, directed by Dane Eissler. The Drag will open on January 31, 2025 with Turds in Hell opening on April 11, 2025. We end the season celebrating the queer nightlife community with Philly is Burning: A Pride Gala. June 8th, enjoy an exquisite chinese banquet by the fabulous Jane Guo, a silent auction and performances from top Philly drag, ballroom and burlesque performers.

Takeaways

Mae West wrote 'The Drag' in response to negative portrayals of gay people in other plays.

The collaborative process involved discussions about contemporary queer experiences.

The rehearsal room is a space for diverse voices and feedback.

Choreography plays a crucial role in expressing queerness in the production.

The production aims to create a party-like atmosphere for the audience.

The cast is composed of talented queer and trans individuals.

The play engages with both historical and contemporary queer narratives.

The production seeks to inspire empathy and understanding in the audience.

The design elements will evoke a vibrant and colorful aesthetic.

The conversation around the play includes reflections on politics and identity.

Chapters

00:00 The Origins of Mae West's 'The Drag'

06:02 The Ensemble Experience: Voices in the Room

11:57 Visual and Thematic Elements of the Production

18:03 Audience Expectations and Experience

24:01 Future Conversations and Audience Takeaways

FOR TICKETS AND INFORMATION: https://egopo.org/thedrag

  continue reading

133 episoder

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