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/412/ No Future But Future Music ft. Simon Reynolds

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Manage episode 420651679 series 2933145
Innhold levert av Bungacast. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Bungacast eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

Links:
  continue reading

400 episoder

Artwork
iconDel
 
Manage episode 420651679 series 2933145
Innhold levert av Bungacast. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Bungacast eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

Links:
  continue reading

400 episoder

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