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121. Ali Pasha of Ioannina, antiquities and archaeology between empire and the nation-state, with Emily Neumeier

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Manage episode 428324576 series 2582648
Innhold levert av Byzantium & Friends. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Byzantium & Friends eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

A conversation with Emily Neumeier (Temple University) about Ali Pasha of Ioannina (d. 1822), a powerful Ottoman governor of Albanian origin who created a quasi-independent realm at a time when the Ottoman empire was feared to be collapsing. We talk about how he crated his own brand-image, in part by forging closer relations with his Christian Greek subjects and also through archaeological work and use of antiquities. His was an almost post-imperial world, but the nation-state had not yet arrived. We also talk about the concept of the "post-Byzantine," which is used, especially in art history, for works of this period. The conversation is based on three of Emily's articles -- "Mediating Legacies of Empire," "Rivaling Elgin," and "Spoils for the New Pyrrhus" -- that you can find on her academia webpage.

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122 episoder

Artwork
iconDel
 
Manage episode 428324576 series 2582648
Innhold levert av Byzantium & Friends. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Byzantium & Friends eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

A conversation with Emily Neumeier (Temple University) about Ali Pasha of Ioannina (d. 1822), a powerful Ottoman governor of Albanian origin who created a quasi-independent realm at a time when the Ottoman empire was feared to be collapsing. We talk about how he crated his own brand-image, in part by forging closer relations with his Christian Greek subjects and also through archaeological work and use of antiquities. His was an almost post-imperial world, but the nation-state had not yet arrived. We also talk about the concept of the "post-Byzantine," which is used, especially in art history, for works of this period. The conversation is based on three of Emily's articles -- "Mediating Legacies of Empire," "Rivaling Elgin," and "Spoils for the New Pyrrhus" -- that you can find on her academia webpage.

  continue reading

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