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Innhold levert av Patrick (H) Willems. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Patrick (H) Willems eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Tune in Tomorrow...

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Innhold levert av Patrick (H) Willems. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Patrick (H) Willems eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This week's ep is about Tune In Tomorrow (1990). What to say here? It's an adaptation of the somewhat autobiographical novel Aunt Julia and the Scriptwriter by Mario Vargas Llosa, but set in New Orleans in 1951. Keanu plays Martin, a young radio writer with an incestuous infatuation with his aunt, an older woman who isn't connected by blood, so it's, like, incest lite. And yes, this means he takes a stab at a Cajun accent and it leaves much to be desired. This movie is a bit of a mess, and even Peter Falke, powerhouse that he is as Pedro the visionary soap opera schlock writer, cannot save it. Also, I don't think we know what magical realism is. What is it?

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76 episoder

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Tune in Tomorrow...

Can't Get Enough of Keanu

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Manage episode 243397604 series 2137997
Innhold levert av Patrick (H) Willems. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Patrick (H) Willems eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

This week's ep is about Tune In Tomorrow (1990). What to say here? It's an adaptation of the somewhat autobiographical novel Aunt Julia and the Scriptwriter by Mario Vargas Llosa, but set in New Orleans in 1951. Keanu plays Martin, a young radio writer with an incestuous infatuation with his aunt, an older woman who isn't connected by blood, so it's, like, incest lite. And yes, this means he takes a stab at a Cajun accent and it leaves much to be desired. This movie is a bit of a mess, and even Peter Falke, powerhouse that he is as Pedro the visionary soap opera schlock writer, cannot save it. Also, I don't think we know what magical realism is. What is it?

  continue reading

76 episoder

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