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Episode 81: The Rosin Box: Intimacy Director

47:18
 
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Manage episode 358426954 series 2861103
Innhold levert av New York City Ballet. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New York City Ballet eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The Rosin Box is back with host Claire Kretzschmar discussing one of the newest roles at the Company with Intimacy Director Leigh Zimmerman. Prior to joining NYCB, Zimmerman trained in ballet, then went on to an award-winning career on Broadway and London’s West End. She brings her wide-ranging stage experience, a Master’s Degree in Clinical Mental Health Counseling and Performance Psychology, and extensive training in Intimacy Direction to her work with dancers, choreographers, artistic staff, and policy makers to help establish an active dialogue around intimacy in its many forms. As she says, performers are able to truly “fly” when they know what to expect—“It’s freeing dancers, rather than tying them down." (47:18)

Edited by Emilie Silvestri

Music: "Je ne t’aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

  continue reading

101 episoder

Artwork
iconDel
 
Manage episode 358426954 series 2861103
Innhold levert av New York City Ballet. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New York City Ballet eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The Rosin Box is back with host Claire Kretzschmar discussing one of the newest roles at the Company with Intimacy Director Leigh Zimmerman. Prior to joining NYCB, Zimmerman trained in ballet, then went on to an award-winning career on Broadway and London’s West End. She brings her wide-ranging stage experience, a Master’s Degree in Clinical Mental Health Counseling and Performance Psychology, and extensive training in Intimacy Direction to her work with dancers, choreographers, artistic staff, and policy makers to help establish an active dialogue around intimacy in its many forms. As she says, performers are able to truly “fly” when they know what to expect—“It’s freeing dancers, rather than tying them down." (47:18)

Edited by Emilie Silvestri

Music: "Je ne t’aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

  continue reading

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