Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Innhold levert av Troy Public Radio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Troy Public Radio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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A Conversation with Clarinetist James Kanter - Part 1 of 2
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Manage episode 422444178 series 2951785
Innhold levert av Troy Public Radio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Troy Public Radio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
We listen back to a 2016 conversation between host Tim Phillips and longtime clarinetist James Kanter.
Kanter's work can be heard in around 1500 film scores, including Seabiscuit and As Good as it Gets.
37 episoder
MP3•Episoder hjem
Manage episode 422444178 series 2951785
Innhold levert av Troy Public Radio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Troy Public Radio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
We listen back to a 2016 conversation between host Tim Phillips and longtime clarinetist James Kanter.
Kanter's work can be heard in around 1500 film scores, including Seabiscuit and As Good as it Gets.
37 episoder
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