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Innhold levert av Tom Kelly and Clean Cut Audio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Kelly and Clean Cut Audio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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16. How to Dial in Midrange and Presence Frequencies for a Great Sounding Podcast

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Manage episode 312565837 series 3238052
Innhold levert av Tom Kelly and Clean Cut Audio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Kelly and Clean Cut Audio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
This episode focuses on a phrase I say often on the show, humans are more perceptive to change than to constants. So far, this series on frequency has been in relation to 1 voice, but most podcasts feature at least 2 speakers. The fastest way to lose podcast listeners is to have a wild difference in loudness between the 2 or more speakers. However, we need to take this a step farther. While the podcast loudness standard is -16LUFS for stereo tracks (my podcast is always exported in stereo), -16LUFS can mean many different things. It's an average across all frequencies for an extended period of time. JOIN THE FUN ON PATREON! The entire series on frequency has been leading up to this point. The importance of the midrange and presence frequencies. In the human voice, they're entirely responsible for the intelligibility of our voice, and when we dig deeper, it's also the most important ranges because ALL output devices can represent these frequencies regardless of cone size, amount of drivers, quality, etc. Every device will (for the most part) accurately represent this frequency range, so what we actually should be doing when mixing our podcasts is soloing this range and matching the loudness of the mid and presence range between speakers. View the full show notes here!

My Signal Chain

Hardware:

Audio Interface: Apogee Ensemble

Microphone: Shure SM7b

Headphones: Audio-Technia ATH-M50x

Earbuds: Klipsch R6i II

Studio Monitors: Yamaha HS7

Mic Stand: Rode PS1A Boom Arm

Software:

IzoTope RX6 Mouth De-Click

IzoTope RX6 Voice De-Noise

FabFilter ProQ3

Waves Vocal

Rider Waves CLA2A

Waves L2 Limiter

Waves WLM Meter

Waves Durrough Meter

-Save 10% off the plugins above with this affiliate link from Waves!-

*most of these links are affiliate links

Midroll Song: Road Trip by Joakim Karud

Closing Song: That Day by Joakim Karud

http://www.joakimkarud.com

For more info, or to ask any questions, check out my website and reach out to hello@cleancutaudio.com

  continue reading

30 episoder

Artwork
iconDel
 
Manage episode 312565837 series 3238052
Innhold levert av Tom Kelly and Clean Cut Audio. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Tom Kelly and Clean Cut Audio eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
This episode focuses on a phrase I say often on the show, humans are more perceptive to change than to constants. So far, this series on frequency has been in relation to 1 voice, but most podcasts feature at least 2 speakers. The fastest way to lose podcast listeners is to have a wild difference in loudness between the 2 or more speakers. However, we need to take this a step farther. While the podcast loudness standard is -16LUFS for stereo tracks (my podcast is always exported in stereo), -16LUFS can mean many different things. It's an average across all frequencies for an extended period of time. JOIN THE FUN ON PATREON! The entire series on frequency has been leading up to this point. The importance of the midrange and presence frequencies. In the human voice, they're entirely responsible for the intelligibility of our voice, and when we dig deeper, it's also the most important ranges because ALL output devices can represent these frequencies regardless of cone size, amount of drivers, quality, etc. Every device will (for the most part) accurately represent this frequency range, so what we actually should be doing when mixing our podcasts is soloing this range and matching the loudness of the mid and presence range between speakers. View the full show notes here!

My Signal Chain

Hardware:

Audio Interface: Apogee Ensemble

Microphone: Shure SM7b

Headphones: Audio-Technia ATH-M50x

Earbuds: Klipsch R6i II

Studio Monitors: Yamaha HS7

Mic Stand: Rode PS1A Boom Arm

Software:

IzoTope RX6 Mouth De-Click

IzoTope RX6 Voice De-Noise

FabFilter ProQ3

Waves Vocal

Rider Waves CLA2A

Waves L2 Limiter

Waves WLM Meter

Waves Durrough Meter

-Save 10% off the plugins above with this affiliate link from Waves!-

*most of these links are affiliate links

Midroll Song: Road Trip by Joakim Karud

Closing Song: That Day by Joakim Karud

http://www.joakimkarud.com

For more info, or to ask any questions, check out my website and reach out to hello@cleancutaudio.com

  continue reading

30 episoder

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