Innhold levert av Robert Vlach. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Robert Vlach eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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On this episode of Advances in Care , host Erin Welsh and Dr. Craig Smith, Chair of the Department of Surgery and Surgeon-in-Chief at NewYork-Presbyterian and Columbia discuss the highlights of Dr. Smith’s 40+ year career as a cardiac surgeon and how the culture of Columbia has been a catalyst for innovation in cardiac care. Dr. Smith describes the excitement of helping to pioneer the institution’s heart transplant program in the 1980s, when it was just one of only three hospitals in the country practicing heart transplantation. Dr. Smith also explains how a unique collaboration with Columbia’s cardiology team led to the first of several groundbreaking trials, called PARTNER (Placement of AoRTic TraNscatheteR Valve), which paved the way for a monumental treatment for aortic stenosis — the most common heart valve disease that is lethal if left untreated. During the trial, Dr. Smith worked closely with Dr. Martin B. Leon, Professor of Medicine at Columbia University Irving Medical Center and Chief Innovation Officer and the Director of the Cardiovascular Data Science Center for the Division of Cardiology. Their findings elevated TAVR, or transcatheter aortic valve replacement, to eventually become the gold-standard for aortic stenosis patients at all levels of illness severity and surgical risk. Today, an experienced team of specialists at Columbia treat TAVR patients with a combination of advancements including advanced replacement valve materials, three-dimensional and ECG imaging, and a personalized approach to cardiac care. Finally, Dr. Smith shares his thoughts on new frontiers of cardiac surgery, like the challenge of repairing the mitral and tricuspid valves, and the promising application of robotic surgery for complex, high-risk operations. He reflects on life after he retires from operating, and shares his observations of how NewYork-Presbyterian and Columbia have evolved in the decades since he began his residency. For more information visit nyp.org/Advances…
Innhold levert av Robert Vlach. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Robert Vlach eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Innhold levert av Robert Vlach. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Robert Vlach eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Minutová recenze jedné z knihy, které stály u zrodu žánru osobních financí — z dnešního pohledu je bezvýznamná, nicméně autorem je cirkusák, který byl předobrazem hlavního hrdiny muzikálu The Greatest Showman
Audiorecenze naprosto mimořádného románu, který je vedle skvěle namluvené anglické audioknihy naštěstí dostupný i v českém překladu jako Šántárám . Viz také můj komentář v angličtině: If you’d ask me today what’s the greatest novel of the 21st century, I’d be tempted to say it’s Shantaram, written by Gregory David Roberts in 2004. The book, recommended to me by an old friend who praised it as one of the all-time best, took me completely by surprise. It’s epic, monumental, smart, and unbound like, say, The Lord of the Rings or The Count of Monte Cristo. I thought they don’t write books like these anymore! But here it was, an absolutely original piece of art. The excellent English audiobook narrated by Humphrey Bower is 43 hours long (!!) but I could not get enough of it anyway. I just needed to take two week-long breaks to digest some unexpected, disturbing twists. Set in India, Shantaram tells a story of a fugitive from Australia, who escapes to Mumbai with a false passport, little money, and has to find a foothold in a strange new environment… That’s all I knew before reading the book, and I’m glad I didn’t know more, as it may have spoiled the surprise of how unparalleled the book is. I would recommend the same to anybody else: Just get it and dive into it without hesitation. So — is it *really* that great and unique? I can’t be sure, since I’m still under its spell, a rather intoxicating influence. I am only sure I haven’t read *anything* like Shantaram before. For me, it’s up there with all-time classics and some newer additions to the pantheon such as Larsson’s Millennium trilogy, or Liu Cixin’s Three-Body Problem trilogy. If you read Shantaram, let me know how you liked it. The End ❤…
Minutová audiorecenze grafického románu, ve kterém se prolíná příběh umírající dívky a historie surfingu
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