Artwork

Innhold levert av Art Gallery of New South Wales. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Art Gallery of New South Wales eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Untitled

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Manage episode 205951186 series 2306352
Innhold levert av Art Gallery of New South Wales. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Art Gallery of New South Wales eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Like many minimalist artists Donald Judd worked in a modular way. ‘Untitled’, for example, is a series of horizontal rectangular units. The proportions of the module start with a ‘given’ – in this case, the size and thickness of the plywood that determines all other proportions in the work. Sometimes the boxes appear irregular, but this is an illusion of perspective and of the light falling into and around each box. The way an object contains space or casts shadow is part of Judd’s work. While his works were often made of steel and sometimes plastic, for ‘Untitled’ Judd made a very deliberate choice of wood, which retains the traces of its grain and has a glowing natural colour.
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14 episoder

Artwork
iconDel
 
Manage episode 205951186 series 2306352
Innhold levert av Art Gallery of New South Wales. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Art Gallery of New South Wales eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Like many minimalist artists Donald Judd worked in a modular way. ‘Untitled’, for example, is a series of horizontal rectangular units. The proportions of the module start with a ‘given’ – in this case, the size and thickness of the plywood that determines all other proportions in the work. Sometimes the boxes appear irregular, but this is an illusion of perspective and of the light falling into and around each box. The way an object contains space or casts shadow is part of Judd’s work. While his works were often made of steel and sometimes plastic, for ‘Untitled’ Judd made a very deliberate choice of wood, which retains the traces of its grain and has a glowing natural colour.
  continue reading

14 episoder

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