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Innhold levert av Striking A Chord and Ernie Ball. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Striking A Chord and Ernie Ball eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Stefan Babcock of PUP

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Manage episode 271189931 series 2552828
Innhold levert av Striking A Chord and Ernie Ball. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Striking A Chord and Ernie Ball eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode we speak with Stefan Babcock, lead singer and guitarist of the band PUP. Stefan discusses the Canadian music scene and the extent to which the US/Canada border acts as a musical divide. He also discusses lyrical inspiration, band chemistry, the dedication required to make music one’s livelihood, and an experiment PUP ran: what happens when you provide the public with the chords and lyrics to a song they’ve never heard, and hundreds of fans record their own versions of what they think the song could sound like? Intro music by Eat the Wolf Outro music by The Vacant Shapes
  continue reading

42 episoder

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Stefan Babcock of PUP

Ernie Ball: Striking A Chord

18 subscribers

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Manage episode 271189931 series 2552828
Innhold levert av Striking A Chord and Ernie Ball. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Striking A Chord and Ernie Ball eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode we speak with Stefan Babcock, lead singer and guitarist of the band PUP. Stefan discusses the Canadian music scene and the extent to which the US/Canada border acts as a musical divide. He also discusses lyrical inspiration, band chemistry, the dedication required to make music one’s livelihood, and an experiment PUP ran: what happens when you provide the public with the chords and lyrics to a song they’ve never heard, and hundreds of fans record their own versions of what they think the song could sound like? Intro music by Eat the Wolf Outro music by The Vacant Shapes
  continue reading

42 episoder

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