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Joel J Richard | Co-Composer: John Wick - Chapter 4

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Manage episode 361882587 series 2361111
Innhold levert av Film.Music.Media. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film.Music.Media eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Composer Joel J Richard joins us for an in-depth look at his work co-scoring the entire John Wick series alongside Tyler Bates, and what went into developing the sound of John Wick and evolving it across four films. Joel starts off talking about his unique path to composing including working as an assistant for John Powell. We talk about how he found his inspiration for composing and what were the steps that led to meeting Tyler Bates, which in turn led Tyler asking him to co-helm the first John Wick film. We focus on the musical evolution of John Wick, and how he worked with director Chad Stahelski as the films grew in scope and the lore of the world expanded. Joel talks about finding the sound of the world, what style and approach worked best, and how the scores for each film led up to this final chapter. Chapter 4 opens up the scope of John Wick even bigger and builds upon its genre inspirations from Hong Kong cinema, John Woo, European neo-noir, Akira Kurosawa, and Sergio Leone. Joel talks about weaving those textures and nods, tackling huge action set pieces, and making sure the score never lost the feel that was established in the first film. Joel is such a wonderful and versatile composer, and his work on the John Wick series ended up building its own unique sonic identity while still being able to acknowledge the genres that inspired the character and world. A Film.Music.Media Production | Produced & Presented by Kaya Savas
  continue reading

375 episoder

Artwork
iconDel
 
Manage episode 361882587 series 2361111
Innhold levert av Film.Music.Media. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film.Music.Media eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Composer Joel J Richard joins us for an in-depth look at his work co-scoring the entire John Wick series alongside Tyler Bates, and what went into developing the sound of John Wick and evolving it across four films. Joel starts off talking about his unique path to composing including working as an assistant for John Powell. We talk about how he found his inspiration for composing and what were the steps that led to meeting Tyler Bates, which in turn led Tyler asking him to co-helm the first John Wick film. We focus on the musical evolution of John Wick, and how he worked with director Chad Stahelski as the films grew in scope and the lore of the world expanded. Joel talks about finding the sound of the world, what style and approach worked best, and how the scores for each film led up to this final chapter. Chapter 4 opens up the scope of John Wick even bigger and builds upon its genre inspirations from Hong Kong cinema, John Woo, European neo-noir, Akira Kurosawa, and Sergio Leone. Joel talks about weaving those textures and nods, tackling huge action set pieces, and making sure the score never lost the feel that was established in the first film. Joel is such a wonderful and versatile composer, and his work on the John Wick series ended up building its own unique sonic identity while still being able to acknowledge the genres that inspired the character and world. A Film.Music.Media Production | Produced & Presented by Kaya Savas
  continue reading

375 episoder

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