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Innhold levert av Film.Music.Media. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film.Music.Media eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Max Aruj | Composer: The Tank

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Manage episode 364243493 series 2361111
Innhold levert av Film.Music.Media. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film.Music.Media eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Composer Max Aruj sits down for a brand new Film.Music.Media conversation!

From getting his start working on Lorne Balfe's team to scoring hit thrillers like Crawl (co-scored with Steffen Thum) and his recent score to The Tank, Max has quickly stood out for his incredible versatility and unique voice as a musical storyteller.

For this chat we explore Max's background and path to composing, getting his foot in the door, working with Lorne Balfe, early lessons learned, branching out and scoring films on his own, finding his storytelling voice, and co-composing some projects with Steffen Thum.

For The Tank we look at what it takes to successfully create tension and score a creature feature, and why we as a society love the genre so much!

A Film.Music.Media Production | Produced & Presented by Kaya Savas

  continue reading

375 episoder

Artwork
iconDel
 
Manage episode 364243493 series 2361111
Innhold levert av Film.Music.Media. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film.Music.Media eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Composer Max Aruj sits down for a brand new Film.Music.Media conversation!

From getting his start working on Lorne Balfe's team to scoring hit thrillers like Crawl (co-scored with Steffen Thum) and his recent score to The Tank, Max has quickly stood out for his incredible versatility and unique voice as a musical storyteller.

For this chat we explore Max's background and path to composing, getting his foot in the door, working with Lorne Balfe, early lessons learned, branching out and scoring films on his own, finding his storytelling voice, and co-composing some projects with Steffen Thum.

For The Tank we look at what it takes to successfully create tension and score a creature feature, and why we as a society love the genre so much!

A Film.Music.Media Production | Produced & Presented by Kaya Savas

  continue reading

375 episoder

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