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He’s The Man with Graham Maby (Joe Jackson, Marshall Crenshaw, Freedy Johnston, Natalie Merchant)
Manage episode 412988408 series 3563376
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Sonic architect Graham Maby joins us to discuss his 50-something year career, which began with him fulfilling Joe Jackson’s vision for a bass-led pop combo, resulting in some of new wave’s most memorable songs. In addition to performing with a veritable Mount Rushmore of power pop auteurs - including Marshall Crenshaw and Freedy Johnston - the UK-to-Long Island transplant regales us with tales of doomed band auditions and fraught studio sessions, as well as meditations on a half a century of playing with Joe.
Joe Jackson (https://open.spotify.com/artist/6KOqPxwfNAmZPkiCnDE9yT?si=NkUzH_ejRLOj41dRRicOQQ)
Marshall Crenshaw (https://marshallcrenshaw.bandcamp.com/album/field-day-40th-anniversary-expanded-edition)
Freedy Johnston (https://open.spotify.com/artist/5aeoG3xBrai5JsTqVmmgj0?si=R9McYGyKQtaxXcTcsphIeA)
Natalie Merchant (https://open.spotify.com/artist/73JEBdDEFeVaOLg3y0HhBD?si=BDTXOp7kSlG8qz9Dz5FOFg)
They Might Be Giants (https://tmbg.bandcamp.com/)
The Health and Happiness Show (https://open.spotify.com/artist/7vFQW6uaEPhczx5FLeXzal?si=Ad8hA4hkTGO7Gx-LNDIm-g)
Joy Askew (https://open.spotify.com/artist/0TkEsz8hJX1KaXWlKJLLLq?si=RGtQlfIYSTuLrfhbjbbYmw)
This episode was brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing.
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