Ep. 18: A Warrior’s Account (feat. Native American Prisoners Of War) Glitter & Doom podcast

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Innhold levert av 112BK and BRIC RADIO. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av 112BK and BRIC RADIO eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

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Ep. 18: A Warrior’s Account (feat. Native American Prisoners of War)

4y ago 16:40

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MP3•Episoder hjem

Innhold levert av 112BK and BRIC RADIO. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av 112BK and BRIC RADIO eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

After the Red River War in 1874, drawing was one of the few sanctioned ways that the prisoners of Fort Marion were able to keep their cultural traditions alive. Back home on the Plains, they would have commemorated a successful battle by depicting it on a buffalo hide, but in Florida, where they had been shipped off and stripped of their communities, these men drew what they knew on what they had – and for some, it was lined ledger paper. Emil Her Many Horses (curator, Smithsonian's National Museum of the American Indian) speaks about the history, the practice and the people at Fort Marion.

… continue reading

290 episoder

Artwork

Ep. 18: A Warrior’s Account (feat. Native American Prisoners of War)

published 4y ago

Del

MP3•Episoder hjem

Innhold levert av 112BK and BRIC RADIO. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av 112BK and BRIC RADIO eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

After the Red River War in 1874, drawing was one of the few sanctioned ways that the prisoners of Fort Marion were able to keep their cultural traditions alive. Back home on the Plains, they would have commemorated a successful battle by depicting it on a buffalo hide, but in Florida, where they had been shipped off and stripped of their communities, these men drew what they knew on what they had – and for some, it was lined ledger paper. Emil Her Many Horses (curator, Smithsonian's National Museum of the American Indian) speaks about the history, the practice and the people at Fort Marion.

… continue reading

290 episoder

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