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Innhold levert av Gramophone Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Gramophone Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Pavel Kolesnikov and Samson Tsoy on their piano four-hands debut album

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Manage episode 424721201 series 1451348
Innhold levert av Gramophone Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Gramophone Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

For their debut Harmonia Mundi release as a duo, pianists Pavel Kolesnikov and Samson Tsoy have recorded two works by Schubert, the great Fantasy in F minor and the Divertissement à la Hongroise, and, in between, a work they commissioned, Trompe-l’oeil by the Russian composer Leonid Desyatnikov (b1955), who has said of his piece, ‘You can envisage it as the follow-up, or the rough draft of Schubert’s Fantasy. Something incomplete. Like a study for a composition that’s been abandoned en route.’

James Jolly went to visit Pavel and Samson, partners both off stage and on, at their home in North London recently to talk about the art of piano four-hands …

  continue reading

476 episoder

Artwork
iconDel
 
Manage episode 424721201 series 1451348
Innhold levert av Gramophone Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Gramophone Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

For their debut Harmonia Mundi release as a duo, pianists Pavel Kolesnikov and Samson Tsoy have recorded two works by Schubert, the great Fantasy in F minor and the Divertissement à la Hongroise, and, in between, a work they commissioned, Trompe-l’oeil by the Russian composer Leonid Desyatnikov (b1955), who has said of his piece, ‘You can envisage it as the follow-up, or the rough draft of Schubert’s Fantasy. Something incomplete. Like a study for a composition that’s been abandoned en route.’

James Jolly went to visit Pavel and Samson, partners both off stage and on, at their home in North London recently to talk about the art of piano four-hands …

  continue reading

476 episoder

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