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S2 Ep15: Tamara de Lempicka

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Manage episode 299193030 series 2950257
Innhold levert av Great European Lives with Charlie Connelly. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Great European Lives with Charlie Connelly eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode, host Charlie Connelly discusses the life of Polish painter Tamara de Lempicka. Her Self-Portrait in the Green Bugatti has been said to define the 1920s in a single image, becoming the personification of the Jazz Age. Her aim was never to emulate, but to create a new style with bright, luminous colours, drawing out elegance from the models she used. However, the following decade was defined by a rise in autocracy and, troubled by the Hitler youth, she and her husband left for America. However, the country didn’t quite understand her and gossip columns named her ‘the Baroness with the brush’. Still, she continued to epitomise the time between the Russian revolution and Nazism. Enjoyed this episode? Let us know by tweeting @TheNewEuropean.
  continue reading

30 episoder

Artwork
iconDel
 
Manage episode 299193030 series 2950257
Innhold levert av Great European Lives with Charlie Connelly. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Great European Lives with Charlie Connelly eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode, host Charlie Connelly discusses the life of Polish painter Tamara de Lempicka. Her Self-Portrait in the Green Bugatti has been said to define the 1920s in a single image, becoming the personification of the Jazz Age. Her aim was never to emulate, but to create a new style with bright, luminous colours, drawing out elegance from the models she used. However, the following decade was defined by a rise in autocracy and, troubled by the Hitler youth, she and her husband left for America. However, the country didn’t quite understand her and gossip columns named her ‘the Baroness with the brush’. Still, she continued to epitomise the time between the Russian revolution and Nazism. Enjoyed this episode? Let us know by tweeting @TheNewEuropean.
  continue reading

30 episoder

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