Join host and Harvard Business School Online Creative Director Chris Linnane as he sits down with HBS faculty to discuss business education in a way that’s both entertaining and insightful. The Parlor Room is your key to breaking down academic theory without sacrificing depth—all while gaining practical takeaways for navigating the business world.
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S2 Ep78: Foley Artist - Louise Brown
MP3•Episoder hjem
Manage episode 264708535 series 2472980
Innhold levert av Audioboom and Greater Than 11%. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Audioboom and Greater Than 11% eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
For episode 78 we headed to South West England - to Bristol precisely and are joined, virtually of course, by Foley Artist, Louise Brown.
To flag, we had a bit of a dodgy Zoom line at times, so there is a little static here and there but nothing too unbearable.
Louise breaks down exactly what it is a foley artist does. From hugging bowls of water for a shark film to walking on the spot for up to 8 hours. Ok, it is a lot more complex than that, but you'll have to listen to the episode to hear it from the metaphorical horse's mouth... or should I say hoof?
With a burning desire to work in the music industry, but with no understanding of how or any industry connections, Louise made the decision to jack in her job at a factory and do a BTEC followed by a degree in Music Technology. Whilst doing a summer job with an unplanned visit Pinewood Studios she discovered foley and this began a long and slow slog to break into the industry - even having to ignore and push on after being directly told by her boss at the time 'women can't do sound' 😱.
Louise pulls back the curtain and shares some trade 'foley secrets' - who would have thought paper clips attached to leather gloves would double up as claws? She also breaks down the whats and hows when working on a brief for the likes of BBC's Doctor Who or Netflix's Sex Education.
-----
🛎 We need your help pushing for change: a more diverse creative industry within years, not decades. Please share the podcast with others who you think may be interested or benefit!
To flag, we had a bit of a dodgy Zoom line at times, so there is a little static here and there but nothing too unbearable.
Louise breaks down exactly what it is a foley artist does. From hugging bowls of water for a shark film to walking on the spot for up to 8 hours. Ok, it is a lot more complex than that, but you'll have to listen to the episode to hear it from the metaphorical horse's mouth... or should I say hoof?
With a burning desire to work in the music industry, but with no understanding of how or any industry connections, Louise made the decision to jack in her job at a factory and do a BTEC followed by a degree in Music Technology. Whilst doing a summer job with an unplanned visit Pinewood Studios she discovered foley and this began a long and slow slog to break into the industry - even having to ignore and push on after being directly told by her boss at the time 'women can't do sound' 😱.
Louise pulls back the curtain and shares some trade 'foley secrets' - who would have thought paper clips attached to leather gloves would double up as claws? She also breaks down the whats and hows when working on a brief for the likes of BBC's Doctor Who or Netflix's Sex Education.
-----
🛎 We need your help pushing for change: a more diverse creative industry within years, not decades. Please share the podcast with others who you think may be interested or benefit!
💓Leave us a review/rating and we will love you forever: https://podcasts.apple.com/gb/podcast/greater-than-11/id1435811372
Be sure to follow us:
📸 Instagram: https://www.instagram.com/greaterthaneleven/
🐦 Twitter: https://twitter.com/Gre4terThan11
🔗 LinkedIn: https://www.linkedin.com/company/greater-than-eleven
🔗 LinkedIn: https://www.linkedin.com/company/greater-than-eleven
102 episoder
MP3•Episoder hjem
Manage episode 264708535 series 2472980
Innhold levert av Audioboom and Greater Than 11%. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Audioboom and Greater Than 11% eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
For episode 78 we headed to South West England - to Bristol precisely and are joined, virtually of course, by Foley Artist, Louise Brown.
To flag, we had a bit of a dodgy Zoom line at times, so there is a little static here and there but nothing too unbearable.
Louise breaks down exactly what it is a foley artist does. From hugging bowls of water for a shark film to walking on the spot for up to 8 hours. Ok, it is a lot more complex than that, but you'll have to listen to the episode to hear it from the metaphorical horse's mouth... or should I say hoof?
With a burning desire to work in the music industry, but with no understanding of how or any industry connections, Louise made the decision to jack in her job at a factory and do a BTEC followed by a degree in Music Technology. Whilst doing a summer job with an unplanned visit Pinewood Studios she discovered foley and this began a long and slow slog to break into the industry - even having to ignore and push on after being directly told by her boss at the time 'women can't do sound' 😱.
Louise pulls back the curtain and shares some trade 'foley secrets' - who would have thought paper clips attached to leather gloves would double up as claws? She also breaks down the whats and hows when working on a brief for the likes of BBC's Doctor Who or Netflix's Sex Education.
-----
🛎 We need your help pushing for change: a more diverse creative industry within years, not decades. Please share the podcast with others who you think may be interested or benefit!
To flag, we had a bit of a dodgy Zoom line at times, so there is a little static here and there but nothing too unbearable.
Louise breaks down exactly what it is a foley artist does. From hugging bowls of water for a shark film to walking on the spot for up to 8 hours. Ok, it is a lot more complex than that, but you'll have to listen to the episode to hear it from the metaphorical horse's mouth... or should I say hoof?
With a burning desire to work in the music industry, but with no understanding of how or any industry connections, Louise made the decision to jack in her job at a factory and do a BTEC followed by a degree in Music Technology. Whilst doing a summer job with an unplanned visit Pinewood Studios she discovered foley and this began a long and slow slog to break into the industry - even having to ignore and push on after being directly told by her boss at the time 'women can't do sound' 😱.
Louise pulls back the curtain and shares some trade 'foley secrets' - who would have thought paper clips attached to leather gloves would double up as claws? She also breaks down the whats and hows when working on a brief for the likes of BBC's Doctor Who or Netflix's Sex Education.
-----
🛎 We need your help pushing for change: a more diverse creative industry within years, not decades. Please share the podcast with others who you think may be interested or benefit!
💓Leave us a review/rating and we will love you forever: https://podcasts.apple.com/gb/podcast/greater-than-11/id1435811372
Be sure to follow us:
📸 Instagram: https://www.instagram.com/greaterthaneleven/
🐦 Twitter: https://twitter.com/Gre4terThan11
🔗 LinkedIn: https://www.linkedin.com/company/greater-than-eleven
🔗 LinkedIn: https://www.linkedin.com/company/greater-than-eleven
102 episoder
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