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Sam Durant Revisits the “Scaffold” Controversy Three Years Later

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Innhold levert av Hyperallergic. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Hyperallergic eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

A few weeks ago, artist Sam Durant released a long essay about his work, "Scaffold," which reflects on the project that dominated art world headlines. Originally commissioned for documenta (13) — the influential quinquennial exhibition in Kassel, Germany — in 2012, it wasn't until "Scaffold" was installed in the Walker Art Center's sculpture park in downtown Minneapolis, Minnesota, that it was met with protests by the local Dakota community.

That event was a lightning rod for a national conversation about appropriation, racism, and the role of artists, museums, curators, and others in those conversation. I invited Durant to join me on the podcast to discuss the reason he wrote this so many years after the fact and what he thinks the lessons are.

The music featured in this episode is the track “California Life” by Radiochaser.

Subscribe to the Hyperallergic Podcast on Apple Podcasts, or anywhere else you listen to podcasts.

  continue reading

109 episoder

Artwork
iconDel
 
Manage episode 275165152 series 1509260
Innhold levert av Hyperallergic. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Hyperallergic eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

A few weeks ago, artist Sam Durant released a long essay about his work, "Scaffold," which reflects on the project that dominated art world headlines. Originally commissioned for documenta (13) — the influential quinquennial exhibition in Kassel, Germany — in 2012, it wasn't until "Scaffold" was installed in the Walker Art Center's sculpture park in downtown Minneapolis, Minnesota, that it was met with protests by the local Dakota community.

That event was a lightning rod for a national conversation about appropriation, racism, and the role of artists, museums, curators, and others in those conversation. I invited Durant to join me on the podcast to discuss the reason he wrote this so many years after the fact and what he thinks the lessons are.

The music featured in this episode is the track “California Life” by Radiochaser.

Subscribe to the Hyperallergic Podcast on Apple Podcasts, or anywhere else you listen to podcasts.

  continue reading

109 episoder

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