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Innhold levert av Owen Shapiro. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Owen Shapiro eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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The Emotion Behind Music Composing with Lesley Barber

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Manage episode 283446401 series 2828773
Innhold levert av Owen Shapiro. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Owen Shapiro eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Have you ever fallen in love with music or a movie soundtrack? This is because there is a lot of work behind the scenes, where composers come up with the perfect melodies for a movie. Today's guest, Lesley Barber, is here to tell us a little more about this. Lesley is a film composer who writes music marked by intelligence and emotional depth. She has created wonderful compositions for film, theater, chamber and orchestral ensembles and is also a conductor, pianist, producer and multi-instrumentalist. With several young female composer awards to her credit, she graduated with a master's degree in music composition from the University of Toronto in 1988, studying with electro-acoustic music pioneer, composer Gustav Ciamaga, and composer Lothar Klein. Her distinguished list of credits include Kenneth Lonergan’s Oscar-winning You Can Count On Me, Jerry Rothwell’s award-winning documentary How To Change The World, Kenneth Lonergan’s multi-award-winning and Oscar-nominated film, Manchester by the Sea, and many more.

Highlights

  • Lesley tells how she ended up in the movie industry and why she loves collaborating with filmmakers.
  • She states at what point in the filming process she prefers to get involved.
  • Her experience working on Manchester by the Sea and why she chose an acoustic sound for the film's music.
  • Lesley describes a typical day as a composer and how she develops an idea.
  • She explains the difference between composing for movies, television series, and documentaries.
  • Lesley tells the challenges she faces every day as a film composer.
  • Lesley gives advice to people who want to succeed in the film industry.

To learn more about Lesley, visit her website, or follow her on Twitter.

Interested in knowing more about the show? Follow me on Instagram.


  continue reading

30 episoder

Artwork
iconDel
 
Manage episode 283446401 series 2828773
Innhold levert av Owen Shapiro. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Owen Shapiro eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Have you ever fallen in love with music or a movie soundtrack? This is because there is a lot of work behind the scenes, where composers come up with the perfect melodies for a movie. Today's guest, Lesley Barber, is here to tell us a little more about this. Lesley is a film composer who writes music marked by intelligence and emotional depth. She has created wonderful compositions for film, theater, chamber and orchestral ensembles and is also a conductor, pianist, producer and multi-instrumentalist. With several young female composer awards to her credit, she graduated with a master's degree in music composition from the University of Toronto in 1988, studying with electro-acoustic music pioneer, composer Gustav Ciamaga, and composer Lothar Klein. Her distinguished list of credits include Kenneth Lonergan’s Oscar-winning You Can Count On Me, Jerry Rothwell’s award-winning documentary How To Change The World, Kenneth Lonergan’s multi-award-winning and Oscar-nominated film, Manchester by the Sea, and many more.

Highlights

  • Lesley tells how she ended up in the movie industry and why she loves collaborating with filmmakers.
  • She states at what point in the filming process she prefers to get involved.
  • Her experience working on Manchester by the Sea and why she chose an acoustic sound for the film's music.
  • Lesley describes a typical day as a composer and how she develops an idea.
  • She explains the difference between composing for movies, television series, and documentaries.
  • Lesley tells the challenges she faces every day as a film composer.
  • Lesley gives advice to people who want to succeed in the film industry.

To learn more about Lesley, visit her website, or follow her on Twitter.

Interested in knowing more about the show? Follow me on Instagram.


  continue reading

30 episoder

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