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Innhold levert av Lost in Criterion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Lost in Criterion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Spine 601: Letter Never Sent

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Innhold levert av Lost in Criterion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Lost in Criterion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Mikhail Kalatozov makes some beautiful films, particularly in his work with Sergey Urusevsky, who may just be our favorite cinematographer. Many, many years ago (Spine 146!) we watched their film The Cranes are Flying (1957), and images from that film still grace my dreams. Many, many years from now (Spine 1214!) we will watch I am Cuba (1964), their final collaboration, and we can't wait.

But thankfully between these two masterpieces we get Letter Never Sent (1960), a tale of Soviet vs Nature, a story of love, lust, science, sacrifice, and lots of fire. Raising not only the normal "how did they shoot this?!" questions associated with Urusevsky's work, but new and adjacent "how did they shoot this?!" questions about the special effects.

  continue reading

610 episoder

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Spine 601: Letter Never Sent

Lost in Criterion

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Manage episode 423610669 series 104330
Innhold levert av Lost in Criterion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Lost in Criterion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Mikhail Kalatozov makes some beautiful films, particularly in his work with Sergey Urusevsky, who may just be our favorite cinematographer. Many, many years ago (Spine 146!) we watched their film The Cranes are Flying (1957), and images from that film still grace my dreams. Many, many years from now (Spine 1214!) we will watch I am Cuba (1964), their final collaboration, and we can't wait.

But thankfully between these two masterpieces we get Letter Never Sent (1960), a tale of Soviet vs Nature, a story of love, lust, science, sacrifice, and lots of fire. Raising not only the normal "how did they shoot this?!" questions associated with Urusevsky's work, but new and adjacent "how did they shoot this?!" questions about the special effects.

  continue reading

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