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Author Richard Scott Larson discusses his new memoir, "The Long Hallway"

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Innhold levert av Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Richard Scott Larson's debut The Long Hallway (University of Wisconsin Press, April 2024) is a lyrical memoir that expresses a boy’s search for identity while navigating the darkness and isolation of a deeply private inner world.

Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter’s 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter’s inscrutable masked villain, as well as Michael’s potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet.

Richard joins host Sara Batkie for a conversation about the masks we wear, the horrors of suburbia, and finding the right home for your work.

Richard Scott Larson is a queer writer and critic. His debut memoir, The Long Hallway, was published by the University of Wisconsin Press. Born and raised in the suburbs of St. Louis, he studied literature and film criticism at Hunter College and earned his MFA from New York University.

He has received fellowships from MacDowell and the New York Foundation for the Arts, and his work has been supported by residencies from the Virginia Center for the Creative Arts, Vermont Studio Center, Paragraph Workspace for Writers, La Porte Peinte, and the Willa Cather Foundation. He’s an active member of the National Book Critics Circle, and his writing has been recognized twice by The Best American Essays.

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Manage episode 423016199 series 3362831
Innhold levert av Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, Lisa Malawski, Stu Levitan, Andrew Thomas, David Ahrens, Cole Erickson, and Lisa Malawski eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Richard Scott Larson's debut The Long Hallway (University of Wisconsin Press, April 2024) is a lyrical memoir that expresses a boy’s search for identity while navigating the darkness and isolation of a deeply private inner world.

Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter’s 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter’s inscrutable masked villain, as well as Michael’s potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet.

Richard joins host Sara Batkie for a conversation about the masks we wear, the horrors of suburbia, and finding the right home for your work.

Richard Scott Larson is a queer writer and critic. His debut memoir, The Long Hallway, was published by the University of Wisconsin Press. Born and raised in the suburbs of St. Louis, he studied literature and film criticism at Hunter College and earned his MFA from New York University.

He has received fellowships from MacDowell and the New York Foundation for the Arts, and his work has been supported by residencies from the Virginia Center for the Creative Arts, Vermont Studio Center, Paragraph Workspace for Writers, La Porte Peinte, and the Willa Cather Foundation. He’s an active member of the National Book Critics Circle, and his writing has been recognized twice by The Best American Essays.

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