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Mahler Rückert-Lieder – Um Mitternacht (At Midnight)

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Manage episode 288353201 series 2900628
Innhold levert av Mahler Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Mahler Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Um Mitternacht moves from the most brilliant day to deepest night, and the change is once more immediately apparent in its coloration. Mahler calls for an orchestra without strings. In addition to pairs of woodwinds (with a single oboe d’amore replacing the usual oboes), three horns, two trumpets, three trombones, a single tuba, and timpani, both harp and piano are prescribed.

The length, weight and scale of the song match its theme. Five six-line stanzas (each of which begins and ends with “Um Mitternacht”) are set in a rich and complex contrapuntal idiom, more symphonic than lyric in character.

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A listening guide of Rückert-Lieder – Um Mitternacht with Lew Smoley.

  continue reading

115 episoder

Artwork
iconDel
 
Manage episode 288353201 series 2900628
Innhold levert av Mahler Foundation. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Mahler Foundation eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Um Mitternacht moves from the most brilliant day to deepest night, and the change is once more immediately apparent in its coloration. Mahler calls for an orchestra without strings. In addition to pairs of woodwinds (with a single oboe d’amore replacing the usual oboes), three horns, two trumpets, three trombones, a single tuba, and timpani, both harp and piano are prescribed.

The length, weight and scale of the song match its theme. Five six-line stanzas (each of which begins and ends with “Um Mitternacht”) are set in a rich and complex contrapuntal idiom, more symphonic than lyric in character.

---

A listening guide of Rückert-Lieder – Um Mitternacht with Lew Smoley.

  continue reading

115 episoder

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