From the creators of Archive 81 comes The Deep Vault, a serialized audio drama set in an almost-post-apocalyptic United States. The story follows a group of longtime friends as they journey from the uninhabitable surface world into a mysterious underground bunker in search of safety and shelter. New episodes to be released every other Wednesday. Twitter: @thedeepvault Facebook: www.facebook.com/deepvault Website: www.deepvaultpodcast.com Email: deepvaultpodcast@gmail.com Patreon: patreon.com ...
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Innhold levert av Masters of Motion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Masters of Motion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Alastair Stephen : Fin - 25 years in Motion design & VFX & Producing for Marvel & Netflix
MP3•Episoder hjem
Manage episode 308069690 series 1305124
Innhold levert av Masters of Motion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Masters of Motion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Topics Discussed - Advice to mid level to junior producers, VFX artist & Motion designers - Working in advertising versus longform TV or film - Failures in your career - Lessons you have learnt - Working in motion desgin at Engine - Managing multiple projects efficiently - Producing for Motion design - Producing vfx for film, tv & advertising - Quoting, Team management & Negotiation - Fin Design + vfx - Moving in to Longform VFX - Project Discussion - I Am Mother & - Project Discussion - Shang-Chi & the Legend of the Ten Rings - Reflection & the future Alastair Stephen : Head of Visual Effects at Fin Design + Effects Alastair has been working within the Australian visual effects industry for the last 25 years. Alastair started his career in the advertising sector working within leading international agencies such as DDB, McCann-Erickson, George Patterson Bates and Attik as well as Australia’s foremost visual effects studios, Fuel VFX, Iloura,The Lab and Engine. He has collaborated with directors, supervisors, producers and artists on a myriad of awarding-winning projects throughout his career. Alastair joined Fin Design + Effects in 2013 as Executive Producer and after six years developing Fin’s strategic business plan, expanding its operations and attracting significant international film and television work into the studio, he waspromoted to Head of Visual Effects in 2019. Alastair has been instrumental in securing and managing international productions for Fin comprising: Marvel’s Thor: Ragnarok, & Shang Chi and the Legend of the Ten Rings, Twentieth Century Fox’s Logan, Fox Entertainment’s Cosmos Possible Worlds, Sony Television’s Preacher Season 4, Netflix’s I Am Mother, and Legendary’s Lost in Space 3 Alastair’s skill set includes management of large teams of creative and technical personnel, effective client management, clear communication and strategic business growth within a SME. He has a deep respect for, and extensive understanding of, creativity, technology and innovation within the visual effectsindustry. Alastair’s professional philosophy has been to share knowledge and support the development and growth of a globally competitive visual effects industry in Australia. Alastair is an active member of the Visual Effects Society and is currently Co Chair of the Australian Section www.findesign.com.au
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34 episoder
MP3•Episoder hjem
Manage episode 308069690 series 1305124
Innhold levert av Masters of Motion. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Masters of Motion eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Topics Discussed - Advice to mid level to junior producers, VFX artist & Motion designers - Working in advertising versus longform TV or film - Failures in your career - Lessons you have learnt - Working in motion desgin at Engine - Managing multiple projects efficiently - Producing for Motion design - Producing vfx for film, tv & advertising - Quoting, Team management & Negotiation - Fin Design + vfx - Moving in to Longform VFX - Project Discussion - I Am Mother & - Project Discussion - Shang-Chi & the Legend of the Ten Rings - Reflection & the future Alastair Stephen : Head of Visual Effects at Fin Design + Effects Alastair has been working within the Australian visual effects industry for the last 25 years. Alastair started his career in the advertising sector working within leading international agencies such as DDB, McCann-Erickson, George Patterson Bates and Attik as well as Australia’s foremost visual effects studios, Fuel VFX, Iloura,The Lab and Engine. He has collaborated with directors, supervisors, producers and artists on a myriad of awarding-winning projects throughout his career. Alastair joined Fin Design + Effects in 2013 as Executive Producer and after six years developing Fin’s strategic business plan, expanding its operations and attracting significant international film and television work into the studio, he waspromoted to Head of Visual Effects in 2019. Alastair has been instrumental in securing and managing international productions for Fin comprising: Marvel’s Thor: Ragnarok, & Shang Chi and the Legend of the Ten Rings, Twentieth Century Fox’s Logan, Fox Entertainment’s Cosmos Possible Worlds, Sony Television’s Preacher Season 4, Netflix’s I Am Mother, and Legendary’s Lost in Space 3 Alastair’s skill set includes management of large teams of creative and technical personnel, effective client management, clear communication and strategic business growth within a SME. He has a deep respect for, and extensive understanding of, creativity, technology and innovation within the visual effectsindustry. Alastair’s professional philosophy has been to share knowledge and support the development and growth of a globally competitive visual effects industry in Australia. Alastair is an active member of the Visual Effects Society and is currently Co Chair of the Australian Section www.findesign.com.au
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34 episoder
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