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After Dark w/ Shumon Basar & Dean Kissick (NM43)

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Manage episode 332383395 series 2955554
Innhold levert av New Models. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New Models eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022. Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan’s 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we’ve possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers. [recorded 29 Apr 2022] For more: https://twitter.com/shumonbasar https://twitter.com/deankissick Basar, Obrist, Coupland’s The Extreme Self (Penguin, 2021)https://www.mcnallyjackson.com/book/9783960989738 Dean’s column for Spike Art https://spikeartmagazine.com/?q=search&input=dean+kissick&field_online_bool=All Dean’s 2021 essay for New Models & The Stolbun Institute, “Hello Darkness”https://newmodels.io/editorial/issue-3/hello-darkness-dean-kissick
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103 episoder

Artwork
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Manage episode 332383395 series 2955554
Innhold levert av New Models. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New Models eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022. Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan’s 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we’ve possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers. [recorded 29 Apr 2022] For more: https://twitter.com/shumonbasar https://twitter.com/deankissick Basar, Obrist, Coupland’s The Extreme Self (Penguin, 2021)https://www.mcnallyjackson.com/book/9783960989738 Dean’s column for Spike Art https://spikeartmagazine.com/?q=search&input=dean+kissick&field_online_bool=All Dean’s 2021 essay for New Models & The Stolbun Institute, “Hello Darkness”https://newmodels.io/editorial/issue-3/hello-darkness-dean-kissick
  continue reading

103 episoder

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