“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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After Dark w/ Shumon Basar & Dean Kissick (NM43)
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Manage episode 332383395 series 2955554
Innhold levert av New Models. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New Models eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022. Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan’s 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we’ve possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers. [recorded 29 Apr 2022] For more: https://twitter.com/shumonbasar https://twitter.com/deankissick Basar, Obrist, Coupland’s The Extreme Self (Penguin, 2021)https://www.mcnallyjackson.com/book/9783960989738 Dean’s column for Spike Art https://spikeartmagazine.com/?q=search&input=dean+kissick&field_online_bool=All Dean’s 2021 essay for New Models & The Stolbun Institute, “Hello Darkness”https://newmodels.io/editorial/issue-3/hello-darkness-dean-kissick
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103 episoder
MP3•Episoder hjem
Manage episode 332383395 series 2955554
Innhold levert av New Models. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av New Models eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022. Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan’s 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we’ve possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers. [recorded 29 Apr 2022] For more: https://twitter.com/shumonbasar https://twitter.com/deankissick Basar, Obrist, Coupland’s The Extreme Self (Penguin, 2021)https://www.mcnallyjackson.com/book/9783960989738 Dean’s column for Spike Art https://spikeartmagazine.com/?q=search&input=dean+kissick&field_online_bool=All Dean’s 2021 essay for New Models & The Stolbun Institute, “Hello Darkness”https://newmodels.io/editorial/issue-3/hello-darkness-dean-kissick
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103 episoder
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