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140: Wim Winters (Whole Beat Metronome Principle)

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Manage episode 372777520 series 3005410
Innhold levert av Nikhil Hogan and Nikhil Hogan Show. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Nikhil Hogan and Nikhil Hogan Show eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

0:00 Intro

0:36 Start

1:26 When did you start your YouTube channel, and when did you shift from recording performances to research into Whole Beat?

6:22 Which composers used the clavichord?

9:01 Did playing the Clavichord change the way you played Organ?

11:06 What is the Clavichord's touch like?

12:55 Piano vs Clavichord

18:21 What if we had to reconstruct jazz without having access to any sound recordings but rely only on written transcriptions

30:21 Weren't there musical mechanical clocks during Haydn's time that captured authentic 18th-century musical performance practice?

34:22 What is the Whole Beat Metronome Principle (WBMP)?

36:45 Wim responds to people playing Czerny at single beat tempo

47:18 If Whole Beat is true, why do students and eye-witnesses of the great composers play so fast?

54:31 Was Beethoven's metronome broken?

57:56 Don't the flyers and concert bills that advertise the concerts of these composers invalidate Whole Beat because the concerts would be too long as opposed to their actual advertised length?

1:03:11 What has been the general response to your research overall?

1:08:57 Injuries: The unspoken dark side of performance careers in Classical music

1:14:55 Beethoven recording gets canned because the musicians' careers got threatened

1:15:48 The most powerful classical music agent Ronald Wilford wouldn't allow Cyprien Katsaris to record/perform piano transcriptions if under contract

1:16:22 What does Wim think of partimento and classical improvisation?

1:20:46 Wim's favorite composers

1:23:13 Great compositions sound great slowed down, maybe even better than how they are typically played fast today

1:30:46 Whole Beat can't work because vocal music is impossible if singers have to hold notes that long

1:38:42 Carl Czerny: Whole Beat or Single Beat?

1:38:46 Beethoven: Whole Beat or Single Beat?

1:38:50 Mozart: Whole Beat or Single Beat?

1:39:04 Franz Liszt: Whole Beat or Single Beat?

1:39:14 Did Paris Conservatory graduates historically think in terms of Whole Beat?

1:39:28 Alkan: Whole Beat or Single Beat?

1:39:39 Tchaikovsky: Whole Beat or Single Beat?

1:39:49 Rachmaninoff: Whole Beat or Single Beat?

1:40:54 Debussy and Ravel: Whole Beat or Single Beat?

1:43:50 Rimsky-Korsakov and Stravinsky: Whole Beat or Single Beat?

1:44:13 What tempo should people play Bach?

1:45:23 Wrapping Up

1:47:10 Outro

  continue reading

83 episoder

Artwork
iconDel
 
Manage episode 372777520 series 3005410
Innhold levert av Nikhil Hogan and Nikhil Hogan Show. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Nikhil Hogan and Nikhil Hogan Show eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

0:00 Intro

0:36 Start

1:26 When did you start your YouTube channel, and when did you shift from recording performances to research into Whole Beat?

6:22 Which composers used the clavichord?

9:01 Did playing the Clavichord change the way you played Organ?

11:06 What is the Clavichord's touch like?

12:55 Piano vs Clavichord

18:21 What if we had to reconstruct jazz without having access to any sound recordings but rely only on written transcriptions

30:21 Weren't there musical mechanical clocks during Haydn's time that captured authentic 18th-century musical performance practice?

34:22 What is the Whole Beat Metronome Principle (WBMP)?

36:45 Wim responds to people playing Czerny at single beat tempo

47:18 If Whole Beat is true, why do students and eye-witnesses of the great composers play so fast?

54:31 Was Beethoven's metronome broken?

57:56 Don't the flyers and concert bills that advertise the concerts of these composers invalidate Whole Beat because the concerts would be too long as opposed to their actual advertised length?

1:03:11 What has been the general response to your research overall?

1:08:57 Injuries: The unspoken dark side of performance careers in Classical music

1:14:55 Beethoven recording gets canned because the musicians' careers got threatened

1:15:48 The most powerful classical music agent Ronald Wilford wouldn't allow Cyprien Katsaris to record/perform piano transcriptions if under contract

1:16:22 What does Wim think of partimento and classical improvisation?

1:20:46 Wim's favorite composers

1:23:13 Great compositions sound great slowed down, maybe even better than how they are typically played fast today

1:30:46 Whole Beat can't work because vocal music is impossible if singers have to hold notes that long

1:38:42 Carl Czerny: Whole Beat or Single Beat?

1:38:46 Beethoven: Whole Beat or Single Beat?

1:38:50 Mozart: Whole Beat or Single Beat?

1:39:04 Franz Liszt: Whole Beat or Single Beat?

1:39:14 Did Paris Conservatory graduates historically think in terms of Whole Beat?

1:39:28 Alkan: Whole Beat or Single Beat?

1:39:39 Tchaikovsky: Whole Beat or Single Beat?

1:39:49 Rachmaninoff: Whole Beat or Single Beat?

1:40:54 Debussy and Ravel: Whole Beat or Single Beat?

1:43:50 Rimsky-Korsakov and Stravinsky: Whole Beat or Single Beat?

1:44:13 What tempo should people play Bach?

1:45:23 Wrapping Up

1:47:10 Outro

  continue reading

83 episoder

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